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Felix Mottl
right Felix Josef von Mottl (between 29 July/29 August 1856 – 2 July 1911) was an Austrian conductor and composer. He was regarded as one of the most brilliant conductors of his day. He composed three operas, of which ''Agnes Bernauer'' (Weimar, 1880) was the most successful, as well as a string quartet and numerous songs and other music. His orchestration of Richard Wagner's " Wesendonck Lieder" is still the most commonly performed version. He was also a teacher, and his pupils included Ernest van Dyck and Wilhelm Petersen. Career Mottl was born in Unter Sankt Veit, today Hietzing, Vienna in 1856. His date of birth has been reported variously as 29 July, 24 August, and 29 August. After early voice training at the Löwenburg Konvikt, a training school for the Imperial Court Chapel, he had a successful career at the Vienna Conservatory. He was soon recognized as a gifted conductor of Wagner's music, assisted Hans Richter in preparing the first complete Ring Cycle at Bayreut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlsruhe
Karlsruhe ( , , ; South Franconian German, South Franconian: ''Kallsruh'') is the List of cities in Baden-Württemberg by population, third-largest city of the German States of Germany, state (''Land'') of Baden-Württemberg after its capital of Stuttgart and Mannheim, and the List of cities in Germany by population, 22nd-largest city in the nation, with 308,436 inhabitants. It is also a former capital of Baden, a historic region named after Hohenbaden Castle in the city of Baden-Baden. Located on the right bank of the Rhine near the French border, between the Mannheim/Ludwigshafen conurbation to the north and Strasbourg/Kehl to the south, Karlsruhe is Germany's legal center, being home to the Federal Constitutional Court (''Bundesverfassungsgericht''), the Federal Court of Justice (''Bundesgerichtshof'') and the Public Prosecutor General (Germany), Public Prosecutor General of the Federal Court of Justice (''Generalbundesanwalt beim Bundesgerichtshof''). Karlsruhe was the capit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Behn
Fritz originated as a German nickname for Friedrich, or Frederick (''Der Alte Fritz'', and ''Stary Fryc'' were common nicknames for King Frederick II of Prussia and Frederick III, German Emperor) as well as for similar names including Fridolin and, less commonly, Francis. Fritz (Fryc) was also a name given to German troops by the Entente powers equivalent to the derogative Tommy. Other common bases for which the name Fritz was used include the surnames Fritsche, Fritzsche, Fritsch, Frisch(e) and Frycz. Below is a list of notable people with the name "Fritz." Surname * Amanda Fritz (born 1958), retired registered psychiatric nurse and politician from Oregon * Al Fritz (1924–2013), American businessman * Ben Fritz (born 1981), American baseball coach * Betty Jane Fritz (1924–1994), one of the original players in the All-American Girls Professional Baseball League *Clemens Fritz (born 1980), German footballer *Edmund Fritz (before 1918–after 1932), Austrian actor, film dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zdenka Faßbender
Zdenka Faßbender (also Zdenka Hanfstaengl, Zdenka Anna Fassbenderová; 12 December 1879 – 14 March 1954) was a Czech born German operatic soprano. Life Born in Děčín, Faßbender attended the Prague Conservatory and received training as a stage singer with Sophie Loewe-Destinn. In 1899 she made her debut at the Hoftheater Karlsruhe as Rachel in ''La Juive'' by Jacques Fromental Halévy. She soon achieved success as an interpreter of highly dramatic roles. On 7 June 1903, she took over the title role in the premiere of the opera ''Ilsebill'' by Friedrich Klose. In Karlsruhe she met the conductor Felix Mottl. When he was called to the Nationaltheater München in 1904, Faßbender followed him there in 1905. In Munich she was Mottl's partner, but she married him only in 1911 on his deathbed, because his first wife Henriette Mottl-Standthartner did not agree to a divorce. After his death, she married in 1920 with the art publisher Edgar Hanfstaengl (1883-1958, eldest son of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Welte-Mignon
M. Welte & Sons, Freiburg and New York was a manufacturer of orchestrions, organs and reproducing pianos, established in Vöhrenbach by Michael Welte (1807–1880) in 1832. Overview From 1832 until 1932, the firm produced mechanical musical instruments of the highest quality. The firm's founder, Michael Welte (1807-1880), and his company were prominent in the technical development and construction of orchestrions from 1850, until the early 20th century. In 1872, the firm moved from the remote Black Forest town of Vöhrenbach into a newly developed business complex beneath the main railway station in Freiburg, Germany. They created an epoch-making development when they substituted the playing gear of their instruments from fragile wood pinned cylinders to perforated paper rolls. In 1883, Emil Welte (1841-1923), the eldest son of Michael, who had emigrated to the United States in 1865, patented the paper roll method (), the model of the later piano roll. In 1889, the tec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Player Piano
A player piano (also known as a pianola) is a self-playing piano containing a pneumatic or electro-mechanical mechanism, that operates the piano action via programmed music recorded on perforated paper or metallic rolls, with more modern implementations using MIDI. The rise of the player piano grew with the rise of the mass-produced piano for the home, in the late 19th and early 20th century. Sales peaked in 1924, then declined, as the improvement in phonograph recordings due to electrical recording methods developed in the mid-1920s. The advent of electrical amplification in home music reproduction via radio in the same period helped cause their eventual decline in popularity, and the stock market crash of 1929 virtually wiped out production. History In 1896, Edwin S. Votey invented the first practical pneumatic piano player, called the Pianola. This mechanism came into widespread use in the 20th century, and was all-pneumatic, with foot-operated bellows providing a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Behn – Felix Mottl
Fritz originated as a German nickname for Friedrich, or Frederick (''Der Alte Fritz'', and ''Stary Fryc'' were common nicknames for King Frederick II of Prussia and Frederick III, German Emperor) as well as for similar names including Fridolin and, less commonly, Francis. Fritz (Fryc) was also a name given to German troops by the Entente powers equivalent to the derogative Tommy. Other common bases for which the name Fritz was used include the surnames Fritsche, Fritzsche, Fritsch, Frisch(e) and Frycz. Below is a list of notable people with the name "Fritz." Surname *Amanda Fritz (born 1958), retired registered psychiatric nurse and politician from Oregon *Al Fritz (1924–2013), American businessman * Ben Fritz (born 1981), American baseball coach *Betty Jane Fritz (1924–1994), one of the original players in the All-American Girls Professional Baseball League *Clemens Fritz (born 1980), German footballer *Edmund Fritz (before 1918–after 1932), Austrian actor, film director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Arts, Berlin
The Academy of Arts (german: Akademie der Künste) is a state arts institution in Berlin, Germany. The task of the Academy is to promote art, as well as to advise and support the states of Germany. The Academy's predecessor organization was founded in 1696 by Elector Frederick III of Brandenburg as the Brandenburg Academy of Arts, an academic institution in which members could meet and discuss and share ideas. The current Academy was founded on 1 October 1993 as the re-unification of formerly separate East and West Berlin academies. Membership The Academy is an incorporated body of the public right under the laws of the Federal Republic of Germany. New members are nominated by secret ballot of the general assembly, and appointed by the president with membership never to exceed 500. The academy‘s recent presidents include: * Adolf Muschg – (2003–2006) * Klaus Staeck – (2006–2015) * Jeanine Meerapfel – (2015– ) History Beginning in the 1690s, the Prussian A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them ''Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trois Valses Romantiques
The Trois valses romantiques (Three Romantic Waltzes) are a set of three pieces for two pianos by Emmanuel Chabrier.Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999. History Chabrier began the composition in mid 1880, completing the first two; the third was not completed until the summer of 1883. Chabrier wrote his friend Paul Lacome that he was damned if he knew why he was writing them, as the Enochs (his publishers) will find them too long, too difficult; but that he thought they might sell well, particularly to young ladies who play the piano seriously. Myers notes the considerable demands made on players’ technique.Myers R. ''Emmanuel Chabrier and his circle''. J M Dent and Sons, London, 1973. To inform his publisher Georges Costallat that he had finally managed to finish the third waltz, on 3 September 1883 he wrote an acrostic postcard, thus: ''—Oiseau qui se pare des plumes du paon.'' ( geai) ''—Qualification de la nommée Carabosse.'' ( fée) ''—Note de la gamme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourrée Fantasque
"Bourrée fantasque" is a piece of music for solo piano by Emmanuel Chabrier (1841–1894), being one of his last major completed works. Background "Bourrée fantasque" is dedicated to the pianist Édouard Risler (1873–1929), who in fact did not play the work in public until after the composer's death. The first public performance was given by (Mme Henry Jossic, 1868–1905) on 7 January 1893 at the Société Nationale de Musique in Paris.Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999. It was composed around April 1891, following a visit to his native Auvergne the previous summer, when Chabrier's health was deteriorating. According to Alfred Cortot it is "one of the most exciting and original works in the whole literature of French piano music".Myers R. ''Emmanuel Chabrier and his circle''. J M Dent and Sons, London, 1973. Unlike much nineteenth century writing for the pianoforte, the instrument is treated almost like an orchestra, and "foreshadows innovations in pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
