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Feel Every Beat
"Feel Every Beat" was the third single by the English band Electronic. It was released in the UK on 9 September 1991 (see 1991 in music) by Factory Records and was a modest commercial success. Composition The A-side is a combination of rock and house music, and is a favourite of both the two members Johnny Marr and Bernard Sumner. Marr began an early version of "Feel Every Beat" with the intention of releasing it on a solo album. Sumner's lyrics are about the criminalisation of rave culture in Britain. The two B-sides, "Lean to the Inside" (an instrumental that used sampled drums from the ABC song "Fear of the World") and "Second to None," are included on the 2013 Special Edition bonus disc of the Electronic album re-release. Both tracks are listed as "2013 edit". The disc also features a "2013 edit" of ''Feel Every Beat''. Artwork The single was packaged by 3a, and featured a contemporary design with stars and a minimalist colour scheme, which differed subtly from format ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic (band)
Electronic were an English alternative dance supergroup formed by singer/guitarist Bernard Sumner (of New Order) and guitarist Johnny Marr (of the Smiths). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe of the Pet Shop Boys on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. History The two first met in 1984 when the Smiths guitarist contributed to a Quando Quango track that Sumner was producing. Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. He decided to produce a solo album but found that he did not enjoy working alone, so he called Marr for help.''Q'', July 1991 Inspired by contemporary dance music like Italo house and acts such as Technotronic, their initial concept was to release white label records on Factory and remain an anonymous entity, in contra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of vinyl records and cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format co-developed by Philips and Sony to store and play digital audio recordings. It employs the Compact Disc Digital Audio (CD-DA) standard and was capable of holding of uncompressed stereo audio. First released in Japan in October 1982, the CD was the second optical disc format to reach the market, following the larger LaserDisc (LD). In later years, the technology was adapted for computer data storage as CD-ROM and subsequently expanded into various writable and multimedia formats. , over 200 billion CDs (including audio CDs, CD-ROMs, and CD-Rs) had been sold worldwide. Standard CDs have a diameter of and typically hold up to 74 minutes of audio or approximately of data. This was later regularly extended to 80 minutes or by reducing the spacing between data tracks, with some discs unofficially reaching up to 99 minutes or which falls outside established specifications. Smaller variants, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English) or a vinyl record (for later varieties only) is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the outside edge and ends near the center of the disc. The stored sound information is made audible by playing the record on a phonograph (or "gramophone", "turntable", or "record player"). Records have been produced in different formats with playing times ranging from a few minutes to around 30 minutes per side. For about half a century, the discs were commonly made from shellac and these records typically ran at a rotational speed of 78 rpm, giving it the nickname "78s" ("seventy-eights"). After the 1940s, "vinyl" records made from polyvinyl chloride (PVC) became standard replacing the old 78s and remain so to this day; they have since been produced in various sizes and speeds, most commonly 7-inch discs pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DX Coding
DX (Digital indeX) encoding is a standard for marking 35 mm and APS photographic film and film cartridges, originally introduced by Kodak in 1983. It includes multiple markings, which are a latent image barcode on the bottom edge of the film, below the sprocket holes, a conductive pattern on the cartridge used by automatic cameras, and a barcode on the cartridge read by photo-finishing machines. The DX encoding system was incorporated into ANSI PH1.14, which provided standards for 135 film magazines for still picture cameras and was superseded by NAPM IT1.14 in 1994; it is now part of ISO standard 1007, whose latest revision was issued in 2000. History In order to simplify the handling of 35 mm film in 135 format cartridges, Kodak introduced the DX encoding method on 3 January 1983. In contrast to the film speed encoding method developed by Fuji in 1977, which used electrical contacts for film speed detection on 135 format cartridges, Kodak's DX encoding system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Farrow
Mark Farrow (born May 1960) is a British graphic designer known for his work with English music label Factory Records and Manchester nightclub The Haçienda. He has also done work for bands such as Pet Shop Boys and Spiritualized. In 2009 he was named a Royal Designer for Industry (RDI) by the Royal Society of Arts. Early life Farrow attended art college for a short time but quit to work in a Manchester design studio. He also worked at The Discount Record Shop in Manchester's Underground Market. With the advent of punk rock, the shop was frequented by clientele like Ben Kelly and Peter Saville, both connected to Factory Records and The Haçienda nightclub. Design work In 1982, after befriending groups as part of the Manchester scene, Farrow was given the chance to design the cover for the 7-inch single "Fairy Tales" by the Stockholm Monsters, a Factory release. Throughout the early 80s, he designed experimental sleeves and posters for both Factory and The Haçienda, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discogs
Discogs ( ; short for " discographies") is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. Database contents are user-generated, and described in ''The New York Times'' as "Wikipedia-like". While the site was originally created with the goal of becoming the largest online database of electronic music, it now includes releases in all genres and on all formats. By 2015, it had a new goal: that of "cataloging every single piece of physical music ever created." As of 2025, its database contains over 18 million user-submitted album listings. History Discogs was started in 2000 by Kevin Lewandowski who worked as a programmer at Intel Intel Corporation is an American multinational corporation and technology company headquartered in Santa Clara, California, and Delaware General Corporation Law, incorporated in Delaware. Intel designs, manufactures, and sells computer compo .... It wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ABC (band)
ABC are an English pop band which originated in Sheffield in 1980, evolving from the earlier ensemble Vice Versa. They are best known as pioneers of the new wave and sophisti-pop movements, blending synth-pop with orchestral and jazz influences. The band achieved mainstream success with their debut album, ''The Lexicon of Love'' (1982), which featured the hit singles "The Look of Love" and "Poison Arrow" and reached number one on the UK Albums Chart. Fronted by Martin Fry, the band's only constant member, the band's classic formation featured Fry as the lead vocalist, Mark White on guitar and keyboards, Stephen Singleton on saxophone, and David Palmer on drums. ABC achieved ten UK and five US top 40 hit singles from 1981 to 1990. Their 1982 debut studio album, '' The Lexicon of Love'', was a UK number one. Their early-1980s success in the US saw them associated with the Second British Invasion. ABC continued to release music throughout the 1980s, with notable albums such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, or sound effects. A sample might comprise only a fragment of sound, or a longer portion of music, such as a drum beat or melody. Samples are often layered, Equalization (audio), equalized, sped up or slowed down, repitched, Loop (music), looped, or otherwise manipulated. They are usually integrated using electronic music instruments (Sampler (musical instrument), samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with ''musique concrète'', experimental music created by Tape splice, splicing and Tape loop, looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental
An instrumental or instrumental song is music without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through Semantic change, semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duet, duo or trio (music), trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1920s–1940s It was founded in 1926 by Leicester-born composer and publisher Lawrence Wright as the house magazine for his music publishing business, often promoting his own songs. Two months later it had become a full scale magazine, more generally aimed at dance band musicians, under the title ''The Melody Maker and British Metronome''. It was published monthly from the basement of 19 Denmark Street in LondonPeter Watts. ''Denmark Street: London's Street of Sound'' (2023), pp. 30-31 (soon relocating to 93 Long Acre), and the first editor was the drummer and dance-band leader Edgar Jackson (1895-1967). Jackson instigated a jazz column, which gained in credibility once it was taken over by Spike Hughes in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rave
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. Fuelled by the emerging dance scene, and spearheaded by acid house music and undergro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
