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Farnace (Vivaldi)
''Farnace'' is an opera by Italian composer Antonio Vivaldi, set to a libretto by Antonio Maria Lucchini initially set by Leonardo Vinci during 1724. Vivaldi's setting received its first performance in 1727 at the Teatro Sant'Angelo in Venice. Popular at the time, and revived with great success at the Sporck theater in Prague in 1730, Vivaldi's ''Farnace'' ( RV 711) slipped into oblivion until the last quarter of the 20th century when it emerged from obscurity. History of the libretto ''Farnace'' is the title of several 18th-century operas set to various librettos. The earliest version was written by Lorenzo Morari with music by Antonio Caldara, first performed at the Teatro Sant'Angelo in Venice in 1703. The best known libretto on this subject, however, was written by Antonio Maria Lucchini and set by Vinci and Vivaldi. Corselli version ''Farnace'' was recomposed by Francesco Corselli (1705–1778) (an Italian composer with a French father). Corselli's ''Farnace'' received ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertos known as '' the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale della Pietà'', a home for abandoned children. Vivaldi had worked as a Catholic p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called " countertenors". The Italian terms "contralto" and " alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delphine Galou
Delphine Galou (born 1977) is a French contralto. She was the "Discovery of the Year" of the French Association for the Promotion of Young Artists in 2004. Galou's outstanding vocal technique combined with noble bearing allow her performances of the most virtuoso roles of the baroque repertoire. Early life and education Galou was born in Paris in 1977, and studied philosophy at the Sorbonne while also studying piano and voice. Career Galou started her career in 2000 as a member of the ensemble of the "Jeunes Voix du Rhin", and performed at the Opéra national du Rhin in roles such as Hänsel in ''Hänsel und Gretel'', Lucretia in ''The Rape of Lucretia'', and Mercedes in ''Carmen'', and she was subsequently a guest in Rennes, Dijon, Caen, Angers-Nantes, Toulon, Nancy, Luxemburg, Freiburg, Basel, St Gallen, at the Händel Festival in Karlsruhe, and at the Schwetzingen Festival. Galou has established herself internationally as a George Frideric Händel specialist, with parts su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Fasolis
Diego Fasolis (born 19 April 1958) is a Swiss classical organist and conductor, the leader of the ensemble I Barocchisti. He has conducted operas in historically informed performance at major European opera houses and festivals, and has made award-winning recordings. Career Born in Lugano, Fasolis studied in Zurich, at both the Zurich Conservatory and the Musikhochschule, organ with Erich Vollenwyder, piano with Jürg Wintschger, voice with Carol Smith, and conducting with Klaus Knall, achieving all four diplomas with distinction. He further studied organ and organ improvisation with Gaston Litaize in Paris, and historically informed performance (HIP) with Michael Radulescu. In 1985 and 1986, he performed the complete organ works by Johann Sebastian Bach, Felix Mendelssohn and Franz Liszt. He received several international awards such as the Stresa first prize, the first prize and scholarship of the Migros-Göhner Foundation, the Hegar Prize, the Traetta Prize 2020, and he was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Barocchisti
I, or i, is the ninth letter and the third vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''i'' (pronounced ), plural ''ies''. History In the Phoenician alphabet, the letter may have originated in a hieroglyph for an arm that represented a voiced pharyngeal fricative () in Egyptian, but was reassigned to (as in English "yes") by Semites, because their word for "arm" began with that sound. This letter could also be used to represent , the close front unrounded vowel, mainly in foreign words. The Greeks adopted a form of this Phoenician ''yodh'' as their letter ''iota'' () to represent , the same as in the Old Italic alphabet. In Latin (as in Modern Greek), it was also used to represent and this use persists in the languages that descended from Latin. The modern letter ' j' originated as a variation of 'i', and both were used interchangeably for b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruxandra Donose
Ruxandra Donose (born 2 September 1964, in Bucharest) is a Romanian operatic mezzo-soprano. Donose studied singing with Georgeta Stoleriu at the Ciprian Porumbescu Conservatory, where she graduated in 1989. In 1990 she was the runner up at the ARD International Music Competition. After this, she had her first engagement abroad, in Basel. In 1992 she became a member of the Vienna State Opera. From there, she developed a fast-paced international career, as an opera singer (Covent Garden, Opéra Bastille, Metropolitan Opera, Salzburg Festival etc.) and also as an interpreter for Lied and oratorio. Donose is considered a distinguished bel canto singer, but also one of the leading interpreters of the French and the Mozartian mezzo-soprano repertoire. Her voice is "marked by a dark, warm tone, extreme mobility and light, shining heights". About her live recording with Rossini's ''La cenerentola'', in the title role, at Glyndebourne festival 2005, Barry Brenesal notes: "However, I wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Emanuel Cencic
Max or MAX may refer to: Animals * Max (dog) (1983–2013), at one time purported to be the world's oldest living dog * Max (English Springer Spaniel), the first pet dog to win the PDSA Order of Merit (animal equivalent of OBE) * Max (gorilla) (1971–2004), a western lowland gorilla at the Johannesburg Zoo who was shot by a criminal in 1997 Brands and enterprises * Australian Max Beer * Max Hamburgers, a fast-food corporation * MAX Index, a Hungarian domestic government bond index * Max Fashion, an Indian clothing brand Computing * MAX (operating system), a Spanish-language Linux version * Max (software), a music programming language * Commodore MAX Machine * Multimedia Acceleration eXtensions, extensions for HP PA-RISC Films * ''Max'' (1994 film), a Canadian film by Charles Wilkinson * ''Max'' (2002 film), a film about Adolf Hitler * ''Max'' (2015 film), an American war drama film Games * ''Dancing Stage Max'', a 2005 game in the ''Dance Dance Revolution'' series * '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jordi Savall
Jordi Savall i Bernadet (; born 1 August 1941) is a Spanish conductor, composer and viol player. He has been one of the major figures in the field of Western early music since the 1970s, largely responsible for popularizing the viol family of instruments (notably the viola da gamba) in contemporary performance and recording. As a historian of early music his repertoire features everything from medieval, Renaissance and Baroque through to the Classical and Romantic periods. He has incorporated non-western musical traditions in his work; including African vernacular music for a documentary on slavery. Musical education His musical training started at age six in the school choir of his native Igualada (1947–55). After graduating from the Barcelona's Conservatory of Music (where he studied from 1959 to 1965) he specialized in early music, collaborating with Ars Musicae de Barcelona under Enric Gispert, studying with August Wenzinger at the Schola Cantorum Basiliensis in Bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro De La Zarzuela
The Teatro de la Zarzuela is a theatre in Madrid, Spain. The theatre is today mainly devoted to zarzuela (the Spanish traditional musical theatre genre), as well as operetta and recitals. History The theatre was designed by architect Jerónimo de la Gándara and built by José María Sánchez Guallart on the initiative of the Spanish Lyrical Company to provide a space for performances of operettas in the Spanish capital. It was modelled on the La Scala theatre in Milan with its three-level horseshoe form and opened to the public on 10 October 1856, the birthday of Queen Isabella II. The name refers to zarzuela, a theatre form that alternates spoken and sung scenes. Its promoters were established masters of the genre such as Francisco Asenjo Barbieri, Joaquín Gaztambide, Rafael Hernando, José Inzenga, baritono Francisco de Salas, librettist Luis de Olona and composer Cristóbal Oudrid, under Francisco de las Rivas, an important banker. In the second half of the ninete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sara Mingardo
Sara Mingardo (born 2 March 1961) is an Italian classical contralto who has had an active international career in concerts and operas since the 1980s. Her complete recording of Anna in Hector Berlioz's ''Les Troyens'' won a Gramophone Award and both the Grammy Award for Best Opera Recording and the Grammy Award for Best Classical Album in 2002. Some of the other roles she has performed on stage or on disc include Andronico in '' Tamerlano'', Mistress Quickly in '' Falstaff'', Rosina in '' The Barber of Seville'', and the title roles in ''Carmen'', '' Giulio Cesare'', ''Riccardo Primo'', and ''Rinaldo''. She has also recorded several Vivaldi cantatas, Bach cantatas, and such concert works as Mozart's ''Requiem'', Rossini's ''Stabat Mater'', and Vivaldi's ''Gloria'' among others. Life and career Born in Venice, Mingardo studied singing with Paolo Ghitti in her native city at the Conservatorio di Musica Benedetto Marcello di Venezia. She won first prize at the Toti dal Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
