Epode EP
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Epode EP
According to one meaning of the word, an epode is the third part of an ancient Greek choral ode that follows the strophe and the antistrophe and completes the movement. The word epode is also used to refer to the second (shorter) line of a two-line stanza of the kind composed by Archilochus and Hipponax in which the first line consists of a dactylic hexameter or an iambic trimeter.West, M. L. (1987)''An Introduction to Greek Metre'' Oxford.; p. 31. (See Archilochian.) It can also be used (as in Horace's Epodes) to refer to poems written in such stanzas. Evolution In the performance of a choral ode, at a certain point in time the choirs, which had previously chanted to the right of the altar or stage, and then to the left of it, combined and sang in unison, or permitted the ''coryphaeus'' to sing for them all, while standing in the centre. The epode soon took its place in choral poetry, which it lost when that branch of literature declined. But it extended beyond the ode, and in ...
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Strophe
A strophe () is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. Strophic poetry is to be contrasted with poems composed line-by-line non-stanzaically, such as Greek epic poems or English blank verse, to which the term '' stichic'' applies. In its original Greek setting, "strophe, antistrophe and epode were a kind of stanza framed only for the music", as John Milton wrote in the preface to '' Samson Agonistes'', with the strophe chanted by a Greek chorus as it moved from right to left across the scene. Etymology Strophe (from Greek στροφή, "turn, bend, twist") is a concept in versification which properly means a turn, as from one foot to another, or from one side of a chorus to the other. Poetic structure In a more general sense, the strophe is a pair of stanzas of alte ...
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Pindar
Pindar (; ; ; ) was an Greek lyric, Ancient Greek lyric poet from Thebes, Greece, Thebes. Of the Western canon, canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himsel ...
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Prosody (Latin)
Latin prosody (from Middle French ''prosodie'', from Latin ''prosōdia'', from Ancient Greek προσῳδία ''prosōidía'', 'song sung to music', 'pronunciation of syllable') is the study of Latin poetry and its laws of meter. The following article provides an overview of those laws as practised by Latin poets in the late Roman Republic and early Roman Empire, with verses by Catullus, Horace, Virgil and Ovid as models. Except for the early Saturnian (poetry), Saturnian poetry, which may have been accentual, Latin poets borrowed all their verse forms from the Greeks, despite significant differences between the two languages. Latin verse: a Greek gift A brief history The start of Latin literature is usually dated to the first performance of a play by Livius Andronicus in Rome in 240 BC. Livius, a Greek slave, translated Greek New Comedy for Roman audiences. He not only established the genre fabula palliata, but also adapted meters from Greek drama to meet the needs of Latin ...
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Greek Literature
Greek literature () dates back from the ancient Greek literature, beginning in 800 BC, to the modern Greek literature of today. Ancient Greek literature was written in an Ancient Greek dialect, literature ranges from the oldest surviving written works until works from approximately the fifth century AD. This time period is divided into the Preclassical, Classical, Hellenistic, and Roman periods. Preclassical Greek literature primarily revolved around myths and include the works of Homer; the ''Iliad'' and the ''Odyssey''. The Classical period saw the dawn of drama and history. Three philosophers are especially notable: Socrates, Plato, and Aristotle. During the Roman era, significant contributions were made in a variety of subjects, including history, philosophy, and the sciences. Byzantine literature, the literature of the Byzantine Empire, was written in Atticizing, Medieval and early Modern Greek. Chronicles, distinct from historics, arose in this period. Encyclopedias ...
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Iambic Dimeter
An iamb ( ) or iambus is a metrical foot used in various types of poetry. Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in () "beautiful (f.)"). This terminology was adopted in the description of accentual-syllabic verse in English, where it refers to a foot comprising an unstressed syllable followed by a stressed syllable (as in ''abóve''). Thus a Latin word like , because of its short-long rhythm, is considered by Latin scholars to be an iamb, but because it has a stress on the first syllable, in modern linguistics it is considered to be a trochee. Etymology R. S. P. Beekes has suggested that the ''iambos'' has a Pre-Greek origin. An old hypothesis is that the word is borrowed from Phrygian or Pelasgian, and literally means "Einschritt", i. e., "one-step", compare ''dithyramb'' and '' thriambus'', but H. S. Versnel rejects this etymology and suggests instead a de ...
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Iambic Trimeter
The Iambic trimeter, in classical Greek and Latin poetry, is a meter of poetry consisting of three iambic metra (each of two feet) per line. In English poetry, it refers to a meter with three iambic feet. In ancient Greek poetry and Latin poetry, an iambic trimeter is a quantitative meter, in which a line consists of three iambic ''metra''. Each '' metron'' consists of the pattern , x – u – , , where "–" represents a long syllable, "u" a short one, and "x" an ''anceps'' (either long or short). Resolution was common, especially in the first two metra of the line, so that any long or ''anceps'' syllable except the last could be replaced by two short syllables (see for example Euripides#Chronology), making a total of 13 or more syllables. It is the most common meter used for the spoken parts (as opposed to the sung parts) of Ancient Greek tragedy, comedy, and satyr plays. It is also common in iambus or 'blame poetry', although it is not the only meter for that genre. ...
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Distich
In poetry, a couplet ( ) or distich ( ) is a pair of successive Line (poetry), lines that rhyme and have the same Metre (poetry), metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of Verse (poetry), verse. In a run-on (open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's ''Arcadia ''in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in the 18t ...
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Latin Literature
Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. The beginning of formal Latin literature dates to 240 BC, when the first stage play in Latin was performed in Rome. Latin literature flourished for the next six centuries. The classical era of Latin literature can be roughly divided into several periods: #Early Latin literature, Early Latin literature, #The Golden Age, The Golden Age, #The Imperial Period, The Imperial Period and Latin literature#Latin in the Middle Ages, Renaissance, and Early Modernity, Late Antiquity. Latin was the language of the ancient Romans as well as being the ''lingua franca'' of Western and Central Europe throughout the Middle Ages. Latin literature features the work of Roman authors, such as Cicero, Virgil, Ovid and Horace, but also includes the work of European writers after the fall of the Empire; from religious writers like Thomas Aquinas, Aquinas (1225–1274), to secular writers like ...
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Horace
Quintus Horatius Flaccus (; 8 December 65 BC – 27 November 8 BC), Suetonius, Life of Horace commonly known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his '' Odes'' as the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Quintilian 10.1.96. The only other lyrical poet Quintilian thought comparable with Horace was the now obscure poet/metrical theorist, Caesius Bassus (R. Tarrant, ''Ancient Receptions of Horace'', 280) Horace also crafted elegant hexameter verses ('' Satires'' and '' Epistles'') and caustic iambic poetry ('' Epodes''). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let ...
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Catullus
Gaius Valerius Catullus (; ), known as Catullus (), was a Latin neoteric poet of the late Roman Republic. His surviving works remain widely read due to their popularity as teaching tools and because of their personal or sexual themes. Life Gāius Valerius Catullus was born to a leading equestrian family of Verona, in Cisalpine Gaul. The social prominence of the Catullus family allowed the father of Gaius Valerius to entertain Julius Caesar when he was the Promagistrate (proconsul) of both Gallic provinces. In a poem, Catullus describes his happy homecoming to the family villa at Sirmio, on Lake Garda, near Verona; he also owned a villa near the resort of Tibur (modern Tivoli). Catullus appears to have spent most of his young adult years in Rome. His friends there included the poets Licinius Calvus and Helvius Cinna, Quintus Hortensius (son of the orator and rival of Cicero), and the biographer Cornelius Nepos, to whom Catullus dedicated a '' libellus'' of poems, the ...
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Antistrophe
Antistrophe (, "a turning back") is the portion of an ode sung by the chorus in its returning movement from west to east in response to the strophe, which was sung from east to west. Characteristics Usage as a literary device It has the nature of a reply and balances the effect of the strophe. Thus, in Gray's ode called "The Progress of Poesy" (excerpt below), the strophe, which dwelt in triumphant accents on the beauty, power and ecstasy verse, is answered by the antistrophe, in a depressed and melancholy key: When the sections of the chorus have ended their responses, they unite and close in the epode, thus exemplifying the triple form, in which the ancient sacred hymns of Greece were coined, from the days of Stesichorus onwards. As Milton says: " strophe, antistrophe and epode were a kind of stanza framed for the music then used with the chorus that sang". Other semantic usage ''Antistrophe'' was also a kind of ancient dance Dance is an The arts, art fo ...
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Epithalamia
An epithalamium (; Latin form of Greek ἐπιθαλάμιον ''epithalamion'' from ἐπί ''epi'' "upon," and θάλαμος ''thalamos'' "nuptial chamber") is a poem written specifically for the bride on the way to her marital chamber. This form continued in popularity through the history of the classical world; the Roman poet Catullus wrote a famous epithalamium, which was translated from or at least inspired by a now-lost work of Sappho. According to Origen, the Song of Songs might be an epithalamium on the marriage of Solomon with the Pharaoh's daughter (wife of Solomon), Pharaoh's daughter. History It was originally among the Greeks a song in praise of bride and bridegroom, sung by a number of boys and girls at the door of the nuptial chamber. According to the scholiast on Theocritus, one form was employed at night, and another, to rouse the bride and bridegroom on the following morning. In either case, as was natural, the main burden of the song consisted of invocations o ...
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