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Echoes (Pink Floyd Song)
"Echoes" is a song by the English rock band Pink Floyd, and the sixth and last track on their 1971 album ''Meddle''. It is minutes long and takes up the entire second side of the original LP. The track evolved from a variety of different musical themes and ideas, including instrumental passages and studio effects, resulting in the side-long piece. The music, credited to all the band, was mainly written by Richard Wright and David Gilmour, while Roger Waters' lyrics addressed themes of human communication and empathy, to which he returned in later work. The song was performed live regularly by Pink Floyd from 1971 to 1975, including a performance in the film '' Live at Pompeii'' (1972). It was used for the opening shows on the 1987 A Momentary Lapse of Reason Tour but subsequently dropped. Gilmour revived "Echoes" for his 2006 On an Island Tour, which featured Wright, but retired the piece after Wright's death in 2008. Nick Mason's Saucerful of Secrets has since played the ...
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Pink Floyd
Pink Floyd are an English Rock music, rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic music, psychedelic groups, they were distinguished by their extended compositions, sonic experiments, philosophical lyrics, and elaborate Pink Floyd live performances, live performances, and became a leading progressive rock band. Pink Floyd were founded in 1965 by Syd Barrett (guitar, lead vocals), Nick Mason (drums), Roger Waters (bass guitar, vocals) and Richard Wright (musician), Richard Wright (keyboards, vocals). With Barrett as their main songwriter, they released two hit singles, "Arnold Layne" and "See Emily Play", and the successful debut studio album ''The Piper at the Gates of Dawn'' (all 1967). David Gilmour (guitar, vocals) joined in 1967; Barrett left in 1968 due to deteriorating mental health. Following Barrett's departure, all four remaining members contributed compositions, though Waters became the primary lyricist an ...
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A Momentary Lapse Of Reason Tour
A Momentary Lapse of Reason Tour was two consecutive concert tours by the English rock band Pink Floyd. The ''A Momentary Lapse of Reason tour'' ran from September 1987 to August 1988; the ''Another Lapse tour'' ran from May–July 1989. Both tours were in support of their album '' A Momentary Lapse of Reason'' (1987). The tour was the band's first since The Wall tour in 1981, and also the first without the band's original bassist Roger Waters. The band later reprised the setlist and stage show of this tour for their performance at Knebworth Park in 1990. History Initially, there was a great deal of uncertainty around the tour. Pink Floyd had not played live since 1981, and had not embarked on a full-fledged tour since 1977. Roger Waters left the band in 1985, believing the band would not continue. However, Gilmour and Mason decided to continue as Pink Floyd. Waters threatened legal action against Gilmour and Mason, as well as any promoters who promoted shows as "Pink Floyd". ...
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Aeolian Mode
The Aeolian mode is a musical mode or, in modern usage, a diatonic scale also called the natural minor scale. On the piano, using only the white keys, it is the scale that starts with A and continues to the next A only striking white keys. Its ascending interval form consists of a ''key note, whole step, half step, whole step, whole step, half step, whole step, whole step.'' That means that, in A aeolian (or A minor), a scale would be played beginning in A, move up a whole step (two piano keys) to B, move up a half step (one piano key) to C, then up a whole step to D, a whole step to E, a half step to F, a whole step to G, and a final whole step to a high A. : History The word ''Aeolian'', like the names for the other ancient Greek ''tonoi'' and ''harmoniai'', is an ethnic designation: in this case, for the inhabitants of Aeolis (), a coastal district of Anatolia. In the music theory of ancient Greece, it was an alternative name (used by some later writers, such as Cleoni ...
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Jam Session
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements. Original jam sessions, also called "free flow sessions," are often used by musicians to develop new material (music) and find suitable arrangements. Both styles can be used simply as a social gathering and communal practice session. Jam sessions may be based upon existing songs or forms, may be loosely based on an agreed chord progression or chart suggested by one participant, or may be wholly improvisational. Jam sessions can range from very loose gatherings of amateurs to evenings where a jam session coordinator or host acts as a " gatekeeper" so that appropriate-level performers take the stage to sophisticated improvised recording sessions by professionals which are intended to be bro ...
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Funk
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ...
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Fuzz Face
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers. History Arbiter Electronics Ltd. first issued the Fuzz Face in 1966. Later units bear the "Dallas Arbiter", "Dallas Music Industries Ltd.", "CBS/Arbiter Ltd." or "Dunlop Manufacturing Inc." name. The earliest units used germanium transistors. Silicon transistors were used in later editions of the pedal. Silicon transistors provided for a more stable operation, but have a different, harsher sound. The electronics are contained in a circular-shaped metal housing. Ivor Arbiter "got the idea for the round shape when he one day saw a microphone stand with a cast iron base". The design was originally intended to be used as a microphone base for guitarists who sang. The pedal uses two knobs, one for volume, and one for the amou ...
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Fender Stratocaster
The Fender Stratocaster, colloquially known as the Strat, is a model of double- cutaway electric guitar designed between 1952 and 1954 by Leo Fender, Bill Carson, George Fullerton, and Freddie Tavares. The Fender Musical Instruments Corporation has continuously manufactured the Stratocaster since 1954. The guitar's distinctive body shape was revolutionary when introduced in the mid-1950s, and the first time a mass-market electric guitar did not resemble earlier acoustic models. The double cutaway, elongated horns, and heavily contoured back were all designed for better balance and comfort to play while standing up and slung off the shoulder with a strap. The three- pickup design was a step up from earlier one- and two-pickup guitars, and a responsive and simplified vibrato arm integrated into the bridge plate, which marked a significant design improvement over other vibrato systems, such as those manufactured by Bigsby. However, Stratocasters without the vibrato system (" ...
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Harmony
In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form. A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures have been the subject of centuries worth of theoretical work ...
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Slide Guitar
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle, giving rise to the term bottleneck guitar to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar ( lap steel guitar). Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of the ...
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Binson Echorec
The Binson Echorec is a delay effects unit produced by Italian company Binson. Unlike most other electromechanical delays, the Echorec uses an analog magnetic drum recorder instead of a tape loop. After using Meazzi Echomatic machines, Hank Marvin of the Shadows began using Binson echoes. He used various Binson units on record and stage for much of the mid-to-late 1960s. Marvin continued to use Binsons until c.1979/1980, when he began using a Roland Space Echo. Echorecs were used by Syd Barrett, David Gilmour, and Richard Wright of Pink Floyd. The Echorec can be heard on Pink Floyd songs including " Interstellar Overdrive", " Astronomy Domine", "Shine On You Crazy Diamond", "Time", " One of These Days", and " Echoes". A Binson Echorec Baby owned by the band was displayed at the Victoria and Albert Museum as part of the 2017 '' Pink Floyd: Their Mortal Remains'' exhibition. See also * Roland Space Echo * Echoplex The Echoplex is a tape delay effects unit, first made in ...
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Leslie Speaker
The Leslie speaker is a combined amplifier and loudspeaker that projects the signal from an electric or electronic instrument and modifies the sound by rotating a baffle chamber ("drum") in front of the loudspeakers. A similar effect is provided by a rotating system of horns in front of the treble driver. It is most commonly associated with the Hammond organ, though it was later used for the electric guitar and other instruments. A typical Leslie speaker contains an amplifier, a treble horn and a bass speaker—though specific components depend upon the model. A musician controls the Leslie speaker by either an external switch or pedal that alternates between a low and high speed setting, known as "chorale" and " tremolo". The speaker is named after its inventor, Donald Leslie, who began working in the late 1930s to get a speaker for a Hammond organ that better emulated a pipe or theatre organ, and discovered that baffles rotating along the axis of the speaker cone gave the bes ...
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Cult Band
A cult following is a group of fans who are highly dedicated to a person, idea, object, movement, or work, often an artist, in particular a performing artist, or an artwork in some medium. The latter is often called a cult classic. A film, book, musical artist, television series, or video game, among other things, is said to have a cult following when it has a very passionate fanbase. A common component of cult followings is the emotional attachment the fans have to the object of the cult following, often identifying themselves and other fans as members of a community. Cult followings are also commonly associated with niche markets. Cult media are often associated with underground culture, and are considered too eccentric or anti-establishment to be appreciated by the general public or to be widely commercially successful. Many cult fans express their devotion with a level of irony when describing such entertainment. Fans may become involved in a subculture of fandom, eith ...
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