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Everybody Likes Hampton Hawes
''Everybody Likes Hampton Hawes'' (subtitled ''Vol. 3: The Trio'') is the third album by pianist Hampton Hawes recorded in 1956 and released on the Contemporary label.Hampton Hawes discography accessed July 26, 2015 Reception The review by Scott Yanow states that Hawes "comes up with consistently creative ideas throughout this swinging bop date".Track listing ''All compositions by Hampton Hawes except as indicated'' # " Somebody Loves Me" ( |
Hampton Hawes
Hampton Barnett Hawes Jr. (November 13, 1928 – May 22, 1977) was an American jazz pianist. He was the author of the memoir ''Raise Up Off Me'', which won the Deems-Taylor Award for music writing in 1975. Early life Hampton Hawes was born on November 13, 1928, in Los Angeles, California. His father, Hampton Hawes Sr., was minister of Westminster Presbyterian Church in Los Angeles. His mother, the former Gertrude Holman, was Westminster's church pianist. Hawes' first experience with the piano was as a toddler sitting on his mother's lap while she practiced. He was reportedly able to pick out fairly complex tunes by the age of three. Later life and career Hawes was self-taught; by his teens he was playing with the leading jazz musicians on the West Coast, including Dexter Gordon, Wardell Gray, Art Pepper, Shorty Rogers, and Teddy Edwards. His second professional job, at 18, was playing for eight months with the Howard McGhee Quintet at the Hi De Ho Club, in a group that includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Remember You (1941 Song)
"I Remember You" is a popular song, published in 1941. The music was written by Victor Schertzinger, with lyrics by Johnny Mercer. The song was originally recorded by Jimmy Dorsey in 1941. It has since been covered most notably by Frank Ifield, Glen Campbell and Björk. History "I Remember You" was one of several songs introduced in the film '' The Fleet's In'' (1942). In 1941, Mercer began an affair with 19-year-old Judy Garland, while she was engaged to composer David Rose. Garland ended her involvement when she married Rose. In later years, Garland and Mercer rekindled their affair. Mercer stated that his song "I Remember You" was the most direct expression of his feelings for Garland. Renditions *Australian singer Frank Ifield recorded the song in a yodeling country-music style on 27 May 1962, and his version went to number one on the UK Singles Chart, selling 1.1 million copies in the UK alone. The recording stayed at No.1 for seven weeks. It also reached number five ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Boy
"Billy Boy" is a traditional folk song and nursery rhyme found in the United States, in which "Billy Boy" is asked various questions, and the answers all center on his quest to marry a girl who is said to be too young to leave her mother. It has a Roud Folk Song Index The Roud Folk Song Index is a database of around 250,000 references to nearly 25,000 songs collected from oral tradition in the English language from all over the world. It is compiled by Steve Roud. Roud's Index is a combination of the Broadsid ... number of 326. It is a variant of the traditional English folk song "My Boy Billy", collected by Ralph Vaughan Williams and published by him in 1912 as number 232 in ''Novello's School Songs''. Origins and interpretations The nursery rhyme, framed in question-and-answer form, is ironic and teasing in tone: The narrative of the song has been related by some to "Lord Randall", a murder ballad from the British Isles, in which the suitor is poisoned by the woman he v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Burke (lyricist)
John Francis Burke (October 3, 1908 – February 25, 1964) was an American lyricist, successful and prolific between the 1920s and 1950s. His work is considered part of the Great American Songbook. His song " Swinging on a Star", from the Bing Crosby film '' Going My Way'', won an Academy Award for Best Song in 1944. Early life Burke was born in Antioch, California, United States, the son of Mary Agnes (Mungovan), a schoolteacher, and William Earl Burke, a structural engineer. When he was still young, his family moved to Chicago, Illinois, where Burke's father founded a construction business. As a youth, Burke studied piano and drama. He attended Crane College and then the University of Wisconsin–Madison, where he played piano in the orchestra. After graduating from the University of Wisconsin–Madison in 1927, Burke joined the Chicago office of the Irving Berlin Publishing Company in 1926 as a pianist and song salesman. He also played piano in dance bands and vaudeville ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Van Heusen
James Van Heusen (born Edward Chester Babcock; January 26, 1913 – February 6, 1990) was an American composer. He wrote songs for films, television, and theater, and won an Emmy and four Academy Award for Best Original Song, Academy Awards for Best Original Song. Many of his compositions later went on to become jazz standards. Life and career Born in Syracuse, New York, Edward Chester Babcock began writing music while in high school. He renamed himself to Jimmy Van Heusen at age 16, after the shirt makers PVH Corp., Phillips-Van Heusen, to use as his on-air name during local shows. His close friends called him "Chet".Coppula, C. (2014). ''Jimmy Van Heusen: Swinging on a Star''. Nashville: Twin Creek Books. Jimmy was raised Methodist. Studying at Cazenovia Seminary and Syracuse University, he became friends with Jerry Arlen, the younger brother of Harold Arlen. With the elder Arlen's help, Van Heusen wrote songs for the Cotton Club revue, including "Harlem Hospitality". He then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim-Ernst Berendt, Joachim E. Berendt explained: "There were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins denied being first and noted his contemporaries Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of Jazz improvisation, improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include '' Oklahoma!'', '' Carousel'', '' South Pacific'', '' The King and I'', '' Flower Drum Song'', and '' The Sound of Music''. Described by his protégé Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote the 1927 music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigmund Romberg
Sigmund Romberg (July 29, 1887 – November 9, 1951) was a Hungarian-born American composer. He is best known for his Musical theatre, musicals and operettas, particularly ''The Student Prince'' (1924), ''The Desert Song'' (1926) and ''The New Moon'' (1928). Early in his career, Romberg was employed by the Shubert brothers to write music for their musicals and revues, including several vehicles for Al Jolson. For the Shuberts, he also adapted several European operettas for American audiences, including the successful ''Maytime (musical), Maytime'' (1917) and ''Das Dreimäderlhaus, Blossom Time'' (1921). His three hit operettas of the mid-1920s, named above, are in the style of Viennese operetta, but his other works from that time mostly employ the style of American musicals of their eras. He also composed film scores. Biography Early life Romberg was born in Hungary as Siegmund Rosenberg to a Jewish [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bean And The Boys
"Bean and the Boys" is a bebop composition written in 1948 by the American jazz tenor saxophonist Coleman Hawkins. It is a contrafact of " Lover Come Back to Me". The composition has been covered by numerous artists including notable recordings by Barry Harris, Bill Mays, Art Blakey, Jackie McLean, Bud Powell, and Tommy Flanagan. Covered * Barry Harris ''Magnificent'' (1969) * Bill Mays, ''Bick's Bag'' (2004) See also * List of jazz contrafacts __NOTOC__ A contrafact is a musical composition built using the chord progression of a pre-existing piece, but with a new melody and arrangement. Typically the original tune's progression and song musical form, form will be reused but occasionally ... References 1948 songs {{1940s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lover, Come Back To Me
"Lover, Come Back to Me" is a popular music, popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show ''The New Moon'', where the song was introduced by Evelyn Herbert and Robert Halliday (as Robert Misson). The song was published in 1928. Film versions The song was performed by Lawrence Tibbett and Grace Moore in ''New Moon (1930 film), New Moon'', the 1930 film adaptation of ''The New Moon'', and by Jeanette MacDonald and Nelson Eddy in the 1940 adaptation, also titled ''New Moon (1940 film), New Moon''. Barbra Streisand version Arranged and conducted by George Williams, the song was released as Barbra Streisand's second single in November 1962 as a double single with "My Coloring Book". Produced by Mike Berniker, and recorded before Streisand's first album sessions, the single was sent to radio. In 1963, Streisand re-recorded the song for her second album ''The Second Barbra Streisand Album'', which appeared on the compilation ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie ( ; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improvisation, improviser, building on the virtuosic style of Roy Eldridge but adding layers of Harmony, harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote: "Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
