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Every Morning (Sugar Ray Song)
"Every Morning" is a song by American rock music, rock band Sugar Ray, released as the lead single from their third studio album, ''14:59'' (1999). Their first commercially available single in the United States, "Every Morning" reached number one on both the US ''Billboard (magazine), Billboard'' Alternative Songs, Modern Rock Tracks chart and the Canadian ''RPM (magazine), RPM'' Top Singles chart, becoming the latter country's second-most-successful single of 1999. The song also reached number three on the Billboard Hot 100, ''Billboard'' Hot 100 and number 10 on the UK Singles Chart, becoming the band's highest-charting single on both rankings. The track was ranked number 98 on the Triple J Hottest 100, 1999, Australia's largest annual music poll. Composition "Every Morning" is an alternative rock and flamenco pop song. It is written in common time with a key of A-flat major, A major and proceeds at a moderate tempo, played ''Dynamics (music), mezzo-forte''. The song has a cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sugar Ray
Sugar Ray is an American rock band formed in Newport Beach, California, in 1986. Originally playing heavier funk metal and nu metal style music, the band achieved mainstream popularity in 1997 with their more pop-influenced single " Fly". The song's success led the band to shift its style dramatically to the more radio-friendly pop sound with their subsequent releases. Their best-selling album, '' 14:59'', was released in 1999, and featured popular singles " Every Morning", "Someday", followed by a self-titled album in 2001 featuring the single " When It's Over". The band would release two further albums, '' In the Pursuit of Leisure'' (2003) and ''Music for Cougars'' (2009), though the albums and respective singles generally sold far less. The band continued to tour into the 2010s. In 2019, ten years after the band's last album, they announced their seventh studio album, ''Little Yachty'', in June 2019. The lead single, "Make It Easy", was released the same month. History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Masekela
Hugh Ramapolo Masekela (4 April 1939 – 23 January 2018) was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as "the father of South African jazz". Masekela was known for his jazz compositions and for writing well-known anti-apartheid songs such as " Soweto Blues" and " Bring Him Back Home". He also had a number-one US pop hit in 1968 with his version of " Grazing in the Grass". Early life Hugh Ramapolo Masekela was born in the township of KwaGuqa in Witbank (now called Emalahleni), South Africa, to Thomas Selena Masekela, who was a health inspector and sculptor and his wife, Pauline Bowers Masekela, a social worker. His younger sister Barbara Masekela is a poet, educator and ANC activist. As a child, he began singing and playing piano and was largely raised by his grandmother, who ran an illegal bar for miners. At the age of 14, after seeing the 1950 film '' Young Man with a Horn'' (in which Kirk Douglas plays a character modell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malo (band)
Malo (English: "Bad") is an American musical group known for its blend of Latino, rock, jazz and blues. The San Francisco-based ensemble was led by Richard Bean, Arcelio Garcia, and Jorge Santana, the brother of Latin-rock guitarist Carlos Santana. Three of Malo's original members (Garcia, Pablo Tellez, and Santana) had previously played in the band The Malibus. The other three members (Abel Zarate, Roy Murray, and Richard Spremich) had played together in the group Naked Lunch. (Zarate also played in a band called the Righteous Ones together.) History The band featured full horn and percussion sections in the style of contemporary bands Blood, Sweat & Tears and Chicago. Some of the best musicians in the Bay Area were featured in Malo, including Luis Gasca, Forrest Buchtel, Jr., Ron Smith, and Tom Poole in the trumpet section. Malo's music was popular in Central and South America, especially the songs "Chevere", "Nena", "Pana", "Cafe", and "Oye Mama". After the release of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suavecito (Malo Song)
"Suavecito" is a song recorded by Malo in 1971. It was the lead single from their debut LP, ''Malo Mal, which in Spanish means ''bad or evil'', may also refer to: Places *Malo, Italy, a town * Malo Island, formerly known as St. Bartholomew, Vanuatu * Malo (Solomon Islands), an island *Malo, Washington, Ferry County, Washington, United States * ...''. Background Suavecito means "soft" or "smooth" in Spanish. The song has been called "The Chicano National Anthem". Chart history The song was the band's biggest hit: the only one U.S. Top-20 (#18) and Canada (#14) during the spring of 1972. It also reached #8 on the U.S. Adult Contemporary chart. References External links * {{YouTube, RTnxqJBUkOo, Listen to "Suavecito" 1971 songs 1972 singles Warner Records singles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the " key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-flat Major
A-flat major (or the key of A-flat) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has four flats. The A-flat major scale is: : Its relative minor is F minor. Its parallel minor, A-flat minor, is usually written instead as the enharmonic key of G-sharp minor, since A-flat minor contains seven flats and G-sharp minor only contains five sharps, making A-flat minor rarely usable. Its enharmonic, G-sharp major, with eight sharps, including the F, has a similar problem, and so A-flat major is often used as the parallel major for G-sharp minor. (The same enharmonic situation also occurs with the keys of D-flat major and C-sharp minor.) Compositions in A-flat major Beethoven chose A-flat major as the key of the slow movement for most of his C minor works, a practice which Anton Bruckner imitated in his first two C minor symphonies and also Antonín Dvořák in his only C minor symphony. The second movement of Haydn's 43 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco Pop
New flamenco (or ''nuevo flamenco'') or flamenco fusion is a musical genre that was born in Spain, starting in the 1980s. It combines flamenco guitar virtuosity and traditional flamenco music with musical fusion (with genres like jazz, blues, rock, rumba, and years later reggaeton, hip hop, or electronic). Origins Spain in the 1970s had changed in politics and society after the democratic transition. Traditional flamenco artists, being displaced in Spain in the 1950s and 1960s by rock-and-roll and influenced by the variety of musical styles that came from the rest of Europe and America, created the so-called "flamenco fusion". José Antonio Pulpón was the decisive instigator of this fusion. He urged the cantaor Agujetas to collaborate with the Andalusian rock group Pata Negra, and fostered the artistic union between Paco de Lucía and Camarón de la Isla, who gave flamenco a creative boost, representing the definitive break with Mairena's conservatism . Camarón was a popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spin (magazine)
''Spin'' (stylized in all caps) is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. History Early history ''Spin'' was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing ''Spin'', but Guccione Jr. retained control of the magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, ''Spin'' was known for its narrow music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop, while virtually ignoring other genres, such as country and metal. It pointedly provided a national alternative to ''Rolling Stone's'' more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consequence Of Sound
''Consequence'' (previously ''Consequence of Sound'') is an independently owned New York-based online magazine featuring news, editorials, and reviews of music, movies, and television. In addition, the website also features the Festival Outlook micro-site, which serves as an online database for music festival news and rumors. In 2018, Consequence of Sound launched Consequence Podcast Network. The website took its original name from the Regina Spektor song " Consequence of Sounds". History ''Consequence of Sound'' was founded in September 2007 by Alex Young, then a student at Fordham University in The Bronx, New York. In January 2008, Michael Roffman became Editor-in-Chief. In October 2014, ''Consequence of Sound'' began covering film and became a part of the Chicago Film Critics Association. In 2016, ''Consequence of Sound'' was reorganized under the umbrella of Consequence Media, a digital media, advertising, and marketing firm. In 2018, ''Consequence of Sound'' launched ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
