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Fashionable Friends
''Fashionable Friends'' is an 1802 comedy play by the British author Mary Berry, although she initially claimed it to have been written by her friend Horace Walpole and found amongst his possessions after his death. It appeared at the Theatre Royal, Drury Lane on 22 April 1802.Greene p.4509 The Drury Lane cast included Thomas King as Sir Valentine Vapour, Charles Kemble as Sir Dudley Dorimant, William Barrymore as Mr. Lovell, Richard Suett as Doctor Syrop, Walter Maddocks as Music Master, Ralph Wewitzer as Lapierre, Maria Theresa Kemble as Lady Selina Vapour, Jane Pope as Mrs. Racket, Dorothea Jordan as Miss Racket, Sarah Harlowe as Trimming and Charlotte Tidswell as Lappet. The prologue was written by William Robert Spencer William Robert Spencer (9 January 176922/23 October 1834) was an English poet and wit from the Spencer family. Early life Spencer was born in Kensington Palace on 9 January 1769. He was the younger son of Lord Charles Spencer and his wife Mar .... The ...
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Mary Berry (writer, Born 1763)
Mary Berry (16 March 1763 – 20 November 1852) was an English non-fiction writer born in Kirkbridge, North Yorkshire. She is best known for her letters and journals, namely ''Social Life in England and France from the French Revolution'', published in 1831, and ''Journals and Correspondence'', published after her death in 1865. Berry became notable through her association with close friend Horace Walpole, whose literary collection she, along with her sister and father, inherited. Early life Berry was born in Kirkbridge, North Yorkshire on 16 March 1763. Her younger sister Agnes, who proved to be Mary's closest confidant during her life, was born fourteen months later on 29 May 1764. Their father, Robert Berry, was the nephew of a successful Scottish merchant named Ferguson. Robert received £300,000 in mid-life and bought an estate at Raith in Fifeshire. As the older son of Ferguson's sister, he began working at his uncle's counting-house in Broad Street, Austin Friars. In ...
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Maria Theresa Kemble
Maria Theresa Kemble (1774–1838), née Marie Thérèse Du Camp, was an Archduchy of Austria-born English actress, singer, dancer and comic playwright on the stage. She was the wife of actor Charles Kemble and mother of Fanny Kemble, part of the Kemble acting dynasty. Early life She was the daughter of Jeanne Dufour and George De Camp who were both performers. She was born in Vienna, Archduchy of Austria, Holy Roman Empire on 17 January 1774 and brought to England where she appeared as Cupid at the age of six years old in Jean-Georges Noverre's ballet at the Opera House. She spoke no English and learned the language herself although she was tutored in other subjects. Two years later she appeared in ''La Colombe'' by Madame de Genlis. After she appeared at the Royal Circus she was employed by George Colman's Haymarket Theatre to appear in ''The Nosegay'' on 14 June 1786 with James Harvey D'Egville in the presence of the royal family. On 21 June she danced in ''The Polonaise ...
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Comedy Plays
Comedy is a genre of dramatic works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. Origins Comedy originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic ...
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1802 Plays
Eighteen or 18 may refer to: * 18 (number) * One of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Science * Argon, a noble gas in the periodic table * 18 Melpomene, an asteroid in the asteroid belt Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. * ''18'' (Jeff Beck and Johnny Depp album), 2022 Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four' ...
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William Robert Spencer
William Robert Spencer (9 January 176922/23 October 1834) was an English poet and wit from the Spencer family. Early life Spencer was born in Kensington Palace on 9 January 1769. He was the younger son of Lord Charles Spencer and his wife Mary Beauclerk. His eldest brother, Robert Spencer, married Henrietta Fawkener (daughter of Sir Everard Fawkener) and his other brother, John Spencer, married their cousin, Lady Elizabeth Spencer (daughter of George Spencer, 4th Duke of Marlborough). His father was MP for Oxfordshire. His paternal grandparents were Charles Spencer, 3rd Duke of Marlborough and the former Hon. Elizabeth Trevor (a daughter of Thomas Trevor, 2nd Baron Trevor). His maternal grandfather was Vere Beauclerk, 1st Baron Vere and his uncle was Aubrey Beauclerk, 5th Duke of St Albans. Spencer was educated at Harrow School and matriculated at Christ Church, Oxford in 1786, though he left the university without receiving a degree. Career Spencer's wit made him a p ...
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Prologue
A prologue or prolog (from Ancient Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "speech") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek word πρόλογος includes the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek tragedy#Structure, Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of h ...
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Charlotte Tidswell
Charlotte Tidswell (c. 1760 – 3 September 1846) was an English actress. Life Tidswell was born in 1759 or 1760 and her father may have been a soldier. She may have been acting for five years when her name was first mentioned when she appeared with the company creating "The Busy Body" at Drury Lane. This would end up being her main theatre. She had been the mistress of Charles Howard who was a Duke of Norfolk and it was conjectured that this was the reason she started at Drury Lane. In 1787 Edmund Kean was born. The identity of his mother is unknown and many suspected that Tidswell, who was known to him as "Aunt Tid", was his mother. She certainly mothered him and took an interest in him as he developed into an acting prodigy and she steered his career. His father figure was Moses Kean who was a solo performer, but it is not certain who Edmund's father was. One source says that it was Moses's younger brother. Moses died in 1792. Tidswell would act during the winter at Drury ...
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Sarah Harlowe
Sarah Harlowe (c. 1765–1852) was a popular actress of the London stage around the turn of the 19th century. Biography Harlowe was born in London in about 1765. Under the name of Mrs.Harlowe, she made her first appearance on the stage at Colnbrook, near Slough, in 1787, removing in the following year to Windsor, where she met Francis Godolphin Waldron (1743–1818) and became his wife. Stage life Waldron was prompter of the Haymarket Theatre, London, manager of the Windsor and Richmond theatres, a bookseller, an occasional actor at the Haymarket and Drury Lane, manager of the Drury Lane Theatrical Fund, the writer of several comedies, and a Shakespearean scholar. Through her husband's interest, Mrs. Harlowe got an engagement at Sadler's Wells, where she gained some celebrity as a singer, actor, and performer in pantomimes. She appeared at Covent Garden on 4 November 1790 in the ''Fugitive''. She was the original singer of ''Down in the country and lived a lass''. The song wa ...
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Dorothea Jordan
Dorothea Jordan (née Bland; 22 November 17615 July 1816) was an Anglo-Irish actress, as well as a courtesan. She was the long-time partner of Prince William, Duke of Clarence (later King William IV), and the mother of 10 illegitimate children by him, all of whom took the surname FitzClarence. She was known professionally as Dorothea Francis and Dorothea Jordan, was informally Dora Jordan, and she was commonly referred to as Mrs Jordan and Mrs FitzClarence. Early life Dorothea Bland was born near Waterford City in Ireland on 22 November 1761, and was baptised at St Martin in the Fields, Middlesex on 5 December of that year.Anthony J. Camp: ''Ancestry of Mrs Jordan''
etrieved 4 December 2014
She was the t ...
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Jane Pope
Jane Pope (1744 – 30 July 1818) was an English actress. Life Pope was the daughter William and Susanna Pope. Her father was a London theatrical wig-maker for the Theatre Royal, Drury Lane. (There has been confusion over her date of birth with different authorities giving 1742 and 1744, but in a letter from Jane Pope of 1808 she states her age as 64.) Pope had three brothers and she spent her life living with her sister who was named after their mother. Neither of them married. As a child Pope and her brother were recruited as child extras for a Lilliputian production for Garrick in 1756. From this she speedily developed into soubrette roles. Pope had a dispute with Garrick over whether she was worth eight or ten pounds a week. She left his company but returned when he offered to reemploy her and Pope agreed to eight pounds. She was Mrs Candour in ''The School for Scandal'' at its first presentation (1777). There is a painting of Jane Pope by James Roberts in the role of M ...
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Ralph Wewitzer
Ralph Wewitzer (1748–1825) was an English actor. He won critical acclaim in supporting parts, but was never given leading roles. He had a 44-year acting career, and is thought to have learned over 400 speaking parts. Early roles at Covent Garden He was born on 17 December 1748 in Salisbury Street, Strand, London, to Peter and Ann Wewitzer; his parents were involved in the theatre, and his father was Swiss or Norwegian. He is identified by Gerald Reitlinger and Kalman Burnim as Jewish by background. Wewitzer was once apprenticed to a jeweller. He made his first appearance at Covent Garden Theatre in May 1773 as Ralph in ''The Maid in the Mill'', it is said for the benefit of his sister Sarah Wewitzer. On 21 November 1775 he was the original Lopez, a Spanish manservant in '' The Duenna'' by Richard Brinsley Sheridan. For 14 years he remained at Covent Garden. It was said that in the early days Wewitzer, in debt, went to Dublin, where he acted under Thomas Ryder. Among his parts ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and listed building, Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The present building, opened in 1812, is the most recent of four theatres that stood at the location since 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of Legitimate theater, "legitimate" drama English drama, in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the Stuart Rest ...
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