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Famulus
Famulus (possibly Fabulus, Fabullus, or Amulius) was a fresco painter famous for his work in the Domus Aurea, Rome, that was commissioned by Nero. Because he was mentioned by Pliny the Elder, he is one of the earliest artists in Europe for which a contemporary biography survives. Biography Famulus and assistants from his studio covered a large amount of the Domus Aurea wall with frescoes. Pliny, in his ''Natural History,'' recounts how Famulus went for only a few hours each day to the Golden House, to work while the light was right. Pliny the Elder presents him as one of the principal painters of the ''domus aurea'': More recently, lived Amulius, a grave and serious personage, but a painter in the florid style. By this artist there was a Minerva, which had the appearance of always looking at the spectators, from whatever point it was viewed. He only painted a few hours each day, and then with the greatest gravity, for he always kept the toga on, even when in the midst of his imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domus Aurea
The Domus Aurea (Latin, "Golden House") was a vast landscaped complex built by the Roman Empire, Emperor Nero largely on the Oppian Hill in the heart of ancient Rome after the Great Fire of Rome, great fire in 64 AD had destroyed a large part of the city.Roth (1993) It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site. History Construction began after the great fire of 64 and was nearly completed before Nero's death in 68, a remarkably short time for such an enormous project. Nero took great interest in every detail of the project, according to Tacitus, and oversaw the engineer-architects, Celer and Severus, who were also responsible for the attempted navigable canal with which Nero hoped to link Misenum with Lake Avernus. Emperor Otho and possibly Titus allotted money to finish at least the structure on the Oppian Hill; this continued to be inhabited, notably by emperor Vitellius in 69 but only after falling ill, until it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pliny's Natural History
The ''Natural History'' () is a Latin work by Pliny the Elder. The largest single work to have survived from the Roman Empire to the modern day, the ''Natural History'' compiles information gleaned from other ancient authors. Despite the work's title, its subject area is not limited to what is today understood by natural history; Pliny himself defines his scope as "the natural world, or life". It is encyclopedic in scope, but its structure is not like that of a modern encyclopedia. It is the only work by Pliny to have survived, and the last that he published. He published the first 10 books in AD 77, but had not made a final revision of the remainder at the time of Pliny the Elder#Death, his death during the Eruption of Mount Vesuvius in 79 AD, AD 79 eruption of Vesuvius. The rest was published posthumously by Pliny's nephew, Pliny the Younger. The work is divided into 37 books, organised into 10 volumes. These cover topics including astronomy, mathematics, geography, ethn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domus Fresco
In ancient Rome, the ''domus'' (: ''domūs'', genitive: ''domūs'' or ''domī'') was the type of town house occupied by the upper classes and some wealthy freedmen during the Republican and Imperial eras. It was found in almost all the major cities throughout the Roman territories. The modern English word ''domestic'' comes from Latin ''domesticus'', which is derived from the word ''domus''. Along with a ''domus'' in the city, many of the richest families of ancient Rome also owned a separate country house known as a villa. Many chose to live primarily, or even exclusively, in their villas; these homes were generally much grander in scale and on larger acres of land due to more space outside the walled and fortified city. The elite classes of Roman society constructed their residences with elaborate marble decorations, inlaid marble paneling, door jambs and columns as well as expensive paintings and frescoes. Many poor and lower-middle-class Romans lived in crowded, dirty a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vatican Loggias
The Vatican loggias () are a corridor space in the Apostolic Palace, originally open to the elements on one side. Their construction was begun by Donato Bramante in 1512. They were decorated in fresco around 1519 by Raphael's large team of artists, with Giovanni da Udine involved. Because of the relative unimportance of the space, and a desire to copy the recently re-discovered Domus Aurea style of Ancient Roman painting, no large paintings were used, and the surfaces were mostly covered with grotesque designs on a white background, with paintings imitating sculptures in niches, and small figurative subjects in a revival of Ancient Roman style. This large array provided a repertoire of elements that were the basis for later artists creating grotesque decoration across Europe.Wilson, 152 The loggias now form part of the ceremonial route for distinguished visitors, but are not otherwise on the tourist route. Between 1787-1792 the architect Giacomo Quarenghi constructed a full ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mythology
Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion. Myths are often endorsed by religious (when they are closely linked to religion or spirituality) and secular authorities. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals. Etymology The word "myth" comes from Ancient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionist
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pompeian Styles
The Pompeian Styles are four periods which are distinguished in Roman art#Painting, ancient Roman mural painting. They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest groups of surviving Roman frescoes. The wall painting styles have allowed art historians to delineate phases of interior decoration leading up to the eruption of Mount Vesuvius in 79 AD between stylistic shifts in Augustan and Julio-Claudian art, Roman art during late Republican and Augustan periods. The four main styles of Roman wall painting defined are: structural (or incrustation), architectural, ornamental, and intricate. Each style following the first contains aspects of the previous styles. The first two styles (incrustation and architectural) were from the Republican period (related to Hellenistic Greek wall painting) and the last two (ornamental and intricate) from the Imperial period. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism, also spelled Neo-classicism, emerged as a Western cultural movement in the decorative arts, decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome, largely due to the writings of Johann Joachim Winckelmann during the rediscovery of Pompeii and Herculaneum. Its popularity expanded throughout Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, eventually competing with Romanticism. In architecture, the style endured throughout the 19th, 20th, and into the 21st century. European Neoclassicism in the visual arts began in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, Ornament ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In classical architecture, the frieze is the wide central section of an entablature and may be plain in the Ionic order, Ionic or Corinthian order, Corinthian orders, or decorated with bas-reliefs. Patera (architecture), Paterae are also usually used to decorate friezes. Even when neither column (architecture), columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the molding (decorative), moldings of the cornice (architecture), cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painting, painted, sculpture, sculpted or even calligraphy, calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Renaissance Painting
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas. The city of Florence in Tuscany is renowned as the birthplace of the Renaissance, and in particular of Renaissance painting, although later in the era Rome and Venice assumed increasing importance in painting. A detailed background is given in the companion articles Renaissance art and Renaissance architecture. Italian Renaissance painting is most often divided into four periods: the Proto-Renaissance (1300–1425), the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Platonism in the Renaissance, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at Vatican ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dictionary Of Greek And Roman Biography And Mythology
The ''Dictionary of Greek and Roman Biography and Mythology'' is a biographical dictionary of classical antiquity, edited by William Smith (lexicographer), William Smith and originally published in London by John Taylor (English publisher), Taylor, Walton (and Maberly) and John Murray (publishing house), John Murray from 1844 to 1849 in three volumes of more than 3,700 pages. It is a classic work of 19th-century lexicography. The work is a companion to Smith's ''Dictionary of Greek and Roman Antiquities'' and ''Dictionary of Greek and Roman Geography''. Authors and scope The work lists thirty-five authors in addition to the editor, who was also the author of the unsigned articles. The other authors were Classics, classical scholars, primarily from University of Oxford, Oxford, University of Cambridge, Cambridge, Rugby School, and the University of Bonn, but some were from other institutions. Many of the mythological entries were the work of the German expatriate Leonhard Schmit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
