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Eastmancolor
Eastmancolor is a trade name used by Eastman Kodak for a number of related film and processing technologies associated with color motion picture production and referring to George Eastman, founder of Kodak. Eastmancolor, introduced in 1950, was one of the first widely successful "single-strip colour" processes, and eventually displaced the more cumbersome Technicolor. Eastmancolor was known by a variety of names, such as DeLuxe Color, Warnercolor, Metrocolor, Pathécolor, Columbiacolor, and others. For more information on Eastmancolor, see * Color motion picture film, for background on Eastmancolor and other motion picture processes in general * Eastman Kodak Fine Grain color negative films (1950 onwards), within the "List of motion picture film stocks" article Eastman Color Negative Eastman Color Negative (ECN) is a photographic processing system created by Kodak in the 1950s for the development of monopack color negative motion picture film stock. It is part of the Eastmanc ...
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Color Motion Picture Film
Color motion picture film refers both to unexposed color photography, color photographic film in a format suitable for use in a Movie camera, motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color. The first color cinematography was by additive color systems such as the one patented by Edward Raymond Turner in 1899 and tested in 1902. A simplified additive system was successfully commercialized in 1909 as Kinemacolor. These early systems used black-and-white film to photograph and project two or more component images through different color filter (optics), filters. During the 1930s, the first practical subtractive color processes were introduced. These also used black-and-white film to photograph multiple color-filtered source images, but the final product was a multicolored print that did not require special projection equipment. Before 1932, when three-strip Technicolor was introduced, commercialized subtractive p ...
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Technicolor
Technicolor is a family of Color motion picture film, color motion picture processes. The first version, Process 1, was introduced in 1916, and improved versions followed over several decades. Definitive Technicolor movies using three black-and-white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s, when the 3-strip camera was replaced by a standard camera loaded with single-strip "monopack" color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black-and-white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1909 and 1915), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and cele ...
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DeLuxe Color
DeLuxe Color or Deluxe color or Color by DeLuxe is Deluxe Laboratories brand of color process for motion pictures. DeLuxe Color is Eastmancolor-based, with certain adaptations for improved compositing for printing (similar to Technicolor's "selective printing") and for mass-production of prints. Eastmancolor, first introduced in 1950, was one of the first widely-successful "single strip color" processes, and eventually displaced three-strip Technicolor. Color by DeLuxe (sometimes with a space before the L) became a popular, vivid and stable process for filmed color television series from the mid 1960s, especially by 20th Century-Fox Television studios. DeLuxe also offers "Showprints" (usually supplied to premieres in Los Angeles and New York). "Showprint" is DeLuxe's proprietary name for an "EK" (for "Eastman Kodak The Eastman Kodak Company, referred to simply as Kodak (), is an American public company that produces various products related to its historic basis in film ...
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Metrocolor
Metrocolor is the trade name used by Metro-Goldwyn-Mayer (MGM) for films processed at their laboratory. Virtually all of these films were shot on Kodak's Eastmancolor film. Although MGM used Kodak film products, MGM did not use all of Kodak's processes, and could not call their final product Eastmancolor. Kodak's products were used by MGM instead of having their film processed by Technicolor. MGM owned its own lab, located on its Culver City, California, lot until 1986, when it was sold by then-owner Ted Turner to Lorimar, which then sold it to a consortium including Technicolor. References External linksList of Metrocolor-processed filmsat Internet Movie Database IMDb, historically known as the Internet Movie Database, is an online database of information related to films, television series, podcasts, home videos, video games, and streaming content online – including cast, production crew and biograp ... Film and video technology Metro-Goldwyn-Mayer {{film-tech- ...
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List Of Motion Picture Film Stocks
This is a list of motion picture films. Those films known to be no longer available have been marked "(discontinued)". This article includes color and black-and-white negative films, reversal camera films, intermediate stocks, and print stocks. 3M 3M no longer manufactures motion picture film. * CR 160 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued) * CR 250 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued) * CR 64 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued) * Fine Grain Release Positive, Type 150, B&W, 35mm & 16mm (discontinued) * Reversal Print, Type 160, B&W, 16mm (discontinued) * Color Print, Type 650, 35mm & 16mm (discontinued) Note: 1973 is first and last appearance in ''American Cinematographer Manual'' (4th edition). Agfa Although a very early pioneer in trichromatic color film (as early as 1908), invented by German chemists Rudolf Fischer and , Agfa-Gevaert, Agfa film was first made commercially available i ...
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The Human Pyramid (1961 Film)
''The Human Pyramid'' () is a 1961 Ivorian docufiction film directed by Jean Rouch. He cast black African and white French students to improvise interactions with each other at an integrated high school in Abidjan. Plot Rouch took the title of his film from a poem by the Surrealist Paul Eluard. In Abidjan in newly-independent Ivory Coast, the film sees a mixed-race lycée class in which the filmmaker asks why white and black students do not mix together socially after class. They are interviewed separately and together, and are shown in their home environments and meeting together socially. They also improvise scenes of fantasized events. Racial tensions intensify when a new female student from Paris starts dating an African student. The film is both ethnofiction and a documentary account of making ethnofiction:Graham JonesA Diplomacy of Dreams: Jean Rouch and Decolonization ''American Anthropologist'', Vol. 107, No. 1 (March 2005), pp.118–120. counterposed to the main plot of t ...
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Foreign Intrigue (film)
''Foreign Intrigue'' is a 1956 American Eastmancolor film noir crime film starring Robert Mitchum. The film is written, produced and directed by Sheldon Reynolds, who had produced a television series called ''Foreign Intrigue'' in 1951. ''Foreign Intrigue'' was one of the first major Hollywood films to be based on a popular TV series. Plot One of the world’s richest men, Victor Danemore, dies suddenly of a heart attack at his palatial estate on the French Riviera. His secretary, Dave Bishop (Robert Mitchum), is repeatedly asked by a diverse cast of characters whether or not the man spoke any last words before dying. Though he did not, nobody seems satisfied with that answer. Surprisingly, not even his young wife of seven years knows anything about her husband's background or how he earned his fortune. A mysterious letter that Danemore composed eight years earlier, just before exploding onto the international scene as a man of intrigue and immense wealth, piques Bishop to l ...
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Jigokumon
is a 1953 Japanese ''jidaigeki'' film directed by Teinosuke Kinugasa. It tells the story of a samurai (Kazuo Hasegawa) who tries to marry a woman (Machiko Kyō) he rescues, only to discover that she is already married. Filmed using Eastmancolor, ''Gate of Hell'' was Daiei Film's first color film and the first Japanese color film to be released outside Japan. It was digitally restored in 2011 by the National Film Center of the National Museum of Modern Art, Tokyo and Kadokawa Shoten Co., LTD. in cooperation with NHK. The film won Best Costume Design and Best Foreign Language Film at the 27th Academy Awards and the Grand Prize (the top prize of that year) at the 1954 Cannes Film Festival. Plot During the Heiji Rebellion, samurai Endō Morito is assigned to escort lady-in-waiting Kesa away from the palace after she had volunteered to disguise herself as the daimyō’s sister, giving the daimyō’s father and real sister time to escape unseen. Kesa is knocked unconscious when t ...
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Royal Journey
''Royal Journey'' is a 1951 National Film Board of Canada documentary chronicling a five-week Royal visit by The Princess Elizabeth (later Queen Elizabeth II) and her husband, Philip, Duke of Edinburgh, to Canada and the United States in the fall of 1951. Directed by David Bairstow, Gudrun Parker and Roger Blais and produced by Tom Daly, it won the 1953 BAFTA Award for Best Documentary, and the Best Feature-Length Documentary award at the 1952 Canadian Film Awards. It is also notable for being the first commercial feature film in Eastmancolor. ''Royal Journey'' features sequences from Quebec City, the National War Memorial in Ottawa, CFB Trenton and a performance of the Royal Winnipeg Ballet, as well as sequences in Toronto, Regina, Saskatchewan, Calgary, and Edmonton. The film also shows the couple crossing the Rocky Mountains by rail and making stops in several towns. In Vancouver, they board HMCS ''Crusader'' then attend native dances in Victoria's Thunderbird P ...
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Oklahoma! (film)
''Oklahoma!'' is a 1955 American musical film based on the Oklahoma!, 1943 musical of the same name by Richard Rodgers and Oscar Hammerstein II, which in turn was based on the 1931 Play (theatre), play ''Green Grow the Lilacs (play), Green Grow the Lilacs'' written by Lynn Riggs. It stars Gordon MacRae, Shirley Jones (in her film debut), Rod Steiger, Charlotte Greenwood, Gloria Grahame, Gene Nelson, James Whitmore, and Eddie Albert. The production was the only musical directed by Fred Zinnemann. ''Oklahoma!'' was the first feature film photographed in the Todd-AO 70 mm film, 70 mm widescreen process (and was simultaneously filmed in CinemaScope 35mm). Set in Oklahoma Territory shortly after the turn of the 20th century, it tells the story of farm girl Laurey Williams (Jones) and her courtship by two rival suitors, cowboy Curly McLain (MacRae) and the sinister and frightening farmhand Jud Fry (Steiger). A secondary romance concerns Laurey's friend, Ado Annie (Grahame), and cowbo ...
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The High And The Mighty (film)
''The High and the Mighty'' is a 1954 American aviation disaster film, directed by William A. Wellman, and written by Ernest K. Gann, who also wrote The High and the Mighty (novel), the 1953 novel on which his screenplay was based. Filmed in Eastmancolor, WarnerColor and CinemaScope, the film's cast was headlined by John Wayne, who was also the project's co-producer. Wayne stars as a veteran airline first officer, Dan Roman, whose airliner has a catastrophic engine failure while crossing the Pacific Ocean. The film's supporting cast includes Claire Trevor, Laraine Day, Robert Stack, Jan Sterling, Phil Harris, and Robert Newton. Composer Dimitri Tiomkin won an Academy Awards, Oscar for his Academy Award for Best Original Score, original score, while his The High and the Mighty (1954 song), title song was also Academy Award for Best Original Song, nominated for an Oscar; it did not actually appear in the theatrical release prints, nor in its much later restoration. The film receiv ...
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