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Ella Swings Brightly With Nelson
''Ella Swings Brightly with Nelson'' is a 1962 studio album by the American jazz singer Ella Fitzgerald, accompanied by an orchestra arranged by Nelson Riddle. This album is one of a pair that Fitzgerald and Riddle recorded and released in 1962, the other being '' Ella Swings Gently with Nelson''. Fitzgerald and Riddle had last worked together on her 1959 album ''Ella Fitzgerald Sings the George and Ira Gershwin Songbook''. Fitzgerald's performance on this album won her the Grammy Award for Best Vocal Performance, Female at the 5th Annual Grammy Awards, this was Fitzgerald's seventh Grammy. Track listing For the 1962 Verve LP release; Verve MG V-4054 Side One: # "When Your Lover Has Gone" (Einar Aaron Swan) – 3:00 # "Don't Be That Way" (Benny Goodman, Mitchell Parish, Edgar Sampson) – 3:47 # " Love Me or Leave Me" (Walter Donaldson, Gus Kahn) – 2:49 # "I Hear Music" (Burton Lane, Frank Loesser) – 2:19 # "What Am I Here For?" (Duke Ellington, Frankie Laine) – 2:43 # " ...
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Ella Fitzgerald
Ella Jane Fitzgerald (April25, 1917June15, 1996) was an American singer, songwriter and composer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, Intonation (music), intonation, absolute pitch, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve, she recorded ...
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Grammy Award For Best Female Pop Vocal Performance
The Grammy Award for Best Female Pop Vocal Performance was a Grammy Award recognizing superior vocal performance by a female in the pop category, the first of which was presented in 1959. It was discontinued after the 2011 Grammy season. The award went to the artist. Singles or tracks only are eligible. The award has had quite a convoluted history: *From 1959 to 1960 there was an award called Best Vocal Performance, Female, which was for work in the pop field *In 1961 the award was separated into Best Vocal Performance Single Record Or Track and Best Vocal Performance Album, Female *From 1962 to 1963 the awards from the previous year were combined into Best Solo Vocal Performance, Female *From 1964 to 1968 the award was called Best Vocal Performance, Female *In 1969, the awards were combined and streamlined as the award for Best Contemporary-Pop Vocal Performance, Female *From 1970 to 1971 the award was known as Best Contemporary Vocal Performance, Female *From 1972 to 1994 the aw ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American Jazz piano, jazz pianist, composer, and leader of his eponymous Big band, jazz orchestra from 1924 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become Standard (music), standards. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan (1937 song), Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty five-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writ ...
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Frank Loesser
Frank Henry Loesser ( "lesser"; June 29, 1910 – July 28, 1969) was an American songwriter who wrote the music and lyrics for the Broadway theatre, Broadway musicals ''Guys and Dolls (musical), Guys and Dolls'' and ''How to Succeed in Business Without Really Trying (musical), How to Succeed in Business Without Really Trying'', among others. He won a Tony Award for ''Guys and Dolls'' and shared the Pulitzer Prize for Drama for ''How to Succeed''. He also wrote songs for over 60 Hollywood films and Tin Pan Alley, many of which have become standards, and was nominated for five Academy Award for Best Original Song, Academy Awards for best song, winning once for "Baby, It's Cold Outside". Early years Frank Henry Loesser was born to a Jewish family in New York City, the son of Henry Loesser, a pianist,Frank Loesser biography
, p ...
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Burton Lane
Burton Lane ( Levy; February 2, 1912 – January 5, 1997) was an American composer and lyricist primarily known for his theatre and film scores. His most popular and successful works include '' Finian's Rainbow'' in 1947 and '' On a Clear Day You Can See Forever'' in 1965. Biography Early life Burton Lane was born Burton Levy, in Manhattan, New York City, on February 2, 1912, to Lazarus and Frances Fink Levy.Severo, Richard"Burton Lane, Composer for 'Finian's Rainbow' and 'Clear Day,' Is Dead at 84"''The New York Times'', January 7, 1997 This source gives the most exact location of Lane's birth. When a teenager, Burton changed his surname to Lane at the suggestion of someone with whom he was auditioning, and his brother and cousins followed suit. Lane's parents loved music, and his mother played piano, but she died when Burton was two years old. He studied piano, viola and cello as a child, and composed two marches for his school band which were published. At age 14 the theatric ...
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I Hear Music
"I Hear Music" is a popular song composed by Burton Lane, with lyrics by Frank Loesser for the Paramount Pictures movie '' Dancing on a Dime'' (1940). In the film it was performed by Robert Paige, Peter Lind Hayes, Frank Jenks and Eddie Quillan. Notable recordings *Billie Holiday - Okeh 5831 (recorded September 12, 1940) *Anita O'Day with Gene Krupa - Okeh 5802 (recorded September 17, 1940) *Nat King Cole - ''The Piano Style of Nat King Cole'' (1956) (non vocal) *Blossom Dearie - ''Blossom Dearie'' (1957) *Peggy Lee - '' Jump for Joy'' (1959) *Ella Fitzgerald - '' Ella Swings Brightly with Nelson'' (1962), '' Ella and Oscar'' (1975) *Bing Crosby Harry Lillis "Bing" Crosby Jr. (May 3, 1903 – October 14, 1977) was an American singer, comedian, entertainer and actor. The first multimedia star, he was one of the most popular and influential musical artists of the 20th century worldwi ... - '' Bing Crosby's Treasury - The Songs I Love (1968 version)'' * Sue Raney - ''Sue Raney ...
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Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including " Pretty Baby", " Ain't We Got Fun?", " Carolina in the Morning", " Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", " Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", " Dream a Little Dream of Me" and " You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Iren ...
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Walter Donaldson (songwriter)
Walter Donaldson (February 15, 1893 – July 15, 1947) was a prolific American popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook. History Walter Donaldson was born in Brooklyn, New York, the son of a piano teacher. While still in school he wrote original music for school productions, and had his first professional songs published in 1915. In 1918, he had his first major hit with "The Daughter of Rosie O'Grady". During World War I, Donaldson entertained troops at Camp Upton, New York. His time there inspired him to write " How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree)?" After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. Although Walter Donaldson's company ...
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Love Me Or Leave Me (Donaldson And Kahn Song)
"Love Me or Leave Me" is a popular song written in 1928 by Walter Donaldson with lyrics by Gus Kahn. The song was introduced in the Broadway musical comedy ''Whoopee!'', which opened in December 1928. Ruth Etting's performance of the song was so popular that she was also given the song to sing in the play ''Simple Simon'', which opened in February 1930. Recorded versions Major recorded versions The original version of the song, the biggest-selling at the time, was recorded by Ruth Etting on December 17, 1928. It was issued by Columbia Records as catalog number 1680-D, with the flip side "I'm Bringing a Red, Red Rose", another Donaldson/Kahn composition. The song reached #2 on the charts in 1929. Other versions which also enjoyed popularity at this time were by Guy Lombardo's Royal Canadians, with a vocal by Carmen Lombardo (recorded March 20, 1929, released by Columbia Records as catalog number 1782D, with the flip side "I'm Still Caring") and by Leo Reisman and his orchestra ...
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Edgar Sampson
Edgar Melvin Sampson (October 31, 1907 – January 16, 1973), nicknamed "The Lamb", was an American jazz composer, arranger, saxophonist, and violinist. Born in New York City, he began playing violin aged six and picked up the saxophone in high school. He worked as an arranger and composer for many jazz bands in the 1930s and 1940s. He composed two well-known jazz standards: "Stompin' at the Savoy", and "Don't Be That Way". Life and career Born in New York City, Sampson began his professional career in 1924 with a violin piano duo with Joe Colman. Through the rest of the 1920s and early 1930s, Sampson played with many bands, including those of Charlie "Fess" Johnson, Duke Ellington, Rex Stewart and Fletcher Henderson. In 1934, Sampson joined the Chick Webb band. It during his period with Webb that Sampson created his most enduring work as a composer, writing "Stompin' at the Savoy" and "Don't Be That Way". He left the Webb band in 1936 with a reputation as a composer and arra ...
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Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900. His family emigrated to the United States, arriving on February 3, 1901 aboard the when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley lyricist in New ...
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Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader, known as the "King of Swing". His orchestra did well commercially. From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his trio and quartet. He continued performing until the end of his life while pursuing an interest in classical music. Early years Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman, came to the United States in 1892 from Warsaw in partitioned Poland and becam ...
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