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Evil Hoodoo
''Evil Hoodoo'' is a compilation album by the American garage rock band the Seeds, and was released by Bam-Caruso Records, in 1988. Somewhat relatable to a greatest hits album, ''Evil Hoodoo'' did not issue any unreleased tracks by the group; however, it did introduce listeners to the Seeds' music as underground psychedelic rock and garage rock musical genres were being rediscovered. The album focuses on the Seeds' garage rock and proto-punk releases, completely bypassing their flirtation with the blues on the group's fourth studio album ''A Full Spoon of Seedy Blues''. Nationally charting hits featured on ''Evil Hoodoo'' includes "Pushin' Too Hard" (number 36), "Can't Seem to Make You Mine" (number 41), and "Mr. Farmer" (number 86). Perhaps the rarest recordings on the album are "Fallin' Off the Edge (Of My Mind)" and "Chocolate River", both of which received their first LP release on the 1977 compilation ''Fallin' Off the Edge''. "Fallin' Off the Edge (Of My Mind)" is a 1969 sing ...
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The Seeds
The Seeds were an American psychedelic garage rock band formed in Los Angeles, California in 1965, best known for their highest charting single "Pushin' Too Hard". The band's classic line-up featured frontman Sky Saxon, guitarist Jan Savage (born Buck Jan Reeder), keyboardist Daryl Hooper and drummer Rick Andridge. In 1968, the band changed their name to ''Sky Saxon and the Seeds'', with Savage and Andridge departing the band. They went on to release a handful of additional singles, with Hooper also departing at some point before splitting up in circa 1972. In 1989, the original lineup of the band reformed for a handful of live dates in the US. In 2003, Saxon reformed the Seeds with original guitarist Jan Savage (who departed part way through a European tour the same year due to ill health). Releasing 2 further studio albums, the band continued to tour the US, UK and Europe up to Saxon's death in 2009. History Formation The Seeds were formed in 1965 following the dissolution ...
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Pushin' Too Hard
"Pushin' Too Hard", originally titled "You're Pushing Too Hard", is a song by American rock group The Seeds, written by vocalist Sky Saxon and produced by Saxon with Marcus Tybalt. It was released as a single in 1965, re-issued the following year, and peaked at number 36 on the Hot 100 in February 1967 and number 44 in Canada in March. The song became the signature tune for the group and a template for their musical style – so much so that '' Creem'' magazine later wrote, not disapprovingly, that "the Seeds, of course, managed to work 'Pushin' Too Hard' into every song they ever did." It was included on the influential '' Nuggets'' compilation in the 1970s, and earned a reputation as a protopunk garage rock classic. The song is featured in the Rock and Roll Hall of Fame's exhibit showcasing "The 500 Songs that Shaped Rock and Roll". The Seeds performed "Pushin' Too Hard" during a 1968 episode of the television sitcom '' The Mothers-in-Law''. Saxon revisited the song on his 2 ...
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Out-of-print
__NOTOC__ An out-of-print (OOP) or out-of-commerce item or work is something that is no longer being published. The term applies to all types of printed matter, visual media, sound recordings, and video recordings. An out-of-print book is a book that is no longer being published. The term can apply to specific editions of more popular works, which may then go in and out of print repeatedly, or to the sole printed edition of a work, which is not picked up again by any future publishers for reprint. Most works that have ever been published are out of print at any given time, while certain highly popular books, such as the Bible, are always "in print". Less popular out-of-print books are often rare and may be difficult to acquire unless scanned or electronic copies of the books are available. With the advent of book scanning, and print-on-demand technology, fewer and fewer works are now considered truly out of print. A publisher creates a print run of a fixed number of copie ...
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Greenhouse
A greenhouse (also called a glasshouse, or, if with sufficient heating, a hothouse) is a structure with walls and roof made chiefly of transparent material, such as glass, in which plants requiring regulated climatic conditions are grown.These structures range in size from small sheds to industrial-sized buildings. A miniature greenhouse is known as a cold frame. The interior of a greenhouse exposed to sunlight becomes significantly warmer than the external temperature, protecting its contents in cold weather. Many commercial glass greenhouses or hothouses are high tech production facilities for vegetables, flowers or fruits. The glass greenhouses are filled with equipment including screening installations, heating, cooling, and lighting, and may be controlled by a computer to optimize conditions for plant growth. Different techniques are then used to manage growing conditions, including air temperature, relative humidity and vapour-pressure deficit, in order to provide the ...
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Compact Disc
The compact disc (CD) is a digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as '' Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage ( CD-R), rewritable media ( CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 MiB of data. Capacity is routinely extended to 80 minutes and 700 MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; they are sometimes used for CD singles, storing up to 24 ...
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ...
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A Web Of Sound
''A Web of Sound'' is the second album by the American garage rock band the Seeds. Produced by Marcus Tybalt and released in October 1966, it contained the single " Mr. Farmer" and the 14-minute closing song "Up In Her Room". The album did not chart, though it has received generally favorable reviews from music critics. Background and release Lead singer Sky Saxon conceptualized the album's cover design depicting the four Seeds members trapped in a spider's web. ''A Web of Sound'' was produced by Saxon under the pseudonym Marcus Tybalt; Saxon also wrote or co-wrote all of the songs on the album (two credited under the Tybalt alias), as well as the liner notes. Side one consists of six tracks, beginning with the single " Mr. Farmer" and continuing with other garage rock-sounding songs, most of them short in duration. Side two contains only two songs, including the 14-minute closer "Up In Her Room", which features bottleneck guitar, electric fuzz-bass, electric piano, tambourine, ...
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Fallin' Off The Edge
''Fallin' Off the Edge'' is a compilation album by the American garage rock band the Seeds, and was released on GNP Crescendo, in 1977. The first album of its kind to compile Seeds music, ''Fallin' Off the Edge'' includes rarities of the group's catalogue, alternate takes, and unreleased tracks. Among the songs available include the 1968 version of the hit "Pushin' Too Hard" without studio-created crowd noises, which was originally the closing track to the fake live album '' Raw & Alive: The Seeds in Concert at Merlin's Music Box''. Although other Seeds compilations have been released over the years, ''Fallin' Off the Edge'' remains a collector's item and has been reissued. Among the non-album songs from singles, include the opening track, "The Wind Blows Your Hair", which was originally released in 1967. Others that make an appearance are the B-side to the first release of "Can't Seem to Make You Mine", "Daisy Mae", "The Other Place", and "Fallin' Off the Edge of My Mind", which ...
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Can't Seem To Make You Mine
"Can't Seem to Make You Mine" is a song by American rock group the Seeds, written by vocalist Sky Saxon and produced by Marcus Tybalt. It was released as a single in 1965 and re-issued in 1967, when it peaked at number 41 on the U.S. ''Billboard'' Hot 100 chart, and number 33 in Canada. The song appears on the 1998 box set '' Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968'', and has been covered by such artists as the Ramones, Alex Chilton, Johnny Thunders, Yo La Tengo, Garbage, and Rumspringa. Recording and release "Can't Seem to Make You Mine" was the first song recorded by the Seeds, according to keyboardist Daryl Hooper. "Sky started peddling it around to different record labels... and got the typical 'we'll call you' routine, and Crescendo, for some reason, liked it and said they'd like to take us into a recording studio. When Sky got into the recording studio, he really put his all into his vocals." The recording session took place on April 21, 19 ...
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A Full Spoon Of Seedy Blues
''A Full Spoon of Seedy Blues'' is the fourth album by the American garage rock band, the Seeds, credited to the Sky Saxon Blues Band, and released on GNP Crescendo in November 1967 (''see'' 1967 in music). The album saw the group take a completely different and controversial direction from the psychedelia featured on their previous effort, ''Future'', towards a style rooted in blues. However, the results of the venture were ill-received, both commercially and within their loyal fanbase. Recording sessions actually began while the Seeds were completing their second album, ''A Web of Sound'', but a release was postponed as the group was still enjoying commercial success from their debut album, which was issued in April 1966. ''A Full Spoon of Seedy Blues'' saw members of Muddy Waters' band, which included harmonica player George "Harmonica" Smith, saxophonist James Wells Gordon, and guitarists Luther Johnson and Mark Arnold. Additionally, Johnson contributed the two compositions, ...
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Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psychedelia, numerous garage bands incorporated exotic elements int ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common c ...
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