|
Euphronius (bishop)
Euphronios (; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called "Pioneer Group," (a modern name given to a group of vase painters who were instrumental in effecting the change from black-figure to red-figure pottery), Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art, and he is one of the first known artists in history to have signed his work. General considerations The discovery of Greek vase painters In contrast to other artists, such as sculptors, no Ancient Greek literature sources refer specifically to vase painters. The copious literary tradition on the arts hardly mention pottery. Thus, reconstruction of Euphronios's life and artistic development—like that of all Greek vase painters—can only be derived from his works. Modern scientific study of Greek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruria
Etruria ( ) was a region of Central Italy delimited by the rivers Arno and Tiber, an area that covered what is now most of Tuscany, northern Lazio, and north-western Umbria. It was inhabited by the Etruscans, an ancient civilization that flourished in the area from around the 8th century BC until they were assimilated into the Roman Republic in the 4th century BC. Etruscan Etruria The ancient people of Etruria are identified as Etruscans. Their complex culture centered on numerous city-states that arose during the Villanovan period in the ninth century BC, and they were very powerful during the Orientalizing Archaic periods. The Etruscans were a dominant culture in Italy by 650 BC,Rix, Helmut. "Etruscan." In ''The Ancient Languages of Europe,'' ed. Roger D. Woodard. Cambridge University Press, 2008, pp. 141–164. surpassing other ancient Italic peoples such as the Ligures. Their influence may be seen beyond Etruria's confines in the Po River Valley and Latium, as wel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psykter
A (, 'cooler') is a type of Pottery of ancient Greece, Greek vase that is characterized by a bulbous body set on a high, narrow foot. It was used as a wine cooler, and specifically as part of the elite sympotic set in the ancient Greek symposium. The , as distinct from other coolers, is a vase which has a mushroom-shaped body, and was produced for only a short period of time during the late-sixth to mid-fifth centuries, with almost all of this type dating to between 520 and 480 BCE. The fact of its brevity combined with there being a number of simpler methods of cooling wine suggests that this shape was merely a fad. It is possible that it came about as a response to avoiding mixing contaminated snow-ice directly in wine, as it was known that this could cause illness, but this is unlikely as the alcohol in wine has useful sterilizing properties. Even proportionately to other wine utensils of its time it is comparatively rare, with few examples being found. Although the did have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelike
A pelike () is a one-piece ceramic container similar to an amphora An amphora (; ; English ) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land .... It has two open handles that are vertical on their lateral aspects and even at the side with the edge of the belly, a narrow neck, a flanged mouth, and a sagging, almost spherical belly. Unlike the often-pointed bottom of many amphorae, the pelike's bottom is always flanged so it will stand on its own. Pelikes are often intricately painted, usually depicting a scene involving people. The shape first appeared at the end of the 6th century BCE and continued to the 4th century BCE. The pelike's function is not known for certain, but many classical experts speculate, due to its shape, the locations they have been found and the subject matter they are decorated with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Giulia
The Villa Giulia is a villa in Rome, Italy. It is named after Pope Julius III, who had it built in 1551–1553 on what was then the edge of the city. Today it is publicly owned, and houses the Museo Nazionale Etrusco, a collection of Etruscan art and artifacts. History Location The villa was built in an area of Rome known as the 'Vigna Vecchia' (which was once against the city walls), lying on the slopes of ''Monte Parioli'', as a 'Villa Suburbana' and a place of repose. Design The pope, a highly literate connoisseur of the arts, assigned the initial design of the building to Giacomo Barozzi da Vignola in 1551–1553. The nymphaeum and other garden structures, however, were designed by Bartolomeo Ammanati, all under the supervision of Giorgio Vasari. Michelangelo also worked there. Pope Julius took a direct interest in the villa's design and decor and spent vast amounts of money on enhancing its beauties. Villa Giulia became one of the most delicate examples of Mannerist a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slip (ceramics)
A slip is a clay slurry used to produce pottery and other ceramic wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating the pottery by painting or dipping the pottery with slip.What is slip in pottery thepotterywheel.com, accessed 10 July 2021. Pottery on which slip has been applied either for glazing or decoration is called slipware. Engobe, from the French word for slip, is a related term for a liquid suspension of clays and flux, in addition to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr Maenad Louvre G34
In Greek mythology, a satyr (, ), also known as a silenus or ''silenos'' ( ), and sileni (plural), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality. In classical Athens, satyrs made up the chorus in a genre of play known as a "satyr play", which was a parody of traged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
