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Fabrice Aragno
Fabrice Aragno (born 31 March 1970) is a Swiss director, producer, and cinematographer. Career He attended the École cantonale d'art de Lausanne, graduating in 1998. Aragno has made several short films, including ''Dimanche'' (his graduation film, selected for the 1999 Cannes Film Festival), ''Le Jeu'' (2003), and ''Autoure de Claire'' (2010). Since 2002, he has worked with Jean-Luc Godard, directing ''Notre musique'' (2004) and on picture and sound for ''Film Socialisme'' (2010), '' Les Trois Désastres'' (2013) and ''Goodbye to Language'' (french: Adieu au langage) (2014). To create certain effects in the 3D film, Aragno built his own camera rig in order to allow the 3D image to appear as a double exposure in each of the spectators eyes. This effect has been called innovative and a new addition to cinematic techniques. Aragno said that he "made a couple of tests with friends at their home of a boy and a girl…I asked the boy to go to the kitchen on my right, and the right ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neuchâtel
Neuchâtel (, , ; german: Neuenburg) is the capital of the Swiss canton of Neuchâtel, situated on the shoreline of Lake Neuchâtel. Since the fusion in 2021 of the municipalities of Neuchâtel, Corcelles-Cormondrèche, Peseux, and Valangin, the city has approximately 45,000 inhabitants (80,000 in the metropolitan area). The city is sometimes referred to historically by the German name ; both the French and German names mean "New Castle". It was originally part of the Kingdom of Burgundy, then part of the Holy Roman Empire and later under Prussian control from 1707 until 1848, with an interruption during the Napoleonic Wars from 1802 to 1814. In 1848, Neuchâtel became a republic and a canton of Switzerland. Neuchâtel is a centre of the Swiss watch industry, the site of micro-technology and high-tech industries, and home to research centres and organizations such as the Swiss Center for Electronics and Microtechnology (CSEM), and Philip Morris International's ''Cube''. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddy Buache - Le Cinéma
Freddy or Freddie may refer to: Entertainment * Freddy (comic strip), a newspaper comic strip which ran from 1955 to 1980 *Freddie (Cromartie), a character from the Japanese manga series''Cromartie High School'' *Freddie (dance), a short-lived 1960s dance fad * Freddy (franchise), a franchise that began with ''A Nightmare on Elm Street'' ** Freddy Krueger, a character from the franchise * ''Freddie'' (TV series) a sitcom created by Freddie Prinze, Jr. *Freddy Fazbear, the titular character of ''Five Nights at Freddy's'' * ''Freddie'' (Freddie Gibbs album), 2018 *'' Freddy'', 2022 indian film starring Kartik Aaryan People * Freddy (given name), a list of people with Freddy or Freddie as a given name or nickname * Freddie (cricketer), English cricketer and TV personality * Freddie (singer) (born 1990), Hungarian singer * Freddy (Angolan footballer) (born 1979) * Fredesvinda García (1935-1961), Cuban singer known as Freddy Other uses * Freddy (dog), a Great Dane known for being the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Jeu (2002 Film)
''Nothing to Hide'' (french: Le Jeu, lit=The Game ) is a 2018 French dramatic comedy film directed by Fred Cavayé, adapted from the 2016 Italian film '' Perfect Strangers'' by Paolo Genovese. Plot A group of old friends and their partners meet up one evening for a dinner party hosted by Marie and Vincent. A rare lunar eclipse is also expected to occur on the same evening. At the dinner table, after hearing of Ben's questionably humorous story of a woman who found out about her husband's extramarital affairs only upon his death at the hospital after looking through the messages on his unlocked mobile phone, the group then starts discussing their phone lock settings and sharing information on their phones with their partners. To spice up the dinner, Marie then suggests a game where everyone surrenders their phones to the centre of the table and any messages, emails, or calls received on anyone's phone would have to be shared with everyone else. As the game progresses, more secrets b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dimanche (1998 Film)
''Dimanche'' (''Sunday''), also known as ''Dimanche - Le Journal d'un Seul Jour'' (''Sunday - The Newspaper for Only One Day'') is an artist's book by the French artist Yves Klein. Taking the form of a 4-page Sunday broadsheet, the piece was published on Sunday 27 November 1960 and sold on newsstands throughout Paris for one day only, as well as being handed out at a press conference held by Klein at the Galerie Rive Droite at 11.00am on the same day. An early example of conceptual art, it is most famous for being the first time that the photo-montage commonly known as ''The Leap Into The Void'' was published. 'Dimanche combines appropriation, performance, actionism, conceptual art, and photo-montage all in one, and hints at this range of art movements just then coming into existence. It takes the form of a one-day newspaper, designed as an alternative to the regular Sunday paper, and includes texts and visual works by Klein, including his manifesto, "Theatre du Vide" (Theater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Livre D'image
''The Image Book'' (french: Le Livre d'image) is a 2018 Swiss avant-garde essay film directed by Jean-Luc Godard. Initially titled ''Tentative de bleu'' and ''Image et parole'', in December 2016 Wild Bunch co-chief Vincent Maraval stated that Godard had been shooting the film for almost two years "in various Arab countries, including Tunisia" and that it is an examination of the modern Arabic world. Godard told ''Séance'' magazine that he was shooting without actors but the film would have a storyteller. It was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival. The film was positively received by film critics. It was the final film directed by Godard before his death in 2022. Synopsis In line with the rest of Godard's late-period oeuvre, ''The Image Book'' is composed of a series of films, paintings and pieces of music tied together with narration and additional original footage by Godard and Anne-Marie Miéville. Similar to his earlier series ''Histoire(s) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2018 In Film
2018 in film is an overview of events, including the highest-grossing films, award ceremonies, critics' lists of the best films of 2018, festivals, a list of films released and notable deaths. Evaluation of the year Richard Brody of ''The New Yorker'' said, "2018 has been a banner year for movies, but you'd never know it from a trip to a local multiplex—or from a glimpse at the Oscarizables. The gap between what's good and what's widely available in theatres—between the cinema of resistance and the cinema of consensus—is wider than ever." He also stated, "In some cases, streaming has filled the gap. Several of the year's best movies, such ''Shirkers'' and '' The Ballad of Buster Scruggs'', are being released by Netflix at the same time as (or just after) a limited theatrical run. Others, which barely qualified as having theatrical releases (one theatre for a week), are now available to stream online, on demand, and are more widely accessible to viewers (albeit at home) t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2014 In Film
The following is an overview of the events of 2014 in film, including the highest-grossing films, award ceremonies, festivals, and a list of films released and notable deaths. Evaluation of the year In his article highlighting the best films of 2014, Richard Brody of ''The New Yorker'' stated, "The great surge in American filmmaking in the past ten years is due to independent financing at all levels. The American independent cinema is right now the flower of the world, but independence isn't in itself a merit badge. Artistically, the films in question range from the majestic to the meretricious. Independent financing has set truly imaginative directors into free flight. This is a moment of extraordinary cinematic invention—of filmmakers, working at a wide range of budget levels, coming up with original and personal ideas about movies and how to make them. On the other hand, this independent surge has also created a new class of culturally respectable directors and films, an ost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2013 In Film
The following tables list films released in 2013. Three popular films (''Top Gun'', ''Jurassic Park'', and ''The Wizard of Oz'') were re-released in 3D and IMAX. Evaluation of the year Richard Brody of ''The New Yorker'' said, "The year 2013 has been an amazing one for movies, though maybe every year is an amazing year for movies if one is ready to be amazed by movies. It’s also a particularly apt year to make a list of the best films. Making a list is not merely a numerical act but also a polemical one, and the best of this year’s films are polemical in their assertion of the singularity of cinema, as well as of the art form’s opposition to the disposable images of television. The 2013 crop comprises an unplanned, if not accidental, collective declaration of the essence of the cinema, an art of images and sounds that, at their best, don’t exist to tell a story or to tantalize the audience (though they may well do so) but, rather, to reflect a crisis in the life of the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2010 In Film
In the year 2010, there was a dramatic increase and prominence in the use of 3D-technology in filmmaking after the success of ''Avatar'' in the format, with releases such as '' Alice in Wonderland'', '' Clash of the Titans'', '' Jackass 3D'', all animated films, with numerous other titles being released in 3D formats. 20th Century Fox celebrated its 75th anniversary in 2010. Evaluation of the year In his article highlighting the best movies of 2010, Richard Brody of ''The New Yorker'' said: "At times it feels as if we’re living in something of a cinematic golden age, but one that’s altogether different from earlier halcyon days. Where some celebrate the former genius of the system to explain an earlier day’s proliferation of fine movies, now the system is something of a blunderer that often flings itself into follies or even crushes inspiration under its weight, but sometimes gets carried away, for reasons good or bad, and hands surprising control of vast resources over to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
