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Edytha Fleischer
Edytha Fleischer-Engel (5 April 1898 – c. 1957) was a German soprano and voice teacher. She began her career as a principal artist at the Berlin State Opera and the Salzburg Festival. She was a leading soprano at the Metropolitan Opera from 1926 to 1936, and at the Teatro Colón in Buenos Aires from 1934 until her retirement from the stage in 1949. Her husband, conductor , was the director of the latter institution. Fleischer began teaching singing while living in Argentina. In 1949, she joined the voice faculty of the Vienna Conservatory. She later taught singing out of a private studio in Zürich. Life and career Born in Falkenstein, Bavaria, Fleischer was the younger sister of tenor Hanns Fleischer. She studied singing with Lilli Lehmann and made her debut in 1917 at the Berlin State Opera (BSO) as Konstanze in Mozart's ''Die Entführung aus dem Serail''. She continued to excel in portrayals of heroines in Mozart operas at the BSO and at the Salzburg Festival; making her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Rondine
''La rondine'' (''The Swallow'') is an opera in three acts by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on a libretto by Alfred Maria Willner and . It was first performed at the Grand Théâtre de Monte Carlo (or the Théâtre du Casino) in Monte Carlo on 27 March 1917. Composition history In autumn 1913, the directors of Vienna's Carltheater commissioned Puccini to compose a Viennese operetta. After confirming that it could take the form of a comic opera with no spoken dialogue in the style of ''Der Rosenkavalier'', "only more entertaining and more organic,"Gavin Plumly, "Puccini's Bittersweet Operetta", San Francisco Opera program, Nov/Dec 2007, pp. 30/31 he agreed. The work proceeded for two years, sometimes intensely, sometimes with great difficulty, and in spring 1916 the opera was finished. The originally intended Viennese première was impeded by the outbreak of World War I and the entrance of Italy in the Alliance against Austria-Hungary, hence the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depiction of the Nuremberg of the era and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''Women are like that, or The School for Lovers''), Köchel catalogue, K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''The Marriage of Figaro, Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Joseph II, Holy Roman Emperor, Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John A. Rice (musicologist), John Rice uncovered two String trio, terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''wikt:tutte#Italian, tutte'') to indicate women. It is usually translated into English as "Women are like that". The words a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Prophète
''Le prophète'' (''The Prophet'') is a grand opera in five acts by Giacomo Meyerbeer, which was premiered in Paris on 16 April 1849. The French-language libretto was by Eugène Scribe and Émile Deschamps, after passages from the ''Essay on the Manners and Spirit of Nations'' by Voltaire. The plot is based on the life of John of Leiden, Anabaptist leader and self-proclaimed "King of Münster" in the 16th century. Composition After the brilliant success of their grand opera ''Les Huguenots'' (1836), Meyerbeer and his librettist Scribe decided to collaborate again on a piece based on a historical religious conflict. Meyerbeer's great personal wealth and his duties as official court composer to King Frederick William IV of Prussia meant that there was no hurry to complete the opera; the composition and planning took more than a decade. Performance history ''Le prophète'' was first performed by the Paris Opera at the Salle Le Peletier on 16 April 1849. The production featured cos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' (Friedrich Wilhelm Jähns, J. 277, Opus number, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German List of operas by Carl Maria von Weber, opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Johann Friedrich Kind, Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantische Oper, Romantic opera. The opera's plot is mainly based on Johann August Apel, August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play ''The Merry Wives of Windsor'' and scenes from ''Henry IV, Part 1'' and ''Henry IV, Part 2, Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 26 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following ''Macbeth (Verdi), Macbeth'' and ''Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'elisir D'amore
''L'elisir d'amore'' (; ''The Elixir of Love'') is a (comic melodrama, opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria " Una furtiva lagrima", a '' romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original libretto by Scribe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Signor Bruschino
''Il signor Bruschino, ossia Il figlio per azzardo'' ''(Signor Bruschino, or The Accidental Son)'' is a one act operatic farce ( farsa giocosa per musica) by Gioachino Rossini to a libretto by Giuseppe Maria Foppa, based upon the 1809 play ''Le fils par hasard, ou ruse et folie'' by René de Chazet and Maurice Ourry. The opera was first performed in Venice at the Teatro San Moisè on 27 January 1813. Between 1810 and 1813, the young Rossini composed five pieces for the Teatro San Moisè, beginning with ''La cambiale di matrimonio'' (''Bill of Exchange of Marriage''), his first opera, and ending with ''Il signor Bruschino''. These farse were short pieces, popular in Venice at the end of the 18th century and the beginning of the 19th century. They were intimate, with a cast of five to eight singers, always including a pair of lovers, here Sofia and Florville, at least two comic parts, here Bruschino senior, Gaudenzio and Filiberto, and one or more minor roles, here Marianna, Brus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadko (opera)
''Sadko'' ( , the name of the main character) is an 1898 opera in seven scenes by Nikolai Rimsky-Korsakov. The libretto was written by the composer, with assistance from Vladimir Belsky, Vladimir Stasov, and others. Rimsky-Korsakov was first inspired by the bylina of Sadko in 1867, when he completed a tone poem on the subject, his Op. 5. After finishing his second revision of this work in 1891, he decided to turn it into a dramatic work. The music is highly evocative, and Rimsky-Korsakov's famed powers of orchestration are abundantly evident throughout the score. According to the Soviet critic Boris Asafyev, writing in 1922, ''Sadko'' constitutes the summit of Rimsky-Korsakov's craft. From the opus 5 tone poem the composer quoted its most memorable passages, including the opening theme of the swelling sea, and other themes as leitmotivesAbraham, pp. 96–97. – he himself set out to "utilize for this opera the material of my symphonic poem, and, in any event, to make use of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov. At the time, his name was spelled , which he romanized as Nicolas Rimsky-Korsakow; the BGN/PCGN transliteration of Russian is used for his name here; ALA-LC system: , ISO 9 system: .. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the '' Russian Easter Festival Overture'', and the symphonic suite '' Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his fifteen operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonny Spielt Auf
''Jonny spielt auf'' (''Jonny Strikes Up''), Opus number, Op. 45, is a German-language with words and music by Austrian composer Ernst Krenek about a jazz violinist. He dedicated the opera to his second wife, Berta Herrmann.Work details Universal Edition A performance lasts about two hours. The work typified the cultural freedom of the Golden Twenties, 'golden era' of the Weimar Republic. Performance history directed the premiere at the Neues Theater (Leipzig), the predecessor to the Leipzig Opera, on 10 February 1927. The work was quickly adopted by opera houses across Germany, where it was performed 421 times on various stages during its first season alone. It provided Krenek with the financial security to be able to devote all his time to composing. The aria, arietta from ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
