Faux Hebrew
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Faux Hebrew
Faux Hebrew is a Latin script typeface that mimics the calligraphic curves and large serif of Hebrew characters. The style is used for decorative purposes, such as in artwork, foreign branding advertisements, and antisemitic propaganda, often to evoke themes of Jewishness or represent Israel. In some cases, actual Hebrew letters are substituted for Latin letters. For example, the alef א is used for X, shin ש is used for W, and samekh ס is used for O. The first Faux Hebrew typeset was Papirtis Maseltov, created in 1963 by Charles Papirtis. Criticism Like other typefaces that mimic non-Latin characters, the use of Faux Hebrew has been a subject of criticism. Some view the use of Faux Hebrew script as appropriating Jewish culture without understanding its historical or religious significance. Jessica Helfand in a 2007 Design Observer essay compared using Faux Hebrew to Don Imus's comments on the Rutgers women's basketball team, stating, "what's the difference betwee ...
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Yellow Badge
The yellow badge, also known as the yellow patch, the Jewish badge, or the yellow star (, ), was an accessory that Jews were required to wear in certain non-Jewish societies throughout history. A Jew's ethno-religious identity, which would be denoted by the badge, would help to mark them as an outsider. Legislation that mandated Jewish subjects to wear such items has been documented in some Middle Eastern caliphates and in some European kingdoms during the medieval period and the early modern period. The most recent usage of yellow badges was during World War II, when Jews living in Nazi Germany and German-occupied Europe were ordered to wear a yellow Star of David to keep their Jewish identity disclosed to the public in the years leading up to the Holocaust. History Muslim world The practice of wearing special clothing or markings to distinguish Jews and other non-Muslims ( dhimmis) in Muslim-dominated countries seems to have been introduced in the Umayyad Caliphate by Caliph ...
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The Forward
''The Forward'' (), formerly known as ''The Jewish Daily Forward'', is an American news media organization for a Jewish American audience. Founded in 1897 as a Yiddish-language daily socialist newspaper, ''The New York Times'' reported that Seth Lipsky "started an English-language offshoot of the Yiddish-language newspaper" as a weekly newspaper in 1990. In the 21st century ''The Forward'' is a digital only publication. In 2016, the publication of the Yiddish version changed its print format from a biweekly newspaper to a monthly magazine; the English weekly paper followed suit in 2017. Those magazines were published until 2019. The Yiddish ''Forward'' (''Forverts'') is a clearinghouse for the latest developments in the Yiddish world with almost daily news reports related to Yiddish language and culture as well as videos of cooking demonstrations, Yiddish humor and new songs. A Yiddish rendition of the Leonard Cohen song " Hallelujah", translated and performed by klezmer musici ...
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Typography
Typography is the art and technique of Typesetting, arranging type to make written language legibility, legible, readability, readable and beauty, appealing when displayed. The arrangement of type involves selecting typefaces, Point (typography), point sizes, line lengths, line spacing, letter spacing, and Kerning, spaces between pairs of letters. The term ''typography'' is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information. Typography is also the work of graphic designers, art directors, manga artists, comic book artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, ...
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Pseudo-Hebrew
Pseudo-Hebrew is the artistic use of symbols meant to appear like Hebrew script but that are not in fact Hebrew letters. The related phenomenon of the use of actual Hebrew letters in ways that do not represent actual language may be called "nonsense Hebrew". Gary Schwartz, an art historian, notes that the use of pseudo-Hebrew in 15th-century art is not distinctive, as other works of the time also contain pseudo-Greek, Hebrew, and Latin. See also * Faux Hebrew * Pseudo-Kufic * Pseudo-runes Notes Bibliography

* * * Originally published in Romanian in ''Caiete de Arte și Design'' 8 (2020): 58–63. * * * * {{refend Medieval art Christian iconography Hebrew alphabet Pseudoscripts ...
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