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Edith Oliver
Edith Oliver (August 9, 1913 – February 23, 1998) was an American theater and film critic who contributed to ''The New Yorker'' magazine from 1947 to 1993. Before that, she wrote several radio quiz shows, including '' Take It or Leave It: the $64 Question'', which she also produced. She is best known for her coverage of, and support for, Off-Broadway theater. In 1996 she was presented with the Lucille Lortel award for “Lifetime Dedication to Off-Broadway” by the Off-Broadway League. Oliver was a staunch supporter of emerging playwrights. She spent 20 summers (1975–1995) advising playwrights on their works-in-process in her role as a dramaturge at the National Playwrights Conference at the Eugene O'Neill Theater Center in Waterford, Connecticut. The Conference’s founder, George White, described her this way, "She was packaged like the quintessential elderly lady that a Boy Scout would help across the street, except that she drank martinis, smoked cigarettes and could, on oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Yorker
''The New Yorker'' is an American magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. It was founded on February 21, 1925, by Harold Ross and his wife Jane Grant, a reporter for ''The New York Times''. Together with entrepreneur Raoul H. Fleischmann, they established the F-R Publishing Company and set up the magazine's first office in Manhattan. Ross remained the editor until his death in 1951, shaping the magazine's editorial tone and standards. ''The New Yorker''s fact-checking operation is widely recognized among journalists as one of its strengths. Although its reviews and events listings often focused on the Culture of New York City, cultural life of New York City, ''The New Yorker'' gained a reputation for publishing serious essays, long-form journalism, well-regarded fiction, and humor for a national and international audience, including work by writers such as Truman Capote, Vladimir Nabokov, and Alice Munro. In the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wendy Wasserstein
Wendy Wasserstein (October 18, 1950 – January 30, 2006) was an American playwright. She was an Andrew Dickson White Professor-at-Large at Cornell University. She received the Tony Award for Best Play and the Pulitzer Prize for Drama in 1989 for her play '' The Heidi Chronicles''. Biography Early years Wasserstein was born to a Jewish family in Brooklyn, the daughter of Morris Wasserstein, a wealthy textile executive, and his wife, Lola (née Liska) Schleifer, who moved to the United States from Poland when her father was accused of being a spy."Wendy Wasserstein" jwa.org, accessed June 29, 2014 Wasserstein "once described her mother as being like ' Auntie Mame'". Lola Wasserstein reportedly inspired some of her daughter's characters. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Women Theatre Critics
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label that was previously known as Def American * American University, in Washington, D.C. Sports teams S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Negro Ensemble Company
The Negro Ensemble Company (NEC) is a New York City-based theater company and workshop established in 1967 by producer-actor Robert Hooks, playwright Douglas Turner Ward, and theater manager Gerald S. Krone, with funding from the Ford Foundation. The company's focus on original works with themes based in the black experience with an international perspective created a canon of theatrical works and an audience for writers who came later, such as August Wilson, Suzan-Lori Parks, and others. Beginnings The Negro Ensemble Company was created in 1964 when Hooks created a tuition-free acting workshop for urban youth which he named the Group Theatre Workshop (GTW), in tribute to Harold Clurman's The Group Theatre. The group became a refuge for young minority actors, with a focus on black theatre. He and his associate Barbara Ann Teer produced in a one-night showcase for friends and family of the actors. The plays chosen were Gwendolyn Brooks's '' We Real Cool'' and Douglas Turn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Off Off Broadway
Off-off-Broadway theaters are smaller New York City theaters than Broadway and off-Broadway theaters, and usually have fewer than 100 seats. The off-off-Broadway movement began in 1958 as part of a response to perceived commercialism of the professional theatre scene and as an experimental or avant-garde movement of drama and theatre. Over time, some off-off-Broadway productions have moved away from the movement's early experimental spirit. History The off-off-Broadway movement began in 1958 as a "complete rejection of commercial theatre". Michael Smith gives credit for the term's coinage to Jerry Tallmer in 1960. Among the first venues for what would soon be called "off-off-Broadway" theatre were coffeehouses in Greenwich Village, particularly the Caffe Cino at 31 Cornelia Street, operated by the eccentric Joe Cino, who early on took a liking to actors and playwrights and agreed to let them stage plays there without bothering to read the plays first, or to even find out much ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Off Broadway
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100. An "off-Broadway production" is a production of a play, musical, or revue that appears in such a venue and adheres to related trade union and other contracts. Some shows that premiere off-Broadway are subsequently produced on Broadway. History The term originally referred to any venue, and its productions, on a street intersecting Broadway in Midtown Manhattan's Theater District, the hub of the American theatre industry. It later became defined by the League of Off-Broadway Theatres and Producers as a professional venue in Manhattan with a seating capacity of at least 100, but not more than 499, or a production that appears in such a venue and adheres to related trade union and other contracts. Previously, regardless of the si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lloyd Richards
Lloyd George Richards (June 29, 1919 – June 29, 2006) was a Canadian-American theatre director, and actor. While head of the National Playwrights Conference, he helped cultivate many of the most famous theater writers of the 20th century. He was also the dean of the Yale School of Drama from 1979 to 1991 (later Professor Emeritus), and was the first Black director on Broadway. Biography Richards was born in Toronto, Ontario, but was raised in Detroit, Michigan. His father, a Jamaican carpenter turned auto-industry worker, died of an infection when Richards was nine years old. Four years later, in 1932, his mother would go blind. He and his brother Allan kept the family together. He later went on to study law at Wayne State University where instead he found his way in theatrical arts after a brief break during World War II while serving in the U.S. Army Air Corps. Among Richards' accomplishments are his staging the original production of Lorraine Hansberry's ''A Raisin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Albee
Edward Franklin Albee III ( ; March 12, 1928 – September 16, 2016) was an American playwright known for works such as ''The Zoo Story'' (1958), ''The Sandbox (play), The Sandbox'' (1959), ''Who's Afraid of Virginia Woolf?'' (1962), ''A Delicate Balance (play), A Delicate Balance'' (1966), and ''Three Tall Women'' (1994). Some critics have argued that some of his work constitutes an American variant of what Martin Esslin identified as and named the Theater of the Absurd. Three of his plays won the Pulitzer Prize for Drama and two of his other works won the Tony Award for Best Play. His works are often considered frank examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco, and Jean Genet. His middle period comprised plays that explored the psychology of maturing, marriage and sexual relationships. Younger American playwr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thornton Wilder
Thornton Niven Wilder (April 17, 1897 – December 7, 1975) was an American playwright and novelist. He won three Pulitzer Prizes, for the novel ''The Bridge of San Luis Rey'' and for the plays ''Our Town'' and ''The Skin of Our Teeth'', and a U.S. National Book Award for the novel ''The Eighth Day (Wilder novel), The Eighth Day''. Early life and education Wilder was born in Madison, Wisconsin, the son of Amos Parker Wilder, a newspaper editor and later a U.S. diplomat, and Isabella Thornton Niven. Wilder had four siblings as well as a twin who was stillborn. All of the surviving Wilder children spent part of their childhood in China when their father was stationed in Hong Kong and Shanghai as U.S. Consul General. Thornton's older brother, Amos Wilder, Amos Niven Wilder, became Hollis Professor of Divinity at the Harvard Divinity School. He was a noted poet and was instrumental in developing the field of theopoetics. Their sister Isabel Wilder was an accomplished writer. They ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
