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Encantamento
''Encantamento'' is the third album by Portuguese fado singer Mafalda Arnauth, released in 2003 on EMI Valentim de Carvalho. Track listing # Pode Lá Ser # As Fontes # Porque Não Oiço No Ar # Fado Arnauth # Ó Voz Da Minh’Alma # Cavalo À Solta # Eu Venho # Trova Escondida # Canção # Da Palma Da Minha Mão # Sem Limite # No Teu Poema # É Sempre Cedo # Bendito Fado, Bendita Gente Personnel *Mafalda Arnauth - production *José Elmiro Nunes - Portuguese guitar *Luís Oliveira - arrangement, direction, fado Fado (; "destiny, fate") is a music genre that can be traced to the 1820s in Lisbon, Portugal, but probably has much earlier origins. Fado historian and scholar Rui Vieira Nery states that "the only reliable information on the history of fado wa ... guitar *João Penedo - double bass References * 2003 albums Mafalda Arnauth albums {{2003-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mafalda Arnauth
Mafalda Arnauth (born October 1974) is a Portuguese fado singer. Life and career Arnauth was born in Lisbon, Portugal, in October 1974, and her career began in 1995 when she was invited by João Braga to participate in a concert at S. Luis's Theater. She released her debut album in 1999, which won the award for Best Upcoming Voice from the weekly magazine Blitz. She performed concerts in the Netherlands, Denmark, and Italy, as well as at the Centro Cultural de Belém in Lisbon. Her second album, ''Esta Voz Que Me Atravessa'' (English: ''This voice that goes through me'') was released in 2001, produced by Amélia Muge and José Martins. Andreas Dorschel praised the album, writing that: "capable of the tenderest nuances of voice, afalda Arnauthingeniously counterbalances them with a roughness that calls to mind fado's subcultural origins". Mafalda Arnauth's third album, ''Encantamento'', was self-produced. Discography Solo * ''Mafalda Arnauth'' (1999) CD * '' Esta voz que m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esta Voz Que Me Atravessa
''Esta Voz que me Atravessa'' is the second album by Portuguese fado singer Mafalda Arnauth. It was released in 2001 by EMI Valentim de Carvalho. In praise of this album, Andreas Dorschel writes: "capable of the tenderest nuances of voice, she afalda Arnauthingeniously counterbalances them with a roughness that calls to mind fado’s subcultural origins.“Andreas Dorschel, 'Ästhetik des Fado.' In: ''Merkur'' 69 (2015), no. 2, pp. 79–86, pp. 81-82article online Track listing #Esta Voz Que Me Atravessa" #“O Instante Dos Sentidos" #“Ee Não Saber Ser Loucura" #“Coisa Assim" #“Este Silêncio Que Me Corta" #“Até Logo, Meu Amor" #“Não Há Fado Que Te Resista" #“Lusitana" #“Há Noite Aqui" #“Ai Do Vento" #“Ora vai" #“A Casa E O Mundo" Personnel *José Martins - direction and arrangement *Amélia Muje - production *José Elmiro Nunes - Fado guitar *Paulo Paz - double bass *Ricardo Rocha - Portuguese guitar The Portuguese guitar or Portuguese guitarra ( pt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Talvez Se Chame Saudade
''Talvez se chame Saudade'' is a compilation of fados by Portuguese fado singer Mafalda Arnauth Mafalda Arnauth (born October 1974) is a Portuguese fado singer. Life and career Arnauth was born in Lisbon, Portugal, in October 1974, and her career began in 1995 when she was invited by João Braga to participate in a concert at S. Luis's ..., released in 2005 on EMI Music Portugal. Track listing # Meus Lindos Olhos # Quase Imortal # Bendito Fado, Bendita Gente # Pode Lá Ser # Esta Voz Que Me Atravessa # Talvez Se Chame Saudade # Serás Sempre Lisboa # Lusitana # O Sol Chama Por Mim # As Fontes # Cavalo À Solta # Da Palma Da Minha Mão # Este Silêncio Que Me Corta # Coisa Assim # Eu Venho # Até Logo, Meu Amor Personnel * Masterized in Studios Tcha Tcha Tcha by Rui Dias * Cover Note: João Miguel Tavares * Selection: David Ferreira, Aldina Duarte e Paula Freitas * Design: Sérgio Bernardo * Photography: Isabel Pinto 2005 compilation albums Mafalda Arnauth albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fado
Fado (; "destiny, fate") is a music genre that can be traced to the 1820s in Lisbon, Portugal, but probably has much earlier origins. Fado historian and scholar Rui Vieira Nery states that "the only reliable information on the history of fado was orally transmitted and goes back to the 1820s and 1830s at best. But even that information was frequently modified within the generational transmission process that made it reach us today." Although the origins are difficult to trace, today fado is commonly regarded as simply a form of song which can be about anything, but must follow a certain traditional structure. In popular belief, fado is a form of music characterized by mournful tunes and lyrics, often about the sea or the life of the poor, and infused with a sentiment of resignation, fate and melancholy. This is loosely captured by the Portuguese word '' saudade'', or longing, symbolizing a feeling of loss (a permanent, irreparable loss and its consequent lifelong damage). This i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portuguese Guitar
The Portuguese guitar or Portuguese guitarra ( pt, guitarra portuguesa, ) is a plucked string instrument with twelve steel strings, strung in six courses of two strings. It is one of the few musical instruments that still uses watch-key or Preston tuners. It is iconically associated with the musical genre known as Fado, and is now an icon for anything Portuguese. History The Portuguese guitar now known has undergone considerable technical modification in the last century (dimensions, mechanical tuning system, etc.) although it has kept the same number of courses, the string tuning and the finger technique characteristic of this type of instrument. It is a descendant of the Medieval citole, based on evidence of its use in Portugal since the thirteenth century (then known as 'cítole' in Portuguese) amongst troubadour and minstrel circles and in the Renaissance period, although initially it was restricted to noblemen in court circles. Later it became popular and references have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Albums
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
