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Fartein Valen
Olav Fartein Valen (25 August 1887 – 14 December 1952) was a Norwegian composer, notable for his work in atonal polyphonic music. He developed a polyphony similar to Bach's counterpoint, but based on motivic working and dissonance rather than harmonic progression. Biography Early life Valen was born in Stavanger, Norway in 1887 into a deeply Christian religious family and maintained his religious beliefs all his life. His parents were missionaries, and he spent five years of his childhood in Madagascar. In addition to his aptitude for music, he was also a polyglot, mastering at least nine languages. He earned his examen artium with the highest grades in all subjects except mathematics. He loved cats, nature and literature, cultivated roses (even developed an award-winning hybrid), and after losing them in a devastating freeze took up growing cacti. Musical career In 1906, Valen moved to Kristiania (today's Oslo) to study Norwegian literature and language but also took classes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stavanger
Stavanger, officially the Stavanger Municipality, is a city and municipalities of Norway, municipality in Norway. It is the third largest city and third largest metropolitan area in Norway (through conurbation with neighboring Sandnes) and the administrative center of Rogaland county. The municipality is the fourth most populous in Norway. Located on the Stavanger Peninsula in southwest Norway, Stavanger counts its official founding year as 1125, the year the Stavanger Cathedral was completed. Stavanger's core is to a large degree 18th- and 19th-century wooden houses that are protected and considered part of the city's cultural heritage. This has caused the town center and inner city to retain a small-town character with an unusually high ratio of detached houses, and has contributed significantly to spreading the city's population growth to outlying parts of Greater Stavanger. The city's population rapidly grew in the late 20th century due to its oil industry. Stavanger is know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunnhordland
Sunnhordland is a traditional district in the western region of Norway. The district consists of the southern coastal regions of the old Hordaland county (now part of Vestland county). It includes the areas that surround the mouth of the Hardangerfjorden and the surrounding islands. The municipalities of Sveio, Etne, Stord, Bømlo, Fitjar, Kvinnherad, and Tysnes (and sometimes Austevoll) make up the district of Sunnhordaland. The regional centre of this district is the town of Leirvik in Stord. In all, the district includes about of land. There were about 58,680 inhabitants in 2014, giving it a population density of about . About 50% of the land area is mountainous land above in elevation with most of the population living below that level in the valleys and coastal areas. Name The name ''Sunnhordland'' is derived from ''"søndre Hordaland"'' which means "the southern part of Hordaland". It is similar in nature to the nearby districts of Nordhordland and Midh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernist Composers
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and Subjectivity and objectivity (philosophy), subjective experience. Philosophy, politics, architecture, and social issues were all aspects of this movement. Modernism centered around beliefs in a "growing Marx's theory of alienation, alienation" from prevailing "morality, optimism, and Convention (norm), convention" and a desire to change how "social organization, human beings in a society interact and live together". The modernist movement emerged during the late 19th century in response to significant changes in Western culture, including secularization and the growing influence of science. It is characterized by a self-conscious rejection of tradition and the search for newer means of cultural expressions, cultural expression. Modernism was influenced by widespread technological innovation, industrialization, and urbanization, as well as the cul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Rapoport (music Researcher)
Paul Rapoport (born 1948) is a Canadian musicologist, music critic, composer and professor at McMaster University in Hamilton, Ontario. Biography Rapoport was born in 1948 in Toronto, Ontario. He received his bachelor's degree in linguistics and music at the University of Michigan in 1970 and his master's degree at the University of Illinois Urbana-Champaign in 1972 with a thesis on Havergal Brian's Gothic Symphony. He went on to gain a doctorate at the same university in 1975, with a dissertation about Vagn Holmboe's four ''Symphonic Metamorphoses''. Part of the substantial collection of material related to composer Kaikhosru Shapurji Sorabji at McMaster University's library was obtained in 1988 through Rapoport's efforts. In addition to his work on Sorabji, he has been most associated with the music of Havergal Brian, Vagn Holmboe and Allan Pettersson as well as with various aspects of microtonal music. He has made use of microtones in his own compositions, which include a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Tyrrell was born in Salisbury, Zimbabwe and worked as a professor of music and executive editor of ''The New Grove Dictionary of Music and Musicians''. He died in 2018, aged 76. Early life and education Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He graduated Bachelor of Music at the University of Cape Town following which he moved to the University of Oxford to pursue a doctoral degree under the supervision of Edmund Rubbra. Career Tyrrell started his career working in an editorial capacity at '' The Musical Times''. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to music journalism, beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ståle Kleiberg
Ståle Kleiberg (born 8 March 1958) is a contemporary classical composer and musicologist from Norway. Biography Kleiberg was born in Stavanger in 1958. He graduated from the University of Oslo with a degree in musicology and later from the Norwegian Academy of Music with a diploma degree in composition. In addition he has studied in England. Kleiberg has worked as a composer since 1981 when he received his first commission. He was appointed associate professor at the department of music at the University of Trondheim in 1986, and professor of music at the Norwegian University of Science and Technology (NTNU) in 2008. Works Kleiberg's output ranges from chamber music to works for full orchestra; a number of these are the result of commissions from leading orchestras and ensembles. Kleiberg's works are often to be found on concert programmes. His 'Dopo' for cello and string orchestra was included on the TrondheimSoloist's recent tour of England. In the British journal 'Tempo' thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arve Tellefsen
Arve Tellefsen () (born 14 December 1936) is a Norwegian violinist who has worked with conductors such as Mariss Jansons, Arvid Jansons, Herbert Blomstedt, Gary Bertini, Evgeny Svetlanov, Bryden Thomson, Neeme Järvi, Esa-Pekka Salonen, Paavo Berglund, Vladimir Ashkenazy, Walter Weller and Zubin Mehta. In the UK, he has appeared with the Royal Philharmonic, the London Philharmonic, The Hallé, BBC Scottish Symphony Orchestra, BBC Welsh Orchestra, the Liverpool Philharmonic and the Royal Scottish National Orchestra. Career When he was six years old, Tellefsen began playing the violin in 'Trondheims musikkskole' (the music school in Trondheim). In 1955, he began his studies at The Royal Danish Academy of Music in Copenhagen. In 1959, he had his debut in Universitetets Aula, Oslo. Tellefsen has won the Harriet Cohen International Music Award. Tellefsen founded the Oslo Chamber Music Festival, which takes place annually and attracts the cream of internationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 121
Psalm 121 is the 121st psalm of the Book of Psalms, beginning in English in the King James Version: "I will lift up mine eyes unto the hills, from whence cometh my help”. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 120. In Latin, it is known as Levavi oculos meos in montes. It is one of 15 psalms categorized as Song of Ascents (''Shir Hama'alot''), although unlike the others, it begins, ''Shir LaMa'alot'' (A song ''to'' the ascents). The psalm is structured as a dialogue, with its opening question, ''From whence comes my help?'' being answered, possibly in a temple setting, by the priest.Rodd, C. S., ''18. Psalms'', in Barton, J. and Muddiman, J. (2001)The Oxford Bible Commentary, p. 399 The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has been set to music in several languages. Felix Mendelssohn used it for '' Hebe deine Augen a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glenn Gould
Glenn Herbert Gould (; né Gold; 25 September 19324 October 1982) was a Canadian classical pianist. He was among the most famous and celebrated pianists of the 20th century, renowned as an interpreter of the keyboard works of Johann Sebastian Bach. His playing was distinguished by remarkable technical proficiency and a capacity to articulate the contrapuntal texture of Bach's music. Gould rejected most of the Romantic piano literature by Chopin, Schumann, Liszt, Rachmaninoff, and others, in favour of Bach and Beethoven mainly, along with some late-Romantic and modernist composers. Gould also recorded works by Haydn, Mozart, and Brahms; pre-Baroque composers such as Jan Pieterszoon Sweelinck, William Byrd, and Orlando Gibbons; and 20th-century composers including Paul Hindemith, Arnold Schoenberg, Alexander Scriabin and Richard Strauss. Gould was also a writer and broadcaster, and dabbled in composing and conducting. He produced television programmes about classical music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
