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Everyman (Sibelius)
''Everyman'' (in Finnish: ; in German: '), Opus number, Op. 83, is a incidental music, theatre score—comprising 16 number (music), numbers—for soloists, SATB, mixed choir, orchestra, piano, and organ (music), organ by the Finnish composer Jean Sibelius; he wrote the music in 1916 to accompany a Finnish-language production of the Austrian author Hugo von Hofmannsthal, Hugo von Hofmannsthal's 1911 Jedermann (play), play of the same name. The play premiered on 5 November 1916 at the Finnish National Theatre in Helsinki, with Robert Kajanus conducting the Helsinki Philharmonic Orchestra; the theatre director was . History Composition On 15 May 1916, the theatre director wrote to Sibelius asking if he would like to score the Finnish National Theatre, Finnish National Theatre's upcoming Finnish-language production of , a modern adaptation by the Austrian playwright Hugo von Hofmannsthal of the fifteenth-century English morality play ''Everyman (15th- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The phrase "incidental music" is from the German ''Inzidenzmusik'', which is defined in the ''Methuen Drama Dictionary of the Theatre'' as "music that is specifically written fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reinhardt
Max Reinhardt (; born Maximilian Goldmann; 9 September 1873 – 30 October 1943) was an Austrian-born Theatre director, theatre and film director, theater manager, intendant, and theatrical producer. With his radically innovative and avant-garde stage productions, Reinhardt is regarded as one of the most prominent stage directors of the early 20th century. For example, Reinhardt's 1917 stage premiere of Reinhard Sorge's Kleist Prize-winning stage play ''Der Bettler'' almost single-handedly gave birth to Expressionism in Expressionism (theatre), the theatre and ultimately German expressionist cinema, in motion pictures as well. In 1920, Reinhardt established the Salzburg Festival by directing an open air production of Hugo von Hofmannsthal's Jedermann (play), acclaimed adaptation of the ''Elckerlijc, Everyman'' Medieval mystery play in the square before the Cathedral with the Alps as a background. This remains an annual custom at the Salzburg Festival to this day. Toby Cole and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernity
Modernity, a topic in the humanities and social sciences, is both a historical period (the modern era) and the ensemble of particular Society, socio-Culture, cultural Norm (social), norms, attitudes and practices that arose in the wake of the Renaissancein the Age of Enlightenment, Age of Reason of 17th-century thought and the 18th-century Age of Enlightenment, Enlightenment. Commentators variously consider the era of modernity to have ended by 1930, with World War II in 1945, or as late as the period falling between the 1980s and 1990s; the following era is often referred to as "postmodernity". The term "contemporary history" is also used to refer to the post-1945 timeframe, without assigning it to either the modern or postmodern era. (Thus "modern" may be used as a name of a particular era in the past, as opposed to meaning "the current era".) Depending on the field, modernity may refer to different time periods or qualities. In historiography, the 16th to 18th centuries are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and Subjectivity and objectivity (philosophy), subjective experience. Philosophy, politics, architecture, and social issues were all aspects of this movement. Modernism centered around beliefs in a "growing Marx's theory of alienation, alienation" from prevailing "morality, optimism, and Convention (norm), convention" and a desire to change how "social organization, human beings in a society interact and live together". The modernist movement emerged during the late 19th century in response to significant changes in Western culture, including secularization and the growing influence of science. It is characterized by a self-conscious rejection of tradition and the search for newer means of cultural expressions, cultural expression. Modernism was influenced by widespread technological innovation, industrialization, and urbanization, as well as the cul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maggie Gripenberg
Margarita Maria “Maggie” Gripenberg (11 June 188128 July 1976) was a pioneer of modern dance in Finland. She was the first to introduce Dalcroze Eurhythmics to Finland and modeled her early works on the improvisational style of Isadora Duncan. As a dancer, choreographer and teacher, she laid the educational foundations for the study of movement and dance. She was recognized by numerous awards for her choreographic work as well as being honored with the Pro Finlandia Medal and as a knight of the Order of the White Rose of Finland. Early life Margarita Maria Gripenberg was born on 11 June 1881 in Helsinki to Hilma Johanna Elisabet Lindfors and . Her father was an architect, who would become the Chief Executive Officer of General Government Buildings. He also served in the Senate and at the end of his career at the Helsinki Savings Bank. Gripenberg was the oldest child of the three siblings. Her brother Hans Henrik Sebastian (born 1882) would become a marine enginee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sicut Cervus (Palestrina)
''Sicut cervus'' is a motet for four voices by Giovanni Pierluigi da Palestrina. It sets the beginning of Psalm 42, Psalmus XLI in the Latin version of the ''Psalterium Romanum'' rather than the Vulgate Bible. The incipit is "Sicut cervus desiderat ad fontes" (As the deer desires the fountains) followed by a second part (''secunda pars'') "Sitivit anima mea" (My soul thirsts). It has become one of Palestrina's most popular motets, regarded as a model of Renaissance polyphony, expressing spiritual yearning. History The motet is a setting of Psalm 42:1-3. The Psalm was a prescribed tract for the blessing of the water (font) on Holy Saturday, recalling the water of baptism as well as the "living water of the eucharist". The text, speaking of the longing for God, retained its association with funeral music, having been widely used as the Tract before the Tridentine Roman Missal of 1570 standardized the tract ''Absolve, Domine''. The first edition which has survived in full is a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pierluigi Da Palestrina
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Born in the town of Palestrina in the Papal States, Palestrina moved to Rome as a child and underwent musical studies there. In 1551, Pope Julius III appointed him '' maestro di cappella'' of the Cappella Giulia at St. Peter's Basilica. He left the post four years later, unable to continue as a layman under the papacy of Paul IV, and held similar positions at St. John Lateran and Santa Maria Maggiore in the following decade. Palestrina returned to the Cappella Giulia in 1571 and remained at St Peter's until his death in 1594. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for ''A Midsummer Night's Dream'' (which includes his " Wedding March"), the '' Italian'' and '' Scottish'' Symphonies, the oratorios '' St. Paul'' and '' Elijah'', the ''Hebrides'' Overture, the mature Violin Concerto, the String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's '' Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion until he was baptised aged seven into the Reformed Christian church. He was recognised early as a musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozart
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age resulted in List of compositions by Wolfgang Amadeus Mozart, more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphony, symphonic, concerto, concertante, chamber music, chamber, operatic, and choir, choral repertoires. Mozart is widely regarded as one of the greatest composers in the history of Classical music, Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, Mozart showed Child prodigy, prodigious ability from his earliest childhood. At age five, he was already competent on keyboard and violin, had begun to compose, and performed before European r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swedish Theatre
The Swedish Theatre () is a Swedish-language theatre in Helsinki, Finland, and is located at the Erottaja () square, at the end of Esplanadi (). It was the first national stage of Finland. History The first theatre in Helsinki, '' Engels Teater'', was completed in 1827. The wooden building designed by architect Carl Ludvig Engel was located in the corner of Mikaelsgatan and Esplanaden. At the time the theatre was opened it had no permanent actors and many of the actors who performed in the theatre during that time were en route to Saint Petersburg. The theatre designed by Engel soon became too small as the interest in theatre grew rapidly among the citizens of Helsinki. The new theatre building was opened on 28 November 1860. The new building, which was designed by Georg Theodor von Chiewitz, was built on Skillnaden, on the same site as the current Svenska Teatern. The first play performed in the new theatre was '' Princessan av Cypern'' by Zacharias Topelius and Fredrik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Großes Schauspielhaus
The Großes Schauspielhaus (Great Theater) was a theater in Berlin, Germany, designed by architect Hans Poelzig for theater director Max Reinhardt. The structure was built as a market hall in 1867 and then served as a circus and event venue. Poelzig transformed it into an Expressionist venue in 1919, when it began to host Reinhardt's productions. The design featured a domed ceiling with stalactite-like decorations, indirect lighting and palm-like light columns in the foyer. The house later hosted revue and was used by the Nazis for propaganda. After World War II it reopened as a variety house. Severe foundation damage led to its closing in 1980 and demolition in 1985. History The Großes Schauspielhaus was part of a network of theaters managed by Max Reinhardt, a leading figure in Berlin's theater scene. Reinhardt, who became director of the Deutsches Theater Berlin in 1905, expanded his influence to include several venues in Berlin and Vienna, such as the Volksbühne, the Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
