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Edward Goodall
Edward Goodall (1795 – 11 April 1870) was a British engraver. He is now best known for his plates after J. M. W. Turner. Life He was born at Leeds on 17 September 1795, and was entirely self-taught. From the age of sixteen he practised both engraving and painting. One of his pictures exhibited at the Royal Academy in 1822 or 1823 attracted the attention of Turner, and he became a landscape engraver. Goodall died at Hampstead Road, London, on 11 April 1870. Works Goodall's major engravings were from the works of Turner. He made the vignettes for Samuel Rogers's ''Italy'' and ''Poems'', and the illustrations to Thomas Campbell's ''Poems''. He engraved also: * ''A Seaport at Sunset'' and ''The Marriage Festival of Isaac and Rebecca'' after Claude Lorrain; * a ''Landscape, with Cattle and Figures'', after Aelbert Cuyp; and * ''The Market Cart'' after Thomas Gainsborough, these three for the series of ''Engravings from the Pictures in the National Gallery'', published by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosa Bonheur
Rosa Bonheur (born Marie-Rosalie Bonheur; 16 March 1822 – 25 May 1899) was a French artist known best as a painter of animals (animalière). She also made sculptures in a Realism (arts), realist style. Her paintings include ''Ploughing in the Nivernais'', first exhibited at the Salon (Paris), Paris Salon of 1848, and now in the Musée d'Orsay in Paris, and ''The Horse Fair'' (in French: ''Le marché aux chevaux''), which was exhibited at the Salon of 1853 (finished in 1855) and is now in the Metropolitan Museum of Art in New York City. Bonheur was widely considered to be the most famous female painter of the nineteenth century. It has been claimed that Bonheur was openly lesbian, as she lived with her partner Nathalie Micas for over 40 years until Micas's death, after which she lived with American painter Anna Elizabeth Klumpke. However, others assert that nothing supports this claim. Early development and artistic training Bonheur was born on 16 March 1822 in Bordeaux, Gironde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felicia Hemans
Felicia Dorothea Hemans (25 September 1793 – 16 May 1835) was an English poet (who identified as Welsh by adoption). Regarded as the leading female poet of her day, Hemans was immensely popular during her lifetime in both England and the United States, and was second only to Lord Byron in terms of sales. Two of her opening lines, "The boy stood on the burning deck" and "The stately homes of England", have acquired classic status. Early life and education Felicia Dorothea Browne was the daughter of George Browne, who worked for his father-in-law's wine importing business and succeeded him as List of diplomats of the United Kingdom to the Grand Duchy of Tuscany, Tuscan and imperial consul in Liverpool, and Felicity, daughter of Benedict Paul Wagner (1718–1806), wine importer at 9 Wolstenholme Square, Liverpool and Republic of Venice, Venetian Consulate general, consul for that city. Hemans was the fourth of six children (three boys and three girls) to survive infancy. Her si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Linton (artist)
William Linton (1791–1876) was a British landscape artist. Life and artistic work Born in Liverpool, Linton grew up at Lancaster, Lancashire, Lancaster and Cartmel, and went to school at Windermere where later he spent holidays. At the age of sixteen he was placed in a merchant's office. He however did not like the job. For his own pleasure, he started to copy works by Claude Gellee (Lorrain, 1600–1682) and Richard Wilson (painter), Richard Wilson (1714–1782). Eventually he made art his profession. Linton's later works still bear strong influence of Claude Lorrain's manner with its investigation of natural light effects, of Richard Wilson with his large-scale panoramic compositions, and particularly of Claude-Joseph Vernet (1714–1789) with his inclination to an idealised classical landscape. By 1817 Linton settled in London and started to exhibit at the Royal Academy and British Institution. At that time, his subjects often presented scenery in Scotland and in the Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poems Of Felicia Hemans In The Literary Souvenir, 1828/Ancient Song Of Victory
Poetry (from the Greek word ''poiesis'', "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use rhythmic metre (patterns of syllable stress or syllable (mora) weight). They may also use repeating patterns of phonemes, phoneme groups, tones (phonemic pitch shifts found in tonal languages), words, or entire phrases. These include conso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Institution
The British Institution (in full, the British Institution for Promoting the Fine Arts in the United Kingdom; founded 1805, disbanded 1867) was a private 19th-century society in London formed to exhibit the works of living and dead artists; it was also known as the Pall Mall Picture Galleries or the British Gallery. Unlike the Royal Academy it admitted only connoisseurs, dominated by the nobility, rather than practising artists to its membership, which along with its conservative taste led to tensions with the British artists it was intended to encourage and support. In its gallery in Pall Mall the Institution held the world's first regular temporary exhibitions of Old Master paintings, which alternated with sale exhibitions of the work of living artists; both quickly established themselves as popular parts of the London social and artistic calendar. From 1807 prizes were given to artists and surplus funds were used to buy paintings for the nation. Although it continued to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Society Of Painters In Water-Colours
The Royal Watercolour Society is a British institution of painters working in watercolours. The Society is a centre of excellence for water-based media on paper, which allows for a diverse and interesting range of approaches to the medium of watercolour. Its members, or associates, use the post-nominal initials RWS and ARWS (associate member). They are elected by the membership, with typically half a dozen new associates joining the Society each year. History The society was founded as the ''Society of Painters in Water Colours'' in 1804 by William Frederick Wells. Its original membership was William Sawrey Gilpin, Robert Hills (artist), Robert Hills, John Claude Nattes, John Varley (painter), John Varley, Cornelius Varley, Francis Nicholson (painter), Francis Nicholson, Samuel Shelley, William Henry Pyne and Nicholas Pocock. The members seceded from the Royal Academy where they felt that their work commanded insufficient respect and attention. In 1812, the Society reformed as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
