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Erik Bruhn
Erik Belton Evers Bruhn (3 October 1928 – 1 April 1986) was a Danish ballet dancer, choreographer, artistic director, actor, and author. Early life Erik Bruhn was born in Copenhagen, Denmark, the fourth child and first son of Ellen (née Evers), owner of a hairdressing salon, and third child of Ernst Bruhn. His parents married shortly before his birth. Bruhn began training with the Royal Danish Ballet when he was nine years old, and made his unofficial début on the stage of Copenhagen's Royal Opera House in 1946, dancing the role of Adonis in Harald Lander's ballet ''Thorvaldsen.'' Career He was taken permanently into the company in 1947 at the age of eighteen. Bruhn took the first of his frequent sabbaticals from the Danish company in 1947, dancing for six months with the short-lived Metropolitan Ballet in England, where he formed his first major partnership, with the Bulgarian ballerina Sonia Arova. He returned to the Royal Danish Ballet in the spring of 1948 and was promo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pål Nils Nilsson
Paul is a common Latin Language, Latin masculine given name in countries and ethnicities with a Christian heritage (Eastern Orthodox Church, Eastern Orthodoxy, Catholic Church, Catholicism, Protestantism) and, beyond Europe, in Christian religious communities throughout the world. Paul – or its variations – can be a given name or surname. Origin and diffusion The name has existed since Roman times. It derives from the Roman family name ''Paulus'' or ''Paullus'', from the Latin adjective meaning "small", "humble", "least" or "little". During the Classical antiquity, Classical Age it was used to distinguish the minor of two people of the same family bearing the same name. The Patrician (ancient Rome), Roman patrician family of the Aemilia (gens), Gens Aemilia included such prominent persons as Lucius Aemilius Paullus (consul 219 BC), Lucius Aemilius Paullus, Lucius Aemilius Paullus Macedonicus, Lucius Aemilius Lepidus Paullus, Aemilia Tertia, Tertia Aemilia Paulla (the wife of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joffrey Ballet
The Joffrey Ballet is an American dance company and training institution in Chicago, Illinois. The Joffrey regularly performs classical and contemporary ballets during its annual performance season at the Civic Opera House, including its annual presentation of ''The Nutcracker''. Founded in 1956 by dance pioneers Robert Joffrey and Gerald Arpino, the company has earned a reputation for boundary-breaking performances, including its 1987 presentation of Vaslav Nijinsky's ''The Rite of Spring'', which reconstructed the original choreography from the 1913 premiere that was thought to be lost. Many choreographers have worked with the Joffrey, including Paul Taylor, Twyla Tharp, and George Balanchine. History From its foundation in 1956 through the mid-1960s, Joffrey's and Arpino's dance company initially toured the United States and sometimes other parts of the world (for example: the Soviet Union in 1963). The dance company gained its first permanent residency in New York ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Petit
Roland Petit (13 January 192410 July 2011) was a French ballet company director, choreographer and dancer. He trained at the Paris Opera Ballet school, and became well known for his creative ballets. Life and work The son of shoe designer Rose Repetto, Petit was born in Villemomble, near Paris. He trained at the Paris Opéra Ballet school under Gustave Ricaux and Serge Lifar and began to dance with the corps de ballet in 1940. He founded the Ballets des Champs-Élysées in 1945 and the Ballets de Paris in 1948, at Théâtre Marigny, with Zizi Jeanmaire as star dancer. Petit collaborated with Constant Lambert (''Ballabile'' - 1950), Henri Dutilleux (''Le Loup'' - 1953), Serge Gainsbourg, Yves Saint-Laurent and César Baldaccini and participated in several French and American films. He returned to the Paris Opéra in 1965 to mount a production of ''Notre Dame de Paris'' (with music by Maurice Jarre). He continued to direct ballets for the largest theatres of France, It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Moor's Pavane
''The Moor's Pavane'' is a 20-minute ballet based upon the tragedy '' Othello'' by William Shakespeare. The ballet was choreographed by José Limón in 1949 to music from Henry Purcell's '' Abdelazer'', ''The Gordion Knot Untied'', and the pavane from ''Pavane and Chaconne for Strings'', arranged by Simon Sadoff. This ballet is José Limón's most famous work and his influence from Doris Humphrey is evident in his choreography. It was created on the Limón Company. There are only four dancers who appear in this rendition of ''Othello''. These dancers represent The Moor, originally played by Limón himself, Desdemona, originally played by Betty Jones, Iago, originally played by Lucas Hoving, and Emilia, originally played by Pauline Koner. Desdemona, an innocent character and tragic victim, is betrayed by Iago who hints that she has been unfaithful. This causes Othello to murder her. These dramatic actions and events take place in the form of a pavane, which is a type of c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Limón
José Arcadio Limón (January 12, 1908 – December 2, 1972) was a dancer and choreographer from Mexico and who developed what is now known as 'Limón technique'. In the 1940s, he founded the José Limón Dance Company (now the Limón Dance Company), and in 1968 he created the José Limón Foundation to carry on his work. In his choreography, Limón spoke to the complexities of human life as experienced through the body. His dances feature large, visceral gestures — reaching, bending, pulling, grasping — to communicate emotion. Inspired in part by his teacher Doris Humphrey's and Charles Weidman's theories about the importance of body weight and dynamics, his own Limón technique emphasizes the rhythms of falling and recovering balance and the importance of good breathing to maintaining flow in a dance. He also utilized the dance vocabulary developed by both Doris Humphrey and Charles Weidman, which aimed at demonstrating emotion through dance in a way that was much ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birgit Cullberg
Birgit Ragnhild Cullberg (3 August 1908 – 8 September 1999) was a Swedish choreographer. Her father Carl Cullberg was a bank director and her mother was Elna Westerström. Cullberg was born in Nyköping and was married from 1942 to 1949 to actor Anders Ek. She was the mother of Niklas Ek in 1943, and twins Mats Ek, and Malin Ek in 1945. Cullberg studied ballet under Kurt Jooss, Kurt Jooss-Leeder and Lilian Karina and at The Royal Ballet, London (1952–1957). In 1960, Cullberg was appointed director and choreographer at the Stockholm City Theatre. Some of her choreographies were premiered at the Royal Swedish Opera, Royal Opera in Stockholm. Cullberg gained international recognition by founding the Cullberg Ballet in the 1960s. On her retirement in 1985, her son Mats Ek took over the ballet company. The Swedish Arts Grants Committee instituted the Cullberg scholarship in her honour, and she was awarded an honorary professorship at Stockholm University, where she had studied wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stuttgart Ballet
Stuttgart Ballet is a leading German ballet company. Dating back to 1609, then the court ballet of the dukes of Württemberg, the modern company was founded by John Cranko and is known for full-length narrative ballets. The company received the Laurence Olivier Award for Outstanding Achievement in Dance in 1981. History The Stuttgart Ballet evolved from the court ballet of the Duke of Württemberg, dating back to 1609. The modern company was founded and shaped from 1961 by the South African born British dancer John Cranko "into a group with an exciting and visually arresting style". He created full-length narrative ballets including ''Romeo and Juliet'', '' Onegin'' and '' The Taming of the Shrew'', John Neumeier created for the company ''Die Kameliendame'' and ''A Streetcar Named Desire''. The first tour to the US in 1969 resulted in international fame. Dancers who have emerged from the company became well-known choreographers, including Neumeier, William Forsythe, Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cranko
John Cyril Cranko (15 August 1927 – 26 June 1973) was a South African ballet dancer and choreographer with the Royal Ballet and the Stuttgart Ballet. Life and career Early life Cranko was born to Herbert and Grace Cranko in Rustenburg in the former province of Transvaal, Union of South Africa. As a child, he would put on puppet shows as a creative outlet. Cranko received his early ballet training in Cape Town under the leading South African ballet teacher and director, Dulcie Howes, of the University of Cape Town Ballet School. In 1945 he choreographed his first work (using Stravinsky's Suite from '' L'Histoire du soldat'') for the Cape Town Ballet Club. He moved to London, studying with the Sadler's Wells Ballet School (later called the Royal Ballet) in 1946Dromgoole, Nicholas"John Cranko" ''Oxford Dictionary of National Biography'', retrieved 19 March 2015, and dancing his first role with the Sadler's Wells Ballet in November 1947. London Cranko collaborated with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoje ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, links=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet (Prokofiev)
''Romeo and Juliet'' (), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev made from the ballet three orchestral suites and a suite for solo piano. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy ending (contrary to Shakespeare) provoked controversy among Soviet cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Ashton
Sir Frederick William Mallandaine Ashton (17 September 190418 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue. Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous. Ashton was chief choreographer to Ninette de Valois, from 1935 until his retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the The Royal Ballet, Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970. Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are ''Façade (ballet), Fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sylphide
''La Sylphide'' (; ) is a romantic ballet in two acts. There were two versions of the ballet; the original choreographed by Filippo Taglioni in 1832, and a second version choreographed by August Bournonville in 1836. Bournonville's is the only version known to have survived and is one of the world's oldest surviving ballets. Taglioni version On 12 March 1832 the first version of ''La Sylphide'' premiered at the Salle Le Peletier of the Paris Opéra with choreography by the groundbreaking Italian choreographer Filippo Taglioni and music by Jean Schneitzhoeffer, Jean-Madeleine Schneitzhoeffer. Taglioni designed the work as a showcase for his daughter Marie Taglioni, Marie. ''La Sylphide'' was the first ballet where dancing ''en pointe'' had an aesthetic rationale and was not merely an acrobatic stunt, often involving ungraceful arm movements and exertions, as had been the approach of dancers in the late 1820s. Marie was known for shortening her skirts in the performance of ''La S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
