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Extended-range Bass
An extended-range bass is an electric bass guitar with a wider frequency range than a standard-tuned four-string bass guitar. Terminology One way that a bass can be considered ''extended-range'' is to use a mechanical detuner, a special machine head, tuning machine (head) that includes a mechanical lever to allow for instant re-tuning during the live performance. When the player toggles the lever, the pitch of the string drops by a pre-set interval. A common use of detuners is to drop the low E to a low D. Detuners are more rarely used on other strings. An exception to this is Michael Manring, who plays a bass equipped with a mechanical detuner on every string, especially useful for enabling access to a wider range number of string harmonics. Another way to get an extended range is to add strings. The most common type of bass guitar with more than four strings is the five-string bass. Five-string basses often have a low-B string, extending the instrument's lower range. Less co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Thompson (luthier)
Carl Thompson (born February 5, 1939) is a luthier and musician specializing in the construction of high-quality custom bass guitars. He is based in Brooklyn, New York. Born in Pitcairn, Pennsylvania, to a large musical family, Thompson moved to New York City in 1967 to pursue a career as a jazz guitarist. After working in a guitar shop to supplement his income, he started his own guitar repair business. He made his first instrument in 1974. Carl Thompson has invented several important designs for modern basses. The most important advances in design attributed to Carl are his invention of Neck-thru instruments using a single piece heel block, as well as lengthening the electric bass from a 34" scale to a 36" and 38", which extends the harmonic overtones producing a richer timbre that is more consistent with the traditional acoustic bass. The piccolo bass, a guitar of the same dimensions as a normal bass but tuned an octave higher, was envisioned by Stanley Clarke and first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five-string Bass
An extended-range bass is an electric bass guitar with a wider frequency range than a standard-tuned four-string bass guitar. Terminology One way that a bass can be considered ''extended-range'' is to use a mechanical detuner, a special tuning machine (head) that includes a mechanical lever to allow for instant re-tuning during the live performance. When the player toggles the lever, the pitch of the string drops by a pre-set interval. A common use of detuners is to drop the low E to a low D. Detuners are more rarely used on other strings. An exception to this is Michael Manring, who plays a bass equipped with a mechanical detuner on every string, especially useful for enabling access to a wider range number of string harmonics. Another way to get an extended range is to add strings. The most common type of bass guitar with more than four strings is the five-string bass. Five-string basses often have a low-B string, extending the instrument's lower range. Less commonly, fiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Jackson (musician)
Anthony Jackson (born June 23, 1952) is an American bassist. Described as "one of the masters of the instrument", he has performed as a session musician and live artist. He is also credited with the development of the modern extended-range bass, six-string bass, which he refers to as an electric contrabass guitar. Biography Jackson played piano before starting guitar in his teens. When he turned to bass, he was inspired by James Jamerson and Jack Casady. Jackson worked as a session musician, in the Billy Paul band, and with Philadelphia International Records. Paul’s 1972 hit "Me and Mrs. Jones" was Jackson’s first No. 1 record. His performance on "For the Love of Money" by The O'Jays helped move the song to No. 9 on the pop chart and No. 3 on the R&B chart in 1974. Jackson is a student of Jerry Fisher, Lawrence Lucie, and Pat Martino. He has performed live in more than 30 countries and has recorded in more than 3000 sessions on more than 500 albums. In 2016 Jackson had to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comping (jazz)
In jazz, comping (an abbreviation of accompaniment; or possibly from the verb, to "complement") is the jazz harmony, chords, rhythms, and countermelody, countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's musical improvisation, improvised solo (music), solo or melody lines. It is also the action of accompanying, and the left-hand part of a solo pianist.Hughes, Fred (2002). ''The Jazz Pianist: Left Hand Voicings and Chord Theory'', p.5. . Types In a standard jazz combo, the pianist or guitarist typically comps during the horn section, horn and double bass solos by improvising chord (music), chords and counter-melody, countermelodies. The chordal accompaniment used in jazz is different from the chordal accompaniment style used in many types of popular music, such as rock and folk. *In a rock or folk band, a guitarist or piano player will accompany by playing primarily root-position triad (music), triads consisting of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tapping
Tapping is a playing technique that can be used on any stringed instrument, but which is most commonly used on guitar. The technique involves a string being fretted and set into vibration as part of a single motion. This is in contrast to standard techniques that involve fretting with one hand and picking with the other. Tapping is the primary technique intended for instruments such as the Chapman Stick. Description Tapping is an extended technique, executed by using either hand to 'tap' the strings against the fingerboard, thus producing legato notes. Tapping generally incorporates pull-offs or hammer-ons. For example, a right-handed guitarist might press down abruptly ("hammer") onto fret twelve with the index finger of the right hand and, in the motion of removing that finger, pluck ("pull") the same string already fretted at the eighth fret by the little finger of their left hand. This finger would be removed in the same way, pulling off to the fifth fret. Thus the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slapping (music)
Slapping and popping are ways to produce percussive sounds on a stringed instrument. They are primarily used on the double bass or bass guitar. Slapping on bass guitar involves using the edge of one's knuckle, where it is particularly bony, to quickly strike the string against the fretboard. On bass guitars, this is commonly done with the thumb, while on double bass, the edge of the hand or index finger may be used. Popping refers to pulling the string away from the fretboard and quickly releasing it so it snaps back against the fretboard. On bass guitar, the two techniques are commonly used together in alternation, though either may be used separately. History On the double bass, the technique was developed by jazz bands in New Orleans in the early 1900s, and later spread to other genres, including western swing, rockabilly, and other offshoots of those styles. On the bass guitar, the technique is widely credited to Larry Graham, an electric bassist playing with Sly and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plectrum
A plectrum is a small flat tool used for plucking or strumming of a stringed instrument. For hand-held instruments such as guitars and mandolins, the plectrum is often called a pick and is held as a separate tool in the player's hand. In harpsichords, the plectra are attached to the jack mechanism. Plectra wielded by hand Guitars and similar instruments A plectrum for electric guitars, acoustic guitars, bass guitars and mandolins is typically a thin piece of plastic or other material most commonly shaped like a pointed teardrop or triangle, though the size, gauge, shape and width may vary considerably. Banjo and guitar players may wear a metal or plastic thumb pick mounted on a ring, and bluegrass banjo players often wear metal or plastic fingerpicks on their fingertips. Many guitarists use fingerpicks as well. Guitar picks are made of a variety of materials, including celluloid, metal, and rarely other exotic materials such as turtle shell, but today delrin (a synthetic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Swallow
Steve Swallow (born October 4, 1940) is an American jazz bassist and composer, known for his collaborations with Jimmy Giuffre, Gary Burton, and Carla Bley. He was one of the first jazz double bassists to switch entirely to electric bass guitar. Biography Born in Fair Lawn, New Jersey, United States, Swallow studied piano and trumpet, as a child, before turning to the double bass at the age of 14. While attending a prep school, he began trying his hand in jazz improvisation. In 1960, he left Yale University, where he was studying composition, and settled in New York City, playing at the time in Jimmy Giuffre's trio along with Paul Bley. After joining Art Farmer's quartet in 1963, Swallow began to write. It is in the 1960s that his long-term association with Gary Burton's various bands began. In the early 1970s, Swallow switched exclusively to electric bass guitar, of which he prefers the five-string variety. He was first introduced to the electric bass while doing a music trade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multi-scale Fingerboard
A multi-scale fingerboard (also called multiple scale length fretboard) is an instrument fretboard which incorporates multiple scale lengths. This allows each of the strings to have a different string tension and thus, balanced tonal characteristics. The lowest string with the longest length can be strung at a higher tension compared to an equally scaled instrument of a comparable size and construction. The opposite is true with the highest string which experiences a lower tension. This system utilized in guitar fingerboards is identical to that of a piano soundboard and creates the same effect. The tighter lower strings can resonate with clearer lower overtones while the looser higher strings can freely create cleaner higher overtones. Most modern Guitars (and bass guitars) generally employ a single scale length for all of the instrument's strings, though the employed scale length can vary significantly between manufacturers (electric guitar scale typically falls between 24" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeroen Paul Thesseling
Jeroen Paul Thesseling (born 13 April 1971) is a Dutch fretless bass player, most famous for his work in the German progressive death metal band Obscura and the Dutch progressive death metal band Pestilence. Biography ;Early life Jeroen started studying violin and followed his first lessons at the age of 7. During his youth he played with classical orchestras, ensembles and attended several classical music contests. At the age of 16 he switched to bass guitar. ;Professional career Thesseling began studying bass in 1988 at the ArtEZ School of Music in Enschede, Netherlands. Between 1992 and 1994, he was a member of Pestilence, with whom he recorded the jazz fusion-influenced album ''Spheres''. In 1995 Jeroen started to study microtonality, which resulted in two pieces: ''Hafnium'' — study in 72-tone equal temperament (1999) — and ''Argon'' — study in 18-tone equal temperament (2000). The period following, Arabic microtonal and contemporary classical music inspired him to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Saavedra
Igor Saavedra (Santiago de Chile, May 31, 1966 ) is a player and pioneer of the extended-range bass (ERB) guitar. , he has dedicated his musical career to the study and performing of the eight string extended-range bass guitar and is considered a pioneer on that field by the world's most prestigious bass publications. As collected from many interviews worldwide, Saavedra was the first ERB player in South America and is also credited as being the creator of the Mic Ramp in 1995, which is a height adjustable wooden ramp that contains the bass pickups which are derived from the Willi's Ramp. At the same time, in 1993, he started developing a technique for the electric bass named Vectorial Synthesis Technique, about which he's been writing a book. Early life In 1988, at 22 years old, Igor Saavedra was a Kung Fu instructor with almost ten years of experience who was preparing to move to China to continue with his Martial Arts studies. He had not seen music as being a part of his life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Dickens
Bill "The Buddha" Dickens is an American electric bass guitar player. Though he has recorded and performed a variety of musical styles, Dickens is best known for playing funk. He has played with Pat Metheny, George Michael, Joe Zawinul, Janet Jackson, Grover Washington, Jr., Chaka Khan, Mary J. Blige, Freddie Hubbard, Al Di Meola, Dennis Chambers, Steve Morse, Randy Newman and The Hooters.''Bass Beyond Limits: Advanced Solo and Groove Concepts'' Alfred Publishing Co., Inc., 1998, From 1983 to 1999 he played on three recording sessions with : ''Les Fleurs'', ''A Classic Encounter'', and ''Urban Renewal''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
