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Engaged (play)
''Engaged'' is a three-act farcical comic play by W. S. Gilbert. The plot revolves around a rich young man, his search for a wife, and the attempts – from mercenary motives – by his uncle to encourage his marriage and by his best friend to prevent it. After frantic complications and changes of allegiance, all the main characters end up paired off, more or less to their satisfaction. The play opened at the Haymarket Theatre in London on 3 October 1877, the year before Gilbert's first great success with the composer Arthur Sullivan in their comic opera '' H.M.S. Pinafore''. ''Engaged'' was well received on the London stage and then in the British provinces, the US, Australia and New Zealand. It was subsequently revived many times and has continued to be produced during the 20th and 21st centuries. The play has been called "unquestionably the finest and funniest English comedy between Bulwer-Lytton's ''Money'' 840and Wilde's ''The Importance of Being Earnest'' 895which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engaged
An engagement or betrothal is the period of time between the declaration of acceptance of a marriage proposal and the marriage itself (which is typically but not always commenced with a wedding). During this period, a couple is said to be ''fiancés'' (from the French), ''betrothed,'' ''intended'', ''affianced'', ''engaged to be married,'' or simply ''engaged''. Future brides and grooms may be called ''fiancée'' (feminine) or ''fiancé'' (masculine), ''the betrothed'', a ''wife-to-be'' or ''husband-to-be'', respectively. The duration of the courtship varies vastly, and is largely dependent on cultural norms or upon the agreement of the parties involved. Long engagements were once common in formal arranged marriages, and it was not uncommon for parents betrothing children to arrange marriages many years before the engaged couple were old enough. This is still done in some countries. Many traditional Christian denominations have optional rites for Christian betrothal (also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Clay
Frederic Emes Clay (3 August 1838 – 24 November 1889) was an English composer known principally for songs and his music written for the stage. Although from a musical family, for 16 years Clay made his living as a civil servant in HM Treasury, composing in his spare time, until a legacy in 1873 enabled him to become a full-time composer. He had his first big stage success with ''Ages Ago'' (1869), a short comic opera with a libretto by W. S. Gilbert, for the small Gallery of Illustration; it ran well and was repeatedly revived. Clay, a great friend of his fellow composer Arthur Sullivan, introduced the latter to Gilbert, leading to the Gilbert and Sullivan partnership. In addition to Gilbert, Clay's librettists during his 24-year career included B. C. Stephenson, Tom Taylor, T. W. Robertson, Robert Reece and G. R. Sims. The last of his four pieces with Gilbert was '' Princess Toto'' (1875), which had short runs in the West End and in New York. Clay's other compositions inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas William Robertson
Thomas William Robertson (9 January 1829 – 3 February 1871) was an English dramatist and stage director. Born to a theatrical family, Robertson began as an actor, but he was not a success and gave up acting in his late 20s. After earning a modest living writing articles for the press, translating and adapting foreign plays and writing several of his own plays he achieved success in 1865 with his play ''Society'', which the actor-manager Marie Wilton presented at a small London theatre, the Prince of Wales's. Over the next five years Robertson wrote five more plays for the Prince of Wales's. Their naturalistic style and treatment of contemporary social issues was in strong contrast to the melodramas and exaggerated theatricality to which the public had been accustomed, and Robertson's plays were box-office and critical successes. Robertson supervised their productions and was a pioneer of modern stage directing. Among later theatrical figures influenced by Robertson's Prince ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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