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Everything Is Everything (Brand Nubian Album)
''Everything Is Everything'' is the third studio album by American hip-hop group Brand Nubian. It was released on November 1, 1994 via Elektra Records. Recording sessions took place at D&D Studios, Chung King Studios, Soundtrack Studios, DuPlex Sound Studios and East Hill Studios in New York and House Of Hits in Chestnut Ridge. Production was handled by Lord Jamar and Buckwild, with co-producer Sadat X. It features guest appearances from Busta Rhymes, Laura Alfored, Maestro Manny, Serge, Snagglepuss and Starr. The album peaked at number 54 on the ''Billboard'' 200 and number 13 on the Top R&B/Hip-Hop Albums charts in the United States. Its lead single, "Word Is Bond", made it to number 94 on the ''Billboard'' Hot 100, number 64 on the Hot R&B/Hip-Hop Songs, number 11 on the Hot Rap Songs and number 1 on the Dance Singles Sales charts. The second single off of the album, "Hold On", reached number 39 on the Hot Rap Songs and number 27 on the Dance Singles Sales charts. Track l ...
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Brand Nubian
Brand Nubian is an American hip hop group from New Rochelle, New York, composed of three emcees ( Grand Puba, Sadat X and Lord Jamar), and formerly three DJs ( DJ Alamo, DJ Sincere, and DJ Stud Doogie). Their debut studio album, '' One for All'' (1990), is one of the most popular and acclaimed alternative hip hop albums of the 1990s, known for socially conscious and political lyrics inspired by the teachings of The Nation of Gods and Earths. In 2008, About.com placed the group on its list of the 25 Greatest Rap Groups of All Time. History The Formation and naming Brand Nubian In 1988, Grand Puba was looking to recruit new members to form a new band after his group Masters of Ceremony broke up. Sadat X, Lord Jamar and DJ Alamo all joined together. The group didn't have a name or any recorded demos to shop their music. While the group was at Tommy Boy records looking for a deal, they came across Dante Ross, an executive A&R at Elektra Records who liked their talents, but to ...
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New York City
New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive with a respective county. The city is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the United States by both population and urban area. New York is a global center of finance and commerce, culture, technology, entertainment and media, academics, and scientific output, the arts and fashion, and, as home to the headquarters of the United Nations, international diplomacy. With an estimated population in 2024 of 8,478,072 distributed over , the city is the most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city.
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Steve Ferrone
Stephen A. Ferrone (born 25 April 1950) is an English drummer. He is known as a member of the rock band Tom Petty and the Heartbreakers from 1994 to 2017, replacing original drummer Stan Lynch, and as part of the "classic lineup" of the Average White Band in the 1970s. Ferrone has recorded and performed with Michael Jackson, Eric Clapton, George Harrison, Duran Duran, Stevie Nicks, Laura Pausini, Christine McVie, Rick James, Slash, Chaka Khan, Bee Gees, Scritti Politti, Howard Jones, Aerosmith, Al Jarreau, Mick Jagger, Johnny Cash, Todd Rundgren and Pat Metheny. Ferrone also hosts ''The New Guy'' radio show on Sirius XM's Tom Petty Radio. Musical career Ferrone played with the band Bloodstone, appearing on their 1975 album ''Riddle of the Sphinx''. He then began playing with Brian Auger's band Oblivion Express, which had previously featured drummer Robbie McIntosh. McIntosh later joined the Average White Band, but just after releasing their first number-one album, h ...
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Hamish Stuart
James Hamish Stuart (born 8 October 1949) is a Scottish guitarist, bassist, singer, composer and record producer. He was an original member of the Average White Band. Biography Born in Glasgow, Scotland, Stuart attended Queens Park School in Glasgow and left to form as lead guitarist his first professional band, the Dream Police in 1964. He recorded a couple of singles with the Dream Police before he was invited to join the recently formed Average White Band (AWB) in June 1972. A member of AWB from 1972 to 1982, he went on to work with Aretha Franklin, Chaka Khan, and David Sanborn. He wrote Atlantic Starr's 1986 hit "If Your Heart Isn't in It" and songs for Smokey Robinson, Jeffrey Osborne, George Benson, and Diana Ross. Stuart joined Paul McCartney’s band (where he switched between guitar and bass as necessary with McCartney) for McCartney's 1989 comeback album '' Flowers in the Dirt'' and went on to appear on several other albums and McCartney's world tours of ...
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Molly Duncan
Malcolm "Molly" Duncan (24 August 1945 – 8 October 2019) was a Scottish tenor saxophonist, and founding member of Average White Band. Career Malcolm "Molly" Duncan recorded with Ray Charles, Tom Petty, Buddy Guy, Ben E. King, Dire Straits, Bryan Ferry and many others and played live with artists including Marvin Gaye, Chaka Khan and Eric Clapton. In the late 1990s and early 2000s he collaborated with many drum and bass artists, including Intense, of which his son Dan Duncan is a member. These recordings were mostly released on the Good Looking Records label. He collaborated with other studio musicians to form Knee Deep, a funk and fusion group; and Cold Sweat and the Horny Horns. In July 2015, Malcolm "Molly" Duncan, along, with Steve Ferrone and Hamish Stuart reunited to form The 360 Band. This was in essence one half of the original Average White Band. They released an album titled ''Three Sixty'' in 2017 and performed live together along with supporting musicians. Death ...
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Roger Ball (musician)
Roger Ball (born 4 June 1944, Broughty Ferry, Scotland) is a Scottish saxophonist, keyboardist, songwriter and arranger. He was a founding member of the Average White Band (AWB). Biography Ball attended the Duncan of Jordanstone College of Art in Dundee from 1962, studying architecture. While there he met Malcolm "Molly" Duncan and Alan Gorrie. The three of them relocated to London separately, but joined forces again in 1971 to form the nucleus of the Average White Band (AWB). They were later joined by Onnie McIntyre, Hamish Stuart and Robbie McIntosh, completing the original line-up. These six Scots were an unlikely group to be successful playing American styled funk, but went on to be nominated for three Grammy Awards in the Rhythm & Blues category. Ball was the principal composer of " Pick Up the Pieces" which topped the US ''Billboard'' chart on 22 February 1975. It was written from a rehearsal "jam" over which he superimposed the melody line and the bridge. Since then ...
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Dance Singles Sales
The Dance Singles Sales was a record chart released weekly by ''Billboard'' magazine listing each week's best-selling dance singles in the United States. Its previous names include Hot Dance/Disco 12-inch Singles Sales (1985–1987), Hot Dance Music 12-inch Singles Sales (1987–1992), and Hot Dance Music Maxi-Singles Sales (1992–2003). The chart was compiled from a national sample of retail stores, mass merchants, and internet sales reports collected and provided by Nielsen SoundScan. It was launched on the issue dated March 16, 1985, with the first number-one single being " New Attitude"/" Axel F", a split single by Patti LaBelle and Harold Faltermeyer from ''Beverly Hills Cop'' soundtrack. The chart became defunct after the issue dated November 30, 2013, with Borgore's "Wild Out" (featuring Waka Flocka Flame and Paige) as its final number-one single. History From October 26, 1974 until August 28, 1976, ''Billboard'' magazine's Disco Action section published weekly ...
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Hot Rap Songs
Hot Rap Songs (formerly known as Hot Rap Tracks and Hot Rap Singles) is a chart released weekly by '' Billboard'' in the United States. It lists the 25 most popular hip-hop/rap songs, calculated weekly by airplay on rhythmic and urban radio stations and sales in hip hop-focused or exclusive markets. Streaming data and digital downloads were added to the methodology of determining chart rankings in 2012. From 1989 through 2001, it was based on how much the single sold in that given week. The song with the most weeks at number one is "Not Like Us" by Kendrick Lamar, with a total of 26 weeks. Chart statistics and other facts Artists with the most number-one singles Note: Rihanna is a featured artist on all her number-one singles. Artists with the most consecutive weeks at number one *29 weeks - Macklemore and Ryan Lewis (" Thrift Shop", " Can't Hold Us") *25 weeks – Lil Wayne (" Lollipop", " A Milli"), Headlines"); T-Pain (" Good Life (Kanye West song), Good Life", "Low"); ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three ch ...
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Billboard Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before Ju ...
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Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip-hop albums based on sales in the United States and is compiled by Luminate. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965, in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account for overal ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985), ''Billboard'' Top Pop Albums (1985–1991), and ''Billboard'' 200 Top Albums (1991–1992). The chart is based mostly on sales—both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, the tracking week begins on Friday (to coincide ...
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