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Eugenio Giraldoni
Eugenio Giraldoni (20 May 1871, Marseille – 23 June 1924, Helsinki) was an Italian operatic baritone who enjoyed a substantial international career. In 1900, he created the role of Baron Scarpia in Giacomo Puccini's ''Tosca''. He was the son of another leading baritone, Leone Giraldoni, and the soprano and violinist Carolina Ferni. His mother gave him voice lessons and he made his opera debut in Barcelona, as Escamillo in ''Carmen'', in 1891. Giraldoni consolidated his career by appearing at various operatic venues in Italy and, in 1898, visiting South America. Then, in 1900, he earned a place in operatic history when he created the part of Baron Scarpia in ''Tosca'', at the Teatro Costanzi in Rome. He also appeared in the first performance of Alberto Franchetti's '' La figlia di Jorio'' at Italy's foremost opera house, La Scala, Milan, in 1906. He sang in Russia and Poland from 1901 until 1907 and at the Metropolitan Opera in New York City during the 1904–05 season. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugenio Giraldoni1
Eugenio is an Italian and Spanish masculine given name deriving from the Greek 'Eugene'. The name is Eugénio in Portuguese and Eugênio in Brazilian Portuguese. The name's translated literal meaning is well born, or of noble status. Similar derivative names such as Gino come from Eugenio, or Eugene. Similar names include Eugenios, Efigenio, Eugine and Eugenius. People Aristocracy * Eugenio Alfonso Carlo Maria Giuseppe, Prince of Savoy-Genoa * Eugenio Brunetta d'Usseaux, Italian nobleman * Eugenio Consolini, Italian aristocrat * Eugenio da Palermo, admiral of the Kingdom of Sicily * Eugenio Daza, Filipino ''principale'', educator and military leader * Eugenio Lascorz, pretender to a royal house of Byzantium Business * Eugenios Eugenidis, Greek shipping magnate, benefactor and philanthropist * Eugenio Garza Lagüera, Mexican businessman and philanthropist * Eugenio Garza Sada, Mexican businessman and philanthropist * Eugenio Lopez III, current chairman and chief ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House (Lincoln Center), Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred to colloquially as the Met, the company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as the general manager. The company's music director has been Yannick Nézet-Séguin since 2018. The Met was founded in 1883 as an alternative to the previously established Academy of Music (New York City), Academy of Music opera house and debuted the same year in a new Metropolitan Opera House (39th Street), building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. The company presents about 18 different operas each year from late September through early June. The operas are presente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagliacci
''Pagliacci'' (; literal translation, 'Clowns') is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the best-known of Leoncavallo's ten operas and remains a staple of the repertoire. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav/Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Masc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruggero Leoncavallo
Ruggero (or Ruggiero) Leoncavallo (23 April 18579 August 1919) was an Italian opera composer and librettist. Throughout his career, Leoncavallo produced numerous operas and songs but it is his 1892 opera ''Pagliacci'' that remained his lasting contribution, despite attempts to escape the shadow of his greatest success. Today ''Pagliacci'' continues to be his most famous opera and one of the most popular and frequently performed works in the operatic repertory. His other notable compositions include the song " Mattinata", popularized by Enrico Caruso, and, to a lesser extent, his version of ''La bohème'' which, however, was overshadowed by Puccini's highly successful opera of the same name. Biography The son of Vincenzo Leoncavallo, a police magistrate and judge, Leoncavallo was born in Naples, Kingdom of the Two Sicilies, on 23 April 1857. As a child, Leoncavallo moved with his father to the town of Montalto Uffugo in Calabria, where he lived during his adolescence. In 1868 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verismo
In opera, , from , meaning 'true', was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the ''verismo'' literary movement sought to portray the world with greater realism. In so doing, Italian ''verismo'' authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature. History A short story by Verga called ' (), then developed into a play by the same author, became the source for what is usually considered to be the first ''verismo'' opera: ''Cavalleria rusticana'' by Mascagni, which premiered on 17 May 1890 at the Teatro Costan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Sammarco
(Giuseppe) Mario Sammarco (13 December 1873 – 24 January 1930) was an Italian operatic baritone noted for his acting ability. Biography Sammarco was born in Palermo, Sicily. At a young age he joined a choral class and took a few singing lessons but was dissuaded from pursuing music, the teacher saying that his voice was too small. It wasn't until he took the part of Valentine in an amateur performance of ''Faust'' that he was encouraged, at which point he began serious vocal study with Antonio Cantelli. His professional debut came in the fourth and final version of Puccini's Le Villi on November 7, 1889 at the Teatro Dal Verme, Milan. He subsequently sang to acclaim in at La Scala (Italy's most celebrated theatre), Buenos Aires, and London. Between 1904 and 1919 he appeared intermittently, in 26 different roles, at the Royal Opera House, Covent Garden. In New York City, he was hired by Oscar Hammerstein I for his Manhattan Opera Company as a replacement for the great French s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Onegin (opera)
''Eugene Onegin'' (, ), Op. 24, is an opera (designated as "lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825–1832 novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. There are several recordings of it, and it is regularly performed. The work's title refers to the protagonist. Composition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Damnation De Faust
''La Damnation de Faust'' (English: ''The Damnation of Faust''), Op. 24 is a French musical composition for four solo voices, full seven-part chorus, large children's chorus and orchestra by the French composer Hector Berlioz. He called it a ''légende dramatique'' (" dramatic legend"). It was first performed at the Opéra-Comique in Paris on 6 December 1846. Background and composition history Berlioz read Johann Wolfgang von Goethe's '' Faust, Part One'' in 1828, in Gérard de Nerval's translation. he recalled in his ''Memoirs''. : "...this marvellous book fascinated me from the first...I could not put it down. I read it incessantly, at meals, in the theatre, in the street." The work so impressed Berlioz that he composed a suite entitled ''Eight Scenes from Faust'', which became his Opus 1 (1829), though he later recalled all the copies of it he could find. He returned to the material in 1845, to make a larger work, with some additional text by Almire Gandonnière ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'', choral pieces including the Requiem (Berlioz), Requiem and ''L'Enfance du Christ'', his three operas ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''Les Troyens'' and ''Béatrice et Bénédict'', and works of hybrid genres such as the "dramatic symphony" ''Roméo et Juliette (Berlioz), Roméo et Juliette'' and the "dramatic legend" ''La Damnation de Faust''. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamlet (opera)
''Hamlet'' is a grand opera in five acts of 1868 by the French composer Ambroise Thomas, with a libretto by Michel Carré and Jules Barbier based on a French adaptation by Alexandre Dumas, père, and Paul Meurice of William Shakespeare's play ''Hamlet''.Fauser, Annegret. "Hamlet. Ophélie: Shakespeare in Paris" in ''Hamlet'' CD Booklet (1993), pp. 33–41. Background Ophelia mania in Paris The Parisian public's fascination with Ophelia, prototype of the '' femme fragile'', began in the fall of 1827, when an English company directed by William Abbot came to Paris to give a season of Shakespeare in English at the Odéon. On 11 September 1827 the Irish actress Harriet Smithson played the part of Ophelia in ''Hamlet''. Cairns, David (1969), p. 70. Her mad scene appeared to owe little to tradition and seemed almost like an improvisation, with several contemporary accounts remarking on her astonishing capacity for mime. Her performances produced an extraordinary reaction: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lohengrin (opera)
''Lohengrin'' ( in German language, German), Wagner-Werk-Verzeichnis, WWV 75, is a Romanticism, Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, ''Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida
''Aida'' (or ''Aïda'', ) is a tragic opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world. At New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a cele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
