Elena Suliotis
Elena Souliotis (spelled Suliotis in the early part of her career; ; 28 May 19434 December 2004) was a Greek operatic soprano. Biography Elena Souliotis was born in Athens, Greece, of Greek and Russian parents but moved with her family to Argentina at an early age. She studied with Mercedes Llopart, who also taught Renata Scotto, Anna Moffo, Fiorenza Cossotto, Ivo Vinco and Alfredo Kraus Trujillo. She made her debut in 1964 as Santuzza in Mascagni's ''Cavalleria rusticana'' in Naples. She made her United States debut at the Lyric Opera of Chicago during the 1965-66 season as Elena in Boito's ''Mefistofele''; her colleagues in that performance were Renata Tebaldi, Alfredo Kraus and Nicolai Ghiaurov. Other roles that she went on to sing soon afterwards were Luisa Miller, Amelia in '' Un ballo in maschera'' and the title role of '' La Gioconda''. A partial list of other operas in which she sang during the first part of her career (1964–1974) include Verdi's ''Aida'' and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Elena Souliotis Allan Warren
Elena may refer to: People * Elena (given name), including a list of people and characters with this name * Raymond Elena (1931-2024), French former professional racing cyclist. * Joan Ignasi Elena (born 1968), Catalan politician * Francine Elena (born 1986), British poet Geography * Elena (town), a town in Veliko Tarnovo Province, Bulgaria ** Elena Municipality * Elena (village), a village in Haskovo Province Film and television * ''Elena'' (2011 film), a 2011 Russian film * ''Elena'' (2012 film), a Brazilian film * ''Elena'' (TV series), a Mexican telenovela * ''Elena of Avalor'', an American TV series * ''Daniele Cortis'', a 1947 Italian film also known as ''Elena'' Music * ''Elena'' (Cavalli), a 1659 opera by Francesco Cavalli * ''Elena'' (Mayr), an 1814 opera by Mayr * "Elena" (song), a 1979 song by The Marc Tanner Band * ''Elena'', an EP by Puerto Muerto Other * ''Elena'' (play), a Cebuano play by Vicente Sotto * Extra Low ENergy Antiproton ring, a storage ring ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mefistofele
''Mefistofele'' () is an opera in a prologue and five acts, later reduced to four acts and an epilogue, the only completed opera with music by the Italian composer-librettist Arrigo Boito (there are several completed operas for which he was librettist only). The opera was given its premiere on 5 March 1868 at La Scala, Milan, under the baton of the composer, despite his lack of experience and skill as a conductor. However, it was not a success and was immediately withdrawn after only two performances both of which were hissed at by the audiences. Revisions in 1875 resulted in success in Bologna and, with further adjustments in 1876 for Venice, the opera was performed elsewhere. Composition history Boito began consideration of an opera on the Faustian theme after completing his studies at the Milan Conservatory in 1861. ''Mefistofele'' is one of many pieces of classical music based on the Faust legend and, like many other composers, Boito used Goethe's version as his starti ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; ; 3 November 1801 – 23 September 1835) was an Italian opera composer famed for his long, graceful melodies and evocative musical settings. A central figure of the era, he was admired not only by the public, but also by many composers who were influenced by his work. His songs balanced florid Ornament (music), embellishment with a deceptively simple approach to lyric setting. Born to a musical family in Sicily, he distinguished himself early and earned a scholarship to study under several noted musicians at Music conservatories of Naples#Conservatorio di San Sebastiano, Naples' Real Collegio di Musica. There he absorbed elements of the Neapolitan School's style and was inspired by performances of Donizetti's and Rossini's operas, among others, in more modern idioms. He wrote his first opera, ''Adelson e Salvini'' (1825), for the conservatory, and his next, ''Bianca e Fernando'' (1826), on a Teatro di San Carlo-affiliated commiss ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alfredo Catalani
Alfredo Catalani (19 June 1854 – 7 August 1893) was an Italian operatic composer. He is best remembered for his operas '' Loreley'' (1890) and '' La Wally'' (1892). ''La Wally'' was composed to a libretto by Luigi Illica, and features Catalani's most famous aria "Ebben? Ne andrò lontana." This aria, sung by American soprano Wilhelmenia Fernandez, was at the heart of Jean-Jacques Beineix's 1981 film '' Diva''. Catalani's other operas were much less successful. Life and career Born in Lucca, Catalani came from a musical family. He was trained at the Milan Conservatory, where his teachers included Antonio Bazzini. Despite the growing influence of the '' verismo'' style of opera during the 1880s and early 1890s, Catalani chose to compose in a more traditional manner, which had traces of Wagner in it. As a result, his operas (''La Wally'' excepted) have largely lost their place in the modern repertoire, even compared to those of Massenet and Puccini, whose style his own peri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Manon Lescaut (Puccini)
''Manon Lescaut'' () is an Italian-language opera in four acts composed by Giacomo Puccini between 1889 and 1892 to a libretto by Luigi Illica, Marco Praga and , based on the 1731 novel ''Manon Lescaut, Histoire du Chevalier des Grieux, et de Manon Lescaut'' by Abbé Prévost. The opera was first performed in 1893 in Turin, at the Teatro Regio (Turin), Teatro Regio. Composition history The libretto is in Italian, and was cobbled together by five librettists whom Puccini employed: Ruggero Leoncavallo, Marco Praga, Giuseppe Giacosa, and Luigi Illica. The publisher, Giulio Ricordi, and the composer himself also contributed to the libretto. So confused was the authorship of the libretto that no one was credited on the title page of the original score. However, it was Illica and Giacosa who completed the libretto and went on to contribute the libretti to Puccini's next three – and most successful – works, ''La bohème, La Bohème'', ''Tosca'' and ''Madama Butterfly''. Puccini ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giacomo Puccini
Giacomo Puccini (22 December 1858 29 November 1924) was an Italian composer known primarily for List of compositions by Giacomo Puccini#Operas, his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late Baroque music, Baroque era. Though his early work was firmly rooted in traditional late-nineteenth-century Romantic Italian opera, it later developed in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), ''Madama Butterfly'' (1904), and the unfinished ''Turandot'' (posthumously completed by Franco Alfano), all of which are among the most List of important operas, frequently performed and recorded in the entirety of the operatic repertoire. Family and education Born in Lucca in the Grand Duchy of Tuscany, in 1858; he was the sixth of nine children of Michele Puccini (1813� ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anna Bolena
''Anna Bolena'' is a tragic opera (''tragedia lirica'') in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's ''Enrico VIII ossia Anna Bolena'' and Alessandro Pepoli's ''Anna Bolena'', both recounting the life of Anne Boleyn, the second wife of England's King Henry VIII. It is one of four operas by Donizetti dealing with the Tudor period in English history—in composition order, '' Il castello di Kenilworth'' (1829), ''Anna Bolena'' (1830), '' Maria Stuarda'' (named for Mary, Queen of Scots, it appeared in different forms in 1834 and 1835), and '' Roberto Devereux'' (1837, named for a putative lover of Queen Elizabeth I of England). The leading female characters of the latter three operas are often referred to as "the Three Donizetti Queens." ''Anna Bolena'' premiered on 26 December 1830 at the Teatro Carcano in Milan, to "overwhelming success." Weinstock notes that only after this success did Donizetti's teacher, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian Romantic music, Romantic composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the ''bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his reside ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aida
''Aida'' (or ''Aïda'', ) is a tragic opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world. At New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a cele ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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La Gioconda (opera)
''La Gioconda'' is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito (as Tobia Gorrio), based on '' Angelo, Tyrant of Padua'', a 1835 play in prose by Victor Hugo (the same source Gaetano Rossi had used for his libretto for Mercadante's '' Il giuramento'' in 1837). First performed in 1876, ''La Gioconda'' was a major success for Ponchielli, as well as the most successful new Italian opera between Verdi's '' Aida'' (1871) and ''Otello'' (1887). It is also a famous example of the Italian genre of ''Grande opera'', the equivalent of French '' Grand-Opéra''. Ponchielli revised the work three times; the fourth and final version was first performed in 1879 in Genoa before reaching Milan in 1880 where its reputation as the definitive version was established. There are several complete recordings of the opera, and it is regularly performed, especially in Italy. It is one of only a few operas that features a principal role for each of the six majo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |