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Ebony Concerto (Stravinsky)
Igor Stravinsky wrote the ''Ebony Concerto'' in 1945 (finishing the score on December 1) for the Woody Herman band known as the First Herd. It is one in a series of compositions commissioned by the bandleader and clarinetist featuring solo clarinet, and the score is dedicated to him. It was first performed on March 25, 1946 in Carnegie Hall in New York City, by Woody Herman's Band, conducted by Walter Hendl. History Stravinsky's engagement with jazz dates back to the closing years of the First World War, the major jazz-inspired works of that period being ''L'histoire du soldat'', the ''Ragtime'' for eleven instruments, and the ''Piano-Rag-Music''. Although traces of jazz elements, especially blues and boogie-woogie, can be found in his music throughout the 1920s and 1930s, it was only with the ''Ebony Concerto'' that Stravinsky once again incorporated features of jazz into a composition on a far-reaching scale. The title was originally suggested to Stravinsky by Aaron Goldmark, ...
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Igor Stravinsky, Roger Baulu, Jean-Marie Beaudet 1945
Igor may refer to: * Igor (given name), an East Slavic given name and a list of people with the name Arts, entertainment, and media *Igor (character), a stock character * Igors (''Discworld''), a fictional humanoid family in the ''Discworld'' book series by Terry Pratchett * ''Igor'' (album), a 2019 album by Tyler, the Creator * ''Igor'' (film), a 2008 American animated film * '' Igor: Objective Uikokahonia'', a 1994 Spanish MS-DOS PC video game Computing * Igor Engraver, a music notation computer program * IGOR Pro, a computer program for scientific data analysis Other uses * Igor (crater), a tiny crater in the Mare Imbrium region of the Moon * Igor (walrus), a walrus that lived in the Dolfinarium Harderwijk * Igor Naming Agency Igor Naming Agency is an American naming agency. Based in Sausalito, California, Igor is known for its "almost militant embrace" of using real and natural-sounding words in naming. Among others, the company has named Gogo Inflight, '' Cutthroat ...
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Concerto Grosso
The concerto grosso (; Italian for ''big concert(o)'', plural ''concerti grossi'' ) is a form of baroque music in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the '' ripieno'', '' tutti'' or ''concerto grosso''). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra. History The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of ten compositions published in Lucca in 1698. The first major composer to use the term ''concerto grosso'' was Arcangelo Corelli. After Corelli's death, a collection of twelve of his ''concerti grossi'' was published. Not long after, composers such as Francesco Geminiani, ...
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Vladimir Ashkenazy
Vladimir Davidovich Ashkenazy (, ''Vladimir Davidovich Ashkenazi''; born 6 July 1937) is a Soviet-born Icelandic pianist, chamber music performer, and conductor. Ashkenazy has collaborated with well-known orchestras and soloists. In addition, he has recorded a large repertoire of classical and romantic works. His recordings have earned him seven Grammy Awards and Iceland's Order of the Falcon. Early life and education Vladimir Ashkenazy was born in Gorky, Soviet Union (now Nizhny Novgorod, Russia), to pianist and composer David Ashkenazi and to actress Yevstolia Grigorievna (born Plotnova). His father was Jewish and his mother came from a Russian Orthodox family. Ashkenazy was christened in a Russian Orthodox church.
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Simon Rattle
Sir Simon Denis Rattle (born 19 January 1955) is a British conductor with German citizenship. He rose to international prominence during the 1980s and 1990s, while music director of the City of Birmingham Symphony Orchestra (1980–1998). Rattle was principal conductor of the Berlin Philharmonic from 2002 to 2018, and music director of the London Symphony Orchestra from 2017 to 2023. He has been chief conductor of Bavarian Radio Symphony Orchestra since September 2023. Among the world's leading conductors, in a 2015 ''Bachtrack'' poll, he was ranked by music critics as one of the world's best living conductors. Rattle is also the patron of Birmingham Schools' Symphony Orchestra, arranged during his tenure with CBSO in the mid-1990s. The Youth Orchestra is now under the auspices of charitable business Services for Education. He received the Brit Award for Outstanding Contribution to Music in 2001 at the Classic Brit Awards. Biography Early life Simon Rattle was born in Liver ...
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Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 19255 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war contemporary classical music. Born in Montbrison, Loire, Montbrison, in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism in the 1950s, Aleatoric music, controlled chance music in the 1960s and the electronic transformation of instrumental music in real time from the 1970s onwards. His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces considered landmarks of twent ...
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Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader, known as the "King of Swing". His orchestra did well commercially. From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his trio and quartet. He continued performing until the end of his life while pursuing an interest in classical music. Early years Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman, came to the United States in 1892 from Warsaw in partitioned Poland and becam ...
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Flip Phillips
Joseph Edward Filippelli (March 26, 1915 – August 17, 2001), known professionally as Flip Phillips, was an American jazz tenor saxophone and clarinet player. He is best remembered for his work with Norman Granz's Jazz at the Philharmonic concerts from 1946 to 1957. Phillips recorded an album for Verve when he was in his 80s. He performed in a variety of genres, including mainstream jazz, swing, and jump blues. Career He was born in Brooklyn, New York, United States. During the 1930s, Phillips played clarinet in a restaurant in Brooklyn. After that he was a member of bands led by Frankie Newton, Red Norvo, Benny Goodman, and Wingy Manone. He was a regular soloist for the Woody Herman band in the middle 1940s and for the next ten years performed with Jazz at the Philharmonic. He made multiple appearances on recordings by Charlie Parker during this period. He retired to Florida, but after fifteen years he returned to music, recording again and performing into his 80s. He ...
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Dave Brubeck
David Warren Brubeck (; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck's work is characterized by unusual time signatures and superimposing contrasting rhythms, Metre (music), meters, tonality, tonalities, and combining different styles and genres, like classic, jazz, and blues. Born in Concord, California, Brubeck was drafted into the US Army, but was spared from combat service when a International Red Cross and Red Crescent Movement, Red Cross show he had played at became a hit. Within the US Army, Brubeck formed one of the first racial integration, racially diverse bands. In 1951, he formed the Dave Brubeck Quartet, which kept its name despite shifting personnel. The most successful—and prolific—lineup of the quartet was the one between 1958 and 1968. This lineup, in addition to Brubeck, featured saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. A U.S. Dep ...
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Nadia Boulanger
Juliette Nadia Boulanger (; 16 September 188722 October 1979) was a French music teacher, conductor and composer. She taught many of the leading composers and musicians of the 20th century, and also performed occasionally as a pianist and organist. From a musical family, she achieved early honours as a student at the Conservatoire de Paris but, believing that she had no particular talent as a composer, she gave up writing music and became a teacher. In that capacity, she influenced generations of young composers, especially those from the United States and other English-speaking countries. Among her students were many important composers, soloists, arrangers, and conductors, including Grażyna Bacewicz, Daniel Barenboim, Lennox Berkeley, İdil Biret, Elliott Carter, Aaron Copland, David Diamond (composer), David Diamond, John Eliot Gardiner, Philip Glass, Roy Harris, Quincy Jones, Gilbert Levine, Dinu Lipatti, Igor Markevitch, Julia Perry, Astor Piazzolla,. Laurence Rosenthal, and ...
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Rondo
The rondo or rondeau is a musical form that contains a principal theme (music), theme (sometimes called the "refrain") which alternates with one or more contrasting themes (generally called "episodes", but also referred to as "digressions" or "couplets"). Some possible patterns include: Musical_form#Labeling_procedures, ABACA, ABACAB, ABACBA, or ABACABA (with the letter 'A' representing the refrain). The rondo form emerged in the Baroque music, Baroque period and became increasingly popular during the Classical period (music), Classical period. The earliest examples of compositions employing rondo form are found within Italian operatic arias and choruses from the first years of the 17th century. These examples use a multi-couplet rondo or "chain rondo" (ABACAD) known as the Italian rondo. Rondo form, also known in English by its French spelling rondeau, should not be confused with the unrelated but similarly-named Formes fixes, forme fixe Rondeau (forme fixe), rondeau, a 14th- an ...
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Sonata For Two Pianos (Stravinsky)
Sonata for Two Pianos is a composition by Russian composer Igor Stravinsky, premiered in 1944 by Richard Johnston and Nadia Boulanger. First conceived as a solo work, Stravinsky needed to write it for four hands to voice all four melodic lines clearly.Richard CarpenterStravinsky: Sonata for Two Pianos Allmusic website (Accessed 10 October 2011). It is considered one of Stravinsky's most important compositions for two solo pianos, together with Concerto for Two Pianos. Structure The sonata is in three movements, though one CD recording indexes the theme and four variations of the second movement separately.Stravinsky: Music for Two Pianos: The Rite of Spring, Sonata, Concerto'. Benjamin Frith and Peter Hill (pianos). Naxos 8.553386. Hong Kong: Naxos Records, 1996. Track listing on Naxos.com (Accessed 10 October 2011).] However, it is in only three movements. References {{Authority control Chamber music by Igor Stravinsky Piano compositions by Igor Stravinsky Stravinsky ...
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Sonata Form
The sonata form (also sonata-allegro form or first movement form) is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical music era, Classical period). While it is typically used in the first Movement (music), movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The standa ...
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