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Elizabeth Reiter
Elizabeth Reiter is an American operatic soprano who has been based at the Oper Frankfurt from 2013, where she covered a broad repertoire from Armida in Handel's ''Rinaldo (opera), Rinaldo'' to the double role Renee/Alice in the German premiere of Olga Neuwirth's ''Lost Highway (opera), Lost Highway''. She performed at international opera houses and festivals, such as singing Zerlina in Mozart's ''Don Giovanni'' in Tanglewood Music Center, Tanglewood, conducted by James Levine. Career Reiter was born in Chicago where she was a member in the Lyric Opera of Chicago, Lyric Opera's children's choir. She sang as a child in over 100 performances, for example in Puccini's ''La Bohème'' and ''Tosca'', Ponchielli's ''La Gioconda (opera), La Gioconda'', Boito's ''Mefistofele'', Bizet's ''Carmen'', Tchaikovsky's ''Queen of Spades (opera), Queen of Spades'', Verdi's ''Otello'' and Humperdinck's Hansel and Gretel (opera), Hansel and Gretel at the Lyric Opera. At the age of 16, Reiter made ...
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Chicago, Illinois
(''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = List of sovereign states, Country , subdivision_name = United States , subdivision_type1 = U.S. state, State , subdivision_type2 = List of counties in Illinois, Counties , subdivision_name1 = Illinois , subdivision_name2 = Cook County, Illinois, Cook and DuPage County, Illinois, DuPage , established_title = Settled , established_date = , established_title2 = Municipal corporation, Incorporated (city) , established_date2 = , founder = Jean Baptiste Point du Sable , government_type = Mayor–council government, Mayor–council , governing_body = Chicago City Council , leader_title = Mayor of Chicago, Mayor , leader_name = Lori Lightfo ...
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Queen Of Spades (opera)
''The Queen of Spades'' or ''Pique Dame'', Op. 68 (russian: Пиковая дама, ''Pikovaya dama'' , french: La Dame de Pique) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on the 1834 novella of the same name by Alexander Pushkin, but with a dramatically altered plot. The premiere took place in 1890 at the Mariinsky Theatre in Saint Petersburg, Russia. Composition history The Imperial Theatre offered Tchaikovsky a commission to write an opera based on the plot sketch by Ivan Vsevolozhsky in 1887/88. After first turning it down, Tchaikovsky accepted it in 1889. Toward the end of that year, he met with the theatre's managers to discuss the material and sketch out some of the scenes. He completed the full score in Florence in only 44 days. Later, working with the tenor who was to perform the lead character, he created two versions of Herman's aria in the seventh scene, using diff ...
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Amadigi Di Gaula
''Amadigi di Gaula'' ( HWV 11) is a "magic" opera in three acts, with music by George Frideric Handel. It was the fifth Italian opera that Handel wrote for an English theatre and the second he wrote for Richard Boyle, 3rd Earl of Burlington in 1715. The opera about a damsel in distress is based on '' Amadis de Grèce'', a French tragédie-lyrique by André Cardinal Destouches and Antoine Houdar de la Motte. ''Amadigi'' was written for a small cast, employing four high voices. Handel made prominent use of wind instruments, so the score is unusually colorful, comparable to his '' Water Music''. The opera received its first performance in London at the King's Theatre in the Haymarket on 25 May 1715, in a lavish successful production. Charles Burney maintained near the end of the eighteenth century: Amadigi contained "...more invention, variety and good composition, than in any one of the musical dramas of Handel which I have yet carefully and critically examined".Richard B. ...
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The Cunning Little Vixen
''The Cunning Little Vixen'' (original title ''Příhody lišky Bystroušky'' or ''Tales of Vixen Sharp-Ears'' in English), is a three-act Czech-language opera by Leoš Janáček completed in 1923 to a libretto the composer himself adapted from a novella by Rudolf Těsnohlídek. Name The opera's libretto was adapted by the composer from a 1920 serialized novella, ''Liška Bystrouška'', by Rudolf Těsnohlídek, which was first published in the newspaper ''Lidové noviny'' (with illustrations by Stanislav Lolek). For the title of the opera, ''Příhody'' means ''tales''; ''lišky'' is the genitive of ''vixen''. ''Bystroušky'', still genitive, is the pun ''sharp'', having the double meaning of ''pointed'', like fox ears, and ''clever''. The opera first became familiar outside Czechoslovakia in a 1927 German adaptation by Max Brod who provided the new name ''Das schlaue Füchslein'', by which Germans still know it and which in English means ''The Cunning Little Vixen''. Compositio ...
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The Rake's Progress
''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings '' A Rake's Progress'' (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition. The story concerns the decline and fall of one Tom Rakewell, who deserts Anne Trulove for the delights of London in the company of Nick Shadow, who turns out to be the Devil. After several misadventures, all initiated by the devious Shadow, Tom ends up in Bedlam, a hospital for the insane at that time situated in the City of London. The moral of the tale is: "For idle hearts and hands and minds the Devil finds work to do." Performance history It was first performed at the Teatro La Fenice in Venice on 11 September 1951, with Elisabeth Schwarzkopf creating the role of Anne Trulove, and Robert Rounseville that of Tom Rakewell. It w ...
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Die Lustige Witwe
''The Merry Widow'' (german: Die lustige Witwe, links=no ) is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, (''The Embassy Attaché'') by Henri Meilhac. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the "Vilja Song", "" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz". Background In 1861, Henri Meilhac premiered a comic play in Paris, (''The Embassy Attaché''), in which the Parisian ambassador of a poor German grand duchy, Baron Scharpf, schemes to arrange a marriage between his country's richest widow (a French woman) and a Count to keep her m ...
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Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a '' Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's '' Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled '' The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes ...
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Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, ''La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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Metropolitan Opera National Council Auditions
The Metropolitan Opera Eric and Dominique Laffont Competition (formerly the Metropolitan Opera National Council Auditions) is an annual singing competition sponsored by the Metropolitan Opera. Established in 1954, its purpose is to discover, assist, promote, and develop young opera singers. The competition is held in four stages: Districts, Regional, Semi-Final, and Final competitions. Each stage is judged by a panel of representatives from the Metropolitan Opera. There are a total of 14 regional competitions within the United States, Canada and Puerto Rico, and 42 district competitions within each region. Winners from the district competition compete in Regionals, and then the winners of regionals are awarded a trip to New York City where they compete on the stage of the Metropolitan Opera in the National Semi-Final Competition. Approximately 10 semi-finalists are chosen to compete in the final competition; the five winners are awarded a grand prize of $15,000 each, and the remainin ...
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Barbican Center
The Barbican Centre is a performing arts centre in the Barbican Estate of the City of London and the largest of its kind in Europe. The centre hosts classical and contemporary music concerts, theatre performances, film screenings and art exhibitions. It also houses a library, three restaurants, and a conservatory. The Barbican Centre is a member of the Global Cultural Districts Network. The London Symphony Orchestra and the BBC Symphony Orchestra are based in the centre's Concert Hall. In 2013, it once again became the London-based venue of the Royal Shakespeare Company following the company's departure in 2001. The Barbican Centre is owned, funded, and managed by the City of London Corporation. It was built as the City's gift to the nation at a cost of £161 million (equivalent to £480 million in 2014) and was officially opened to the public by Queen Elizabeth II on 3 March 1982. The Barbican Centre is also known for its brutalist architecture. Performance hal ...
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Brooklyn Academy Of Music
The Brooklyn Academy of Music (BAM) is a performing arts venue in Brooklyn, New York City, known as a center for progressive and avant-garde performance. It presented its first performance in 1861 and began operations in its present location in 1908. The Academy is incorporated as a New York State not-for-profit corporation. It has 501(c)(3) status. Katy Clark became president in 2015 and left the institution in 2021. David Binder became artistic director in 2019. History 19th and early 20th centuries On October 21, 1858, a meeting was held at the Polytechnic Institute to measure support for establishing "a hall adapted to Musical, Literary, Scientific and other occasional purposes, of sufficient size to meet the requirements of our large population and worth in style and appearance of our city."
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Goodman Theatre
Goodman Theatre is a professional theater company located in Chicago's Loop. A major part of the Chicago theatre scene, it is the city's oldest currently active nonprofit theater organization. Part of its present theater complex occupies the landmark Harris and Selwyn Theaters property. History The Goodman was founded in 1925 as a tribute to the Chicago playwright Kenneth Sawyer Goodman, who died in the Great Influenza Pandemic in 1918. The theater was funded by Goodman's parents, Mr. and Mrs. William O. Goodman, who donated $250,000 to the Art Institute of Chicago to establish a professional repertory company and a school of drama at the School of the Art Institute of Chicago. The first theater was designed by architect Howard Van Doren Shaw (in the location now occupied by the museum's Modern Wing), although its design was severely hampered by location restrictions resulting in poor acoustics and lack of space for scenery and effects. The opening ceremony on Octobe ...
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