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Erich Buchholz
Erich Buchholz (1891–1972) was a German artist in painting and printmaking. He was a central figure in the development of non-objective or concrete art in Berlin between 1918 and 1924. He interrupted his artistic activity in 1925, first because of economic hardship and, from 1933, as he was forbidden to paint by the National-Socialist authorities. He resumed artistic activity in 1945. Biography Erich Buchholz was born on 31 January 1891 in Bromberg, Province of Posen, Germany (now Bydgoszcz, Poland). He started working as a teacher in a primary school in Berlin, painting in his free time. In 1914 he decided to become a full-time artist and to study painting with Lovis Corinth, but managed to take only one lesson before being conscripted. At the end of World War I he returned to Berlin and started working on abstract paintings. In 1918 he designed his first abstract stage sets for the Albert-Theater in Dresden. His first solo exhibition was in 1921 at the Galerie De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bydgoszcz
Bydgoszcz ( , , ; german: Bromberg) is a city in northern Poland, straddling the meeting of the River Vistula with its left-bank tributary, the Brda. With a city population of 339,053 as of December 2021 and an urban agglomeration with more than 470,000 inhabitants, Bydgoszcz is the eighth-largest city in Poland. It is the seat of Bydgoszcz County and the co-capital, with Toruń, of the Kuyavian-Pomeranian Voivodeship. The city is part of the Bydgoszcz–Toruń metropolitan area, which totals over 850,000 inhabitants. Bydgoszcz is the seat of Casimir the Great University, University of Technology and Life Sciences and a conservatory, as well as the Medical College of Nicolaus Copernicus University in Toruń. It also hosts the Pomeranian Philharmonic concert hall, the Opera Nova opera house, and Bydgoszcz Airport. Being between the Vistula and Oder (Odra in Polish) rivers, and by the Bydgoszcz Canal, the city is connected via the Noteć, Warta, Elbe and German cana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock Printing
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD. Woodblock printing existed in Tang China by the 7th century AD and remained the most common East Asian method of printing books and other texts, as well as images, until the 19th century. '' Ukiyo-e'' is the best-known type of Japanese woodblock art print. Most European uses of the technique for printing images on paper are covered by the art term woodcut, except for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raoul Hausmann
Raoul Hausmann (July 12, 1886 – February 1, 1971) was an Austrian artist and writer. One of the key figures in Berlin Dada, his experimental photographic collages, sound poetry, and institutional critiques would have a profound influence on the European Avant-Garde in the aftermath of World War I. Early biography Raoul Hausmann was born in Vienna but moved to Berlin with his parents at the age of 14, in 1901. His earliest art training was from his father, a professional conservator and painter. He met Johannes Baader, an eccentric architect and another future member of Dada, in 1905. At around the same time he met Elfride Schaeffer, a violinist, whom he married in 1908, a year after the birth of their daughter, Vera. That same year Hausmann enrolled at a private Art School in Berlin, where he remained until 1911. After seeing Expressionist paintings in Herwarth Walden's gallery Der Sturm in 1912, Hausmann started to produce Expressionist prints in Erich Heckel's studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Huelsenbeck
Carl Wilhelm Richard Hülsenbeck (aka Charles R. Hulbeck) (23 April 189220 April 1974) was a German writer, poet, and psychoanalyst born in Frankenau, Hessen-Nassau who was associated with the formation of the Dada movement. Life and work Huelsenbeck was a medical student on the eve of World War I. He was invalided out of the army and emigrated to Zürich, Switzerland in February 1916, where he fell in with the Cabaret Voltaire. In January 1917, he moved to Berlin, taking with him the ideas and techniques which helped him found the Berlin Dada group. 'To make literature with a gun in my hand had for a time been my dream,' he wrote in 1920. Huelsenbeck was the editor of the ''Dada Almanach'', and wrote ''Dada siegt'', ''En Avant Dada'' and other Dadaist works. Richard Hülsenbeck at |
Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Schwitters
Kurt Hermann Eduard Karl Julius Schwitters (20 June 1887 – 8 January 1948) was a German artist who was born in Hanover, Germany. Schwitters worked in several genres and media, including dadaism, constructivism, surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art. He is most famous for his collages, called '' Merz Pictures''. Early influences and the beginnings of Merz, 1887–1922 Hanover Kurt Schwitters was born on 20 June 1887 in Hanover, at Rumannstraße No.2, now: No. 8, the only child of Eduard Schwitters and his wife Henriette (née Beckemeyer). His father was (co-)proprietor of a ladies' clothes shop. The business was sold in 1898, and the family used the money to buy some properties in Hanover, which they rented out, allowing the family to live off the income for the rest of Schwitters's life in Germany. In 1893, the family moved to Waldstraße (later renamed to Waldhausenstraße), future site of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hannah Höch
Hannah Höch (; 1 November 1889 – 31 May 1978) was a German Dada artist. She is best known for her work of the Weimar Republic, Weimar period, when she was one of the originators of photomontage. Photomontage, or fotomontage, is a type of collage in which the pasted items are actual photographs, or photographic reproductions pulled from the press and other widely produced media. Höch's work was intended to dismantle the fable and dichotomy that existed in the concept of the "New Woman": an energetic, professional, and androgynous woman, who is ready to take her place as man's equal. Her interest in the topic was in how the dichotomy was structured, as well as in who structures social roles. Other key themes in Höch's works were androgyny, Public sphere, political discourse, and shifting gender roles. These themes all interacted to create a feminist discourse surrounding Höch's works, which encouraged the liberation and agency of women during the Weimar Republic (1919–1933) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' |
El Lissitzky
Lazar Markovich Lissitzky (russian: link=no, Ла́зарь Ма́ркович Лиси́цкий, ; – 30 December 1941), better known as El Lissitzky (russian: link=no, Эль Лиси́цкий; yi, על ליסיצקי), was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design. Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "" (goal-oriented creation).Glazova Lissitzky, of Lithuanian Jewish оrigin, began his career illustrating Yiddish children's books in an effort to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernő Kállai
Ernő Kállai (9 November 1890, Săcălaz- 28 November 1954, Budapest) was a Hungarian art critic who was involved in the promotion of and theorisation around Constructivism. He encountered avant-garde art upon visiting the MA gallery of Lajos Kassák and soon contributed to '' MA'' under the pseudonym Péter Mátyás. Following the suppression of the Hungarian Soviet Republic, Kállai went to Berlin but stayed in touch with other Hungarian refugees from the avant-garde art movement in Vienna. In 1923 he wrote “The Russian Exhibition in Berlin” (Originally published as “A berlini orosz kiállítás”, Akasztott Ember ''Akasztott Ember'' (Hanged Man) was a Hungarian language avant-garde art magazine published in Vienna by Sándor Barta. Five issues appeared between November 1922 and February 1923. It was subtitled "The Organ of Universal Socialist Culture". Ba ... vol. 2 (February 15, 1923)] He also co-wrote a manifesto, “Nyilatkozat”, with Alfréd Kemény, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laszlo Peri
Peter Laszlo Peri (born László Weisz; 13 June 1899 – 19 January 1967) was an artist and sculptor. Name changes László Weisz was born on 13 June 1899 in Budapest, Hungary. His family Magyarized their family name to "''Péri''". When he moved to Germany and became involved in Constructivism, he was known as Laszlo Péri. After he moved to England, he adopted the name "Peter Peri". His grandson, an artist born in 1971, also has the name Peter Peri. Career Born in 1899, in Budapest into a large, proletarian Jewish family Peri became politicised at an early age. In 1919, he finished an apprenticeship as a bricklayer, and became a student at the workshops for proletariat fine arts in 1919. He was in contact with Lajos Kassák and the Activists. In 1917, he began his career as an actor at the MA Theater School, studying with János Mácsza. As part of a theatre company he went to Prague where he heard about the fall of the Republic of Councils. He studied architecture in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
László Moholy-Nagy
László Moholy-Nagy (; ; born László Weisz; July 20, 1895 – November 24, 1946) was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts. The art critic Peter Schjeldahl called him "relentlessly experimental" because of his pioneering work in painting, drawing, photography, collage, sculpture, film, theater, and writing. He also worked collaboratively with other artists, including his first wife Lucia Moholy, Walter Gropius, Marcel Breuer, and Herbert Bayer. His largest accomplishment may be the School of Design in Chicago, which survives today as part of the Illinois Institute of Technology, which art historian Elizabeth Siegel called "his overarching work of art". He also wrote books and articles advocating a utopian type of high modernism. Early life and education (1895–1922) Moholy-Nagy was born László Weisz i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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