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Expressionist Architecture
Expressionist architecture was an architectural movement in Europe during the first decades of the 20th century in parallel with the expressionist visual and performing arts that especially developed and dominated in Germany. Brick Expressionism is a special variant of this movement in western and northern Germany, as well as in the Netherlands (where it is known as the Amsterdam School). In the 1920s The term "Expressionist architecture" initially described the activity of the German, Dutch, Austrian, Czech and Danish avant garde from 1910 until 1930. Subsequent redefinitions extended the term backwards to 1905 and also widened it to encompass the rest of Europe. Today the meaning has broadened even further to refer to architecture of any date or location that exhibits some of the qualities of the original movement such as; distortion, fragmentation or the communication of violent or overstressed emotion. The style was characterised by an early-modernist adoption of novel ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Einsteinturm 7443a
The Einstein Tower (German: ''Einsteinturm'') is an astrophysical observatory in the Albert Einstein Science Park in Potsdam, Germany built by architect Erich Mendelsohn. It was built on the summit of the Potsdam '' Telegraphenberg'' to house a solar telescope designed by the astronomer Erwin Finlay-Freundlich. The telescope supports experiments and observations to validate (or disprove) Albert Einstein's relativity theory. The building was first conceived around 1917, built from 1919 to 1921 after a fund-raising drive, and became operational in 1924. Although Einstein never worked there, he supported the construction and operation of the telescope. It is still a working solar observatory today as part of the Leibniz Institute for Astrophysics Potsdam. Light from the telescope is directed down through the shaft to the basement where the instruments and laboratory are located. There were more than half a dozen telescopes in the laboratory. This was one of Mendelsohn's first major p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Großes Schauspielhaus
The Großes Schauspielhaus (Great Theater) was a theatre in Berlin, Germany, often described as an example of expressionist architecture, designed by Hans Poelzig for theatre impresario Max Reinhardt. The structure was originally a market built by architect Friedrich Hitzig, and it retained its external, gabled form. It then became the Zirkus Schumann, a circus arena. It was renovated by Poelzig and reopened in 1919, contained seating for 3500 people. Max Reinhardt wanted to attract a working-class audience. The large size allowed for people who could pay top prices for the best seats to support low-cost seats, in the back of the theater. Painted red, it was a cavernous, domed space and had no balconies, which contributed to its vastness. Its dome and the pillars were decorated with Muqarnas, a honeycombed pendentive ornament, which resembled stalactites. When illuminated, the ceiling's lightbulbs formed patterns of celestial constellations, and the vaulted ceiling took on another ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaus Pevsner
Sir Nikolaus Bernhard Leon Pevsner (30 January 1902 – 18 August 1983) was a German-British art historian and architectural historian best known for his monumental 46-volume series of county-by-county guides, ''The Buildings of England'' (1951–74). Life Nikolaus Pevsner was born in Leipzig, Saxony, the son of Anna and her husband Hugo Pevsner, a Russian-Jewish fur merchant. He attended St. Thomas School, Leipzig, and went on to study at several universities, Munich, Berlin, and Frankfurt am Main, before being awarded a doctorate by Leipzig in 1924 for a thesis on the Baroque architecture of Leipzig. In 1923, he married Carola ("Lola") Kurlbaum, the daughter of distinguished Leipzig lawyer Alfred Kurlbaum. He worked as an assistant keeper at the Dresden Gallery between 1924 and 1928. He converted from Judaism to Lutheranism early in his life. During this period he became interested in establishing the supremacy of German modernist architecture after becoming aware of Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Degenerate Art
Degenerate art (german: Entartete Kunst was a term adopted in the 1920s by the Nazi Party in Germany to describe modern art. During the dictatorship of Adolf Hitler, German modernist art, including many works of internationally renowned artists, was removed from state-owned museums and banned in Nazi Germany on the grounds that such art was an "insult to German feeling", un-German, Freemasonic, Jewish, or Communist in nature. Those identified as degenerate artists were subjected to sanctions that included being dismissed from teaching positions, being forbidden to exhibit or to sell their art, and in some cases being forbidden to produce art. ''Degenerate Art'' also was the title of an exhibition, held by the Nazis in Munich in 1937, consisting of 650 modernist artworks chaotically hung and accompanied by text labels deriding the art. Designed to inflame public opinion against modernism, the exhibition subsequently traveled to several other cities in Germany and Austria. While ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazi
Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in Nazi Germany. During Hitler's rise to power in 1930s Europe, it was frequently referred to as Hitlerism (german: Hitlerfaschismus). The later related term " neo-Nazism" is applied to other far-right groups with similar ideas which formed after the Second World War. Nazism is a form of fascism, with disdain for liberal democracy and the parliamentary system. It incorporates a dictatorship, fervent antisemitism, anti-communism, scientific racism, and the use of eugenics into its creed. Its extreme nationalism originated in pan-Germanism and the ethno-nationalist '' Völkisch'' movement which had been a prominent aspect of German nationalism since the late 19th century, and it was strongly influenced by the paramilitary groups that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Scharoun
Bernhard Hans Henry Scharoun (20 September 1893 – 25 November 1972) was a German architect best known for designing the Berliner Philharmonie (home to the Berlin Philharmonic) and the Schminke House in Löbau, Saxony. He was an important exponent of organic and expressionist architecture. Life 1893 to 1924 Scharoun was born in Bremen. After passing his Abitur in Bremerhaven in 1912, Scharoun studied architecture at the Technical University of Berlin until 1914 (at the time called ''Königliche Technische Hochschule'', the Royal Technical University of Berlin), but he did not complete his studies. He had already shown an interest in architecture during his school years. At the age of 16 he drafted his first designs, and at 18 he entered for the first time an architectural competition for the modernisation of a church in Bremerhaven. In 1914 he volunteered to serve in the First World War. Paul Kruchen, his mentor from his time in Berlin, had asked him to assist in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Objectivity (architecture)
The New Objectivity (a translation of the German ''Neue Sachlichkeit'', sometimes also translated as New Sobriety) is a name often given to the Modern architecture that emerged in Europe, primarily German-speaking Europe, in the 1920s and 30s. It is also frequently called ''Neues Bauen'' (New Building). The New Objectivity remodeled many German cities in this period. Werkbund and Expressionism The earliest examples of the style date to before the First World War, under the auspices of the Deutscher Werkbund's attempt to provide a modern face for Germany. Many of the architects who would become associated with the New Objectivity were practicing in a similar manner in the 1910s, using glass surfaces and severe geometric compositions. Examples of this include Walter Gropius and Adolf Meyer's 1911 Fagus Factory or Hans Poelzig's 1912 department store in Breslau (Wrocław). However, in the aftermath of the war these architects (as well as others such as Bruno Taut) worked in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Poelzig
Hans Poelzig (30 April 1869 – 14 June 1936) was a German architect, painter and set designer. Life Poelzig was born in Berlin in 1869 to Countess Clara Henrietta Maria Poelzig while she was married to George Acland Ames, an Englishman. Uncertain of his paternity, Ames refused to acknowledge Hans as his son and consequently he was brought up by a local choirmaster and his wife. In 1899 he married Maria Voss with whom he had four children.Dawson, p.96 His mother was the daughter of Alexander von Hanstein, Count of Pölzig and Beiersdorf who married Princess Louise of Saxe-Gotha-Altenburg in 1826. Because of this, Clara was the step-sister to Albert, Prince Consort making Hans a step-cousin to Albert's children. Education In 1903 he became a teacher and director at the Breslau Academy of Art and Design (german: Kunst- und Gewerbeschule Breslau; today in Wrocław, Poland). From 1920–1935 he taught at the Technical University of Berlin (). Career After finishing his architect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mies Van Der Rohe
Ludwig Mies van der Rohe ( ; ; born Maria Ludwig Michael Mies; March 27, 1886August 17, 1969) was a German-American architect. He was commonly referred to as Mies, his surname. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is regarded as one of the pioneers of modernist architecture. In the 1930s, Mies was the last director of the Bauhaus, a ground-breaking school of modernist art, design and architecture. After Nazism's rise to power, with its strong opposition to modernism (leading to the closing of the Bauhaus itself), Mies emigrated to the United States. He accepted the position to head the architecture school at what is today the Illinois Institute of Technology in Chicago. Mies sought to establish his own particular architectural style that could represent modern times just as Classical and Gothic did for their own eras. The style he created made a statement with its extreme clarity and simplicity. His mature buildings made use of mode ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Gropius
Walter Adolph Georg Gropius (18 May 1883 – 5 July 1969) was a German-American architect and founder of the Bauhaus School, who, along with Alvar Aalto, Ludwig Mies van der Rohe, Le Corbusier and Frank Lloyd Wright, is widely regarded as one of the pioneering masters of modernist architecture. He is a founder of Bauhaus in Weimar (1919). Gropius was also a leading architect of the International Style. Family and early life Born in Berlin, Walter Gropius was the third child of Walter Adolph Gropius and Manon Auguste Pauline Scharnweber (1855–1933), daughter of the Prussian politician Georg Scharnweber (1816–1894). Walter's great-uncle Martin Gropius (1824–1880) was the architect of the Kunstgewerbemuseum in Berlin and a follower of Karl Friedrich Schinkel, with whom Walter's great-grandfather Carl Gropius, who fought under Field Marshal Gebhard Leberecht von Blücher at the Battle of Waterloo, had shared a flat as a bachelor. In 1915 Gropius married Alma Mahle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Potsdam
Potsdam () is the capital and, with around 183,000 inhabitants, largest city of the German state of Brandenburg. It is part of the Berlin/Brandenburg Metropolitan Region. Potsdam sits on the River Havel, a tributary of the Elbe, downstream of Berlin, and lies embedded in a hilly morainic landscape dotted with many lakes, around 20 of which are located within Potsdam's city limits. It lies some southwest of Berlin's city centre. The name of the city and of many of its boroughs are of Slavic origin. Potsdam was a residence of the Prussian kings and the German Kaiser until 1918. Its planning embodied ideas of the Age of Enlightenment: through a careful balance of architecture and landscape, Potsdam was intended as "a picturesque, pastoral dream" which would remind its residents of their relationship with nature and reason. The city, which is over 1000 years old, is widely known for its palaces, its lakes, and its overall historical and cultural significance. Landmarks inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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