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Endless House
Endless House is a conceptual work of architecture by Frederick Kiesler. Kiesler used the project to express an elaborate, personal metaphysics based on the concepts of 'connectivity', 'correality' and 'biotechnique'. The project was an attempt to merge the spiritual and practical into a new housing typology. Although the structure was never built to scale, a miniaturized version was constructed for the "Visionary Architects" exhibit at the Museum of Modern Art, which included Louis Kahn, Frank Lloyd Wright, Buckminster Fuller, and Le Corbusier. Kiesler departed in many ways from the modernist ideals of his contemporaries, objecting to pre-fabrication, rationalism, and orthogonal designs in favor of a curvilinear structure. Reception of the "Endless House" was mixed, garnering the praise of such contemporaries as Robert Rauschenberg and Jasper Johns, while receiving criticism for ideas that were considered to be impractical and outlandish. The "Endless House" concept also appeared ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Kiesler
Frederick Jacob Kiesler (September 22, 1890 – December 27, 1965) was an Austrian-American architect, theoretician, theater designer, artist and sculptor. Biography Kiesler was born Friedrich Jacob Kiesler in Czernowitz, Austro-Hungarian Empire (now Chernivtsi, Ukraine). From 1908 to 1909, Kiesler studied at the Technische Hochschule in Vienna. From 1910–12, he attended painting and printmaking classes at the Akademie der bildenden Künste, both in Vienna. In July 1913, Kiesler quit the academy without having earned a diploma. He married Stefanie (Stefi) Frischer (1897–1963) in 1920, and they moved to New York City in 1926, where he lived until his death. "In December, Friedrich Kiesler became a naturalized American citizen and changed his name to Frederick John Kiesler." Kiesler collaborated there early on with the Surrealists, and with Marcel Duchamp. His writing was extensive, and his theoretical work embraced two lengthy manifestos, the article "Pseudo-Functionalism in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Style (architecture)
The International Style is a major architectural style and movement that began in western Europe in the 1920s and dominated modern architecture until the 1970s. It is defined by strict adherence to Functionalism (architecture), functional and Form follows function, utilitarian designs and construction methods, typically expressed through minimalism. The style is characterized by Modular building, modular and Rectilinear polygon, rectilinear forms, Plane (mathematics), flat surfaces devoid of ornamentation and decoration, open and airy interiors that blend with the exterior, and the use of glass, steel, and concrete. The International Style is sometimes called rationalist architecture and the modern movement, although the former is mostly used in English to refer specifically to either Rationalism (architecture), Italian rationalism or the style that developed in 1920s Europe more broadly. In continental Europe, this and related styles are variably called Functionalism (architectu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and Subjectivity and objectivity (philosophy), subjective experience. Philosophy, politics, architecture, and social issues were all aspects of this movement. Modernism centered around beliefs in a "growing Marx's theory of alienation, alienation" from prevailing "morality, optimism, and Convention (norm), convention" and a desire to change how "social organization, human beings in a society interact and live together". The modernist movement emerged during the late 19th century in response to significant changes in Western culture, including secularization and the growing influence of science. It is characterized by a self-conscious rejection of tradition and the search for newer means of cultural expressions, cultural expression. Modernism was influenced by widespread technological innovation, industrialization, and urbanization, as well as the cul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealist
Surrealism is an art movement, art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, photography, Theatre of Cruelty, theatre, Surrealist cinema, filmmaking, Surrealist music, music, Surreal humour, comedy and other media as well. Works of Surrealism feature the element of surprise, unexpected juxtapositions and ''Non sequitur (literary device), non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatic behavior, automatism" Breton speaks of in the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive with a respective county. The city is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the United States by both population and urban area. New York is a global center of finance and commerce, culture, technology, entertainment and media, academics, and scientific output, the arts and fashion, and, as home to the headquarters of the United Nations, international diplomacy. With an estimated population in 2024 of 8,478,072 distributed over , the city is the most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Stijl
De Stijl (, ; 'The Style') was a Dutch art movement founded in 1917 by a group of artists and architects based in Leiden (Theo van Doesburg, Jacobus Oud, J.J.P. Oud), Voorburg (Vilmos Huszár, Jan Wils) and Laren, North Holland, Laren (Piet Mondrian, Bart van der Leck). ''De Stijl'' was also the name of a journalpublished by the Dutch painter, designer, writer, poet and critic Theo van Doesburgthat propagated the group's theories. Along with van Doesburg, the group's principal members were the painters Piet Mondrian, Vilmos Huszár, Bart van der Leck, the architects Jacobus Oud, J.J.P. Oud, Jan Wils, Gerrit Rietveld, Robert van 't Hoff, the sculptor and painter Georges Vantongerloo, and the poet and writer Antony Kok. The art theory that formed the basis for the group's work was originally known as in Dutch; it was later translated to Neoplasticism in English. This theory was subsequently extended to encompass the principles of Elementarism. Principles and influences Mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Drexler
Arthur Justin Drexler (13 March 1925 – 16 January 1987) was an American museum curator and director of the Museum of Modern Art (MoMA) for 35 years. Life Drexler was born in Brooklyn and attended the High School of Music and Art, and The Cooper Union studying architecture and served with the U.S. Army Corps of Engineers during the Second World War. After the war Drexler worked with the office of industrial designer George Nelson and was Architecture Editor of ''Interiors'' magazine. Drexler joined the Museum of Modern Art in New York in 1951 as Curator of Architecture and Design and was promoted to Director of the Department in 1956 succeeding Philip Johnson. Drexler has lectured at New York University, Yale University, Harvard University, Pratt Institute, the Massachusetts Institute of Technology, and other universities and institutions. Drexler had the longest curatorship in the Museum of Modern Art history. Over thirty-five years Drexler conceived, organised and oversaw trai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jasper Johns
Jasper Johns (born May 15, 1930) is an American painter, sculptor, draftsman, and printmaker. Considered a central figure in the development of American postwar art, he has been variously associated with abstract expressionism, Neo-Dada, and pop art movements. Johns was born in Augusta, Georgia, and raised in South Carolina. He graduated as valedictorian from Edmunds High School in 1947 and briefly studied art at the University of South Carolina before moving to New York City and enrolling at Parsons School of Design. His education was interrupted by military service during the Korean War. After returning to New York in 1953, he worked at Marboro Books and began associations with key figures in the art world, including Robert Rauschenberg, with whom he had a romantic relationship until 1961. The two were also close collaborators, and Rauschenberg became a profound artistic influence. Johns's art career took a decisive turn in 1954 when he destroyed his existing artwork and b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whitney Museum Of American Art
The Whitney Museum of American Art, known informally as "The Whitney", is a Modern art, modern and Contemporary art, contemporary American art museum located in the Meatpacking District, Manhattan, Meatpacking District and West Village neighborhoods of Manhattan in New York City. The institution was founded in 1930 by Gertrude Vanderbilt Whitney (18751942), a prominent American socialite, Sculpture, sculptor, and art patron after whom it is named. The Whitney focuses on collecting and preserving 20th- and 21st-century American art. Its permanent collection, spanning the late-19th century to the present, comprises more than 25,000 paintings, sculptures, drawings, prints, photographs, films, videos, and artifacts of new media by more than 3,500 artists. It places particular emphasis on exhibiting the work of living artists as well as maintaining institutional archives of historical documents pertaining to modern and contemporary American art, including the Edward Hopper, Edward an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Rauschenberg
Milton Ernest "Robert" or "Bob" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combine painting, Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. Rauschenberg was primarily a painter and a sculptor, but he also worked with photography, printmaking, papermaking and performance. Rauschenberg received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993. Rauschenberg lived and worked in New York City and on Captiva Island, Florida, until his death on May 12, 2008. Life and career Rauschenberg was born Milton Ernest Rauschenberg in Port Arthur, Texas, the son of Dora Carolina (née Matso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
