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Emil Sauer
Emil Georg Conrad von Sauer (8 October 186227 April 1942) was a German composer, pianist, score editor, and music (piano) teacher. He was a pupil of Franz Liszt and one of the most distinguished pianists of his generation. Josef Hofmann called von Sauer "a truly great virtuoso."Quoted in Schonberg, 317. Martin Krause, another Liszt pupil, called von Sauer "the legitimate heir of Liszt; he has more of his charm and geniality than any other Liszt pupil." Life Sauer was born in the Free and Hanseatic City of Hamburg on 8 October 1862 as Emil Georg Conrad Sauer. He studied with Nikolai Rubinstein at the Moscow Conservatory between 1879 and 1881. On an 1884 visit to Italy he met the Countess von Sayn-Wittgenstein, who recommended him to her former paramour, Franz Liszt. He went on to study with Liszt for two years, but did not for some time consider himself a Liszt pupil. In an 1895 interview, he even denied it: "It is not correct to regard me as a pupil of Liszt, though I stayed with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emil Sauer, Pianist (SAYRE 8984)
Emil may refer to: Literature *''Emil and the Detectives'' (1929), a children's novel *"Emil", nickname of the Kurt Maschler Award for integrated text and illustration (1982–1999) *''Emil i Lönneberga'', a series of children's novels by Astrid Lindgren People *Emil (given name), including a list of people with the given name ''Emil'' or ''Emile'' *Aquila Emil (died 2011), Papua New Guinean rugby league footballer Other *Emil (river), in China and Kazakhstan *Emil (tank), a Swedish tank developed in the 1950s *Sturer Emil, a German tank destroyer See also * * Emile (other) *Aemilius (other) *Emilio (other) *Emílio (other) *Emilios (other) {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic, and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements, or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marston Records
Marston Records is an independent American record label. The label specializes in the remastering and reissuing of very early and rare recordings. It was founded in 1997 by Ward Marston and Scott Kessler. Releases on Marston Records Collections of rare recordings of singers include Giuseppe Anselmi, Jane Bathori, Mattia Battistini, Celestina Boninsegna, Max Bouvet, Rosalia Chalia, Feodor Chaliapin, Arthur Endrèze, Emilio de Gogorza, Lotte Lehmann, Félia Litvinne, Fernando De Lucia, John McCormack, Léon Melchissédec, Graziella Pareto, Maurice Renaud, Tito Schipa, Lotte Schöne, Hina Spani, Conchita Supervía, Lawrence Tibbett, Vanni-Marcoux, César Vezzani and Francisco Viñas. Collections of pianists' rare recordings include Josef Hofmann, Raoul von Koczalski, Jorge Bolet and Vladimir de Pachmann Vladimir de Pachmann or Pachman (27 July 18486 January 1933) was a pianist from the Russian Empire of German ethnicity, especially noted for performing the works of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Concertgebouw Orchestra
The Royal Concertgebouw Orchestra (, ) is a Dutch symphony orchestra, established in 1888 at the Amsterdam Royal Concertgebouw (concert hall). It is considered one of the world's leading orchestras. It was known as the Concertgebouw Orchestra until Queen Beatrix conferred the "Royal" prefix upon it in celebration of its centenary in 1988; the prefix was also granted to the concert hall in 2013. History The Concertgebouw opened on 11 April 1888. The Concertgebouw Orchestra was established several months later and gave its first concert in the Concertgebouw on 3 November 1888. This performance was conducted by the orchestra's first chief conductor, Willem Kes. 1888–1945: Kes and Mengelberg Willem Kes served as the orchestra's chief conductor from its 1888 founding to 1895. In 1895, Willem Mengelberg became chief conductor and remained in this position for fifty years, an unusually long tenure for a music director. He is generally regarded as having brought the orchestra to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willem Mengelberg
Joseph Wilhelm Mengelberg (28 March 1871 – 21 March 1951) was a Dutch conductor, famous for his performances of Beethoven, Brahms, Mahler and Strauss with the Concertgebouw Orchestra in Amsterdam. He is widely regarded as one of the greatest symphonic conductors of the 20th century. Biography Mengelberg was the fourth of fifteen children of German-born parents in Utrecht, Netherlands. His father was the Dutch-German sculptor Friedrich Wilhelm Mengelberg. He was a distant cousin of the musicologist and composer and the uncle of the conductor, composer and critic Karel Mengelberg, who was himself the father of the pianist and composer Misha Mengelberg. After studies in Utrecht with the composer and conductor Richard Hol, the composer Anton Averkamp (1861–1934) and the violinist Henri Wilhelm Petri (1856–1914), Mengelberg went on to study piano and composition at the Cologne conservatory (now the Hochschule für Musik Köln), where his principal teachers were Franz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oleg Marshev
Oleg Marshev (, born 1961) is a Soviet and Russian pianist, born in Baku (Azerbaijani SSR, USSR) and now a resident of Italy. Biography Oleg was born in the Azerbaijani capital Baku, and studied at the Moscow Conservatory, graduating in 1988 with a Performance Doctorate and winning the Pilar Bayona International Piano Competition in Zaragoza. In 1990, Marshev won the AMSA Piano Competition in Cincinnati and settled in Italy in 1991. In 1991, Marshev held his New York debut at Alice Tully Hall in the Lincoln Center. Oleg Marshev's first recording project was the complete original works for solo piano by Prokofiev (5 CDs) for Danacord Records. He has since recorded over 30 CDs for the same label, featuring works by Schubert, Brahms, Strauss, Rubinstein, Rachmaninov and others. He became the first pianist to perform the entirety of Emil von Sauer Emil Georg Conrad von Sauer (8 October 186227 April 1942) was a German composer, pianist, score editor, and music (piano) teacher. He w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lied
In the Western classical music tradition, ( , ; , ; ) is a term for setting poetry to classical music. The term is used for any kind of song in contemporary German and Dutch, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest ''Lieder'' date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History Terminology For German speakers, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
étude
An étude (; ) or study is an instrumental musical composition, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones (György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Piano Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in scope from his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Sonata
A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Liszt, Scriabin, Medtner, Berg), others with two movements (Haydn, Beethoven), some contain five ( Brahms' Third Piano Sonata, Czerny's Piano Sonata No. 1, Godowsky's Piano Sonata) or even more movements. The first movement is generally composed in sonata form. The Baroque keyboard sonata In the Baroque era, the use of the term "sonata" generally referred to either the sonata da chiesa (church sonata) or sonata da camera (chamber sonata), both of which were sonatas for various instruments (usually one or more violins plus basso continuo). The keyboard sonata was relatively neglected by most composers. The sonatas of Domenico Scarlatti (of which there are over 500) were the hallmark of the Baroque keyboard sonata, though they were, for the most part, unpublished during Scarlatti's lifetim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto
A piano concerto, a type of concerto, is a solo composition in the classical music genre which is composed for piano accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuosic showpieces which require an advanced level of technique. Piano concertos are typically written out in music notation, including sheet music for the pianist (which is typically memorized for a more virtuosic performance), orchestral parts, and a full score for the conductor. The standard practice in the Baroque and Classical eras (together spanning from circa 1600 to circa 1800), was for the orchestra to provide subordinate accompaniment over which the piano plays solo parts. However, at the end of the classical era, the orchestra had an equal role to the pianist and frequently had “dialogue” or “conversation” between the two. When music students and music competition auditionees play piano concertos, the orchestra part may be performed in an orchestral reduction, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodor Kullak
Theodor Kullak (12 September 1818 – 1 March 1882) was a German pianist, composer and teacher. Background Kullak was born on 12 September 1818, in Krotoszyn. He began his piano studies as a pupil of Albrecht Agthe in Poznań. He progressed sufficiently to excite the interest of the artistic Prince Anton Radziwill in his eighth year. This early ability to attract noble patronage was an art he continued to deploy to advantage for many years to come. In 1829, the prince used his influence to secure a Berlin court concert. He appeared with soprano singer Henriette Sontag. The usually undemonstrative King Frederick William IV was so delighted that he presented young Kullak with thirty Friedrichs d'or. He performed a concert in Breslau that was received with gratifying applause. The kindly Prince Radziwill then saw to a rounded education for Kullak, sponsoring his school fees in Sulechów (now in Poland). Kullak eventually lost Radziwill's patronage and from age thirteen to eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Plaidy
Louis Plaidy (28 November 1810 – 3 March 1874) was a celebrated German piano pedagogue and compiler of books of technical music studies. Life Born in Hubertusburg, Saxony, Plaidy initially focused on the violin, and toured as a concert violinist, but he later studied the piano, particularly the technical aspects of playing. Plaidy was renowned for his ability to impart technical skills to his students. In 1843, Felix Mendelssohn invited Plaidy to join the faculty of the Leipzig Conservatory to teach the piano. The Conservatory attracted many international students, including the original directors of the Oberlin Conservatory (founded in 1867 in Ohio, US), who went on to use Plaidy's piano methods. Plaidy was Edvard Grieg's first piano teacher at the Conservatory, although Grieg found Plaidy's style of teaching uninspiring. Plaidy remained at the Conservatory until 1865, when he went on to teach piano students privately. Plaidy published a book on piano pedagogy, , which was h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
