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Duchamp
Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. Early life and education Marcel Duchamp was born at Blainville-Crevon in Normandy, France, to Eugène Duchamp and Lucie Duchamp (formerly Lucie Nicolle) ...
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Fountain (Duchamp)
''Fountain'' is a readymade sculpture by Marcel Duchamp in 1917, consisting of a porcelain urinal signed "R. Mutt". In April 1917, an ordinary piece of plumbing chosen by Duchamp was submitted for an exhibition of the Society of Independent Artists, the inaugural exhibition by the Society to be staged at The Grand Central Palace in New York. When explaining the purpose of his readymade sculpture, Duchamp stated they are "everyday objects raised to the dignity of a work of art by the artist's act of choice." In Duchamp's presentation, the urinal's orientation was altered from its usual positioning.Gavin Parkinson, ''The Duchamp Book: Tate Essential Artists Series''
Harry N. Abrams, 2008, p. 61,

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Raymond Duchamp-Villon
Raymond Duchamp-Villon (5 November 1876 – 9 October 1918) was a French sculptor. Life and art Duchamp-Villon was born Pierre-Maurice-Raymond Duchamp in Damville, Eure, in the Normandy region of France, the second son of Eugène and Lucie Duchamp (née Nicolle), the daughter of painter and engraver Émile Frédéric Nicolle. Of the six Duchamp children, four would become successful artists. He was the brother of Jacques Villon (1875–1963), painter, printmaker; Marcel Duchamp (1887–1968), painter, sculptor and author; Suzanne Duchamp-Crotti (1889–1963), painter. Duchamp-Villon inherited his love for art from his mother. From 1894 to 1898 Raymond Duchamp-Villon lived in the Montmartre Quarter of Paris with his brother Jacques and studied medicine at the Sorbonne. Rheumatic fever forced him to abandon his studies in 1898 and it left him partially incapacitated for a time. This unforeseen event altered the course of his life as he began to pursue an interest in sculpture. He ...
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Conceptual Art
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual ...
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LHOOQ
''L.H.O.O.Q.'' () is a work of art by Marcel Duchamp. First conceived in 1919, the work is one of what Duchamp referred to as readymades, or more specifically a rectified ready-made.Marcel Duchamp, ''L.H.O.O.Q. or La Joconde'', 1964 (replica of 1919 original)
, Pasadena.
The readymade involves taking mundane, often utilitarian objects not generally considered to be art and transforming them, by adding to them, changing them, or (as in the case of his most famous work ''Fount ...
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Cubism
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul C ...
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Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artist Richard Huelsenbeck slid a paper knife (letter-opener) ...
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Suzanne Duchamp
Suzanne Duchamp-Crotti (20 October 1889 – 11 September 1963) was a French Dadaist painter, collagist, sculptor, and draughtsman. Her work was significant to the development of Paris Dada and modernism and her drawings and collages explore fascinating gender dynamics. Due to the fact that she was a woman in the male prominent Dada movement, she was rarely considered an artist in her own right. She constantly lived in the shadows of her famous older brothers, who were also artists, or she was referred to as "the wife of." Her work in painting turns out to be significantly influential to the landscape of Dada in Paris and to the interests of women in Dada. She took a large role as an avant-garde artist, working through a career that spanned five decades, during a turbulent time of great societal change. She used her work to express certain subject matter such as personal concerns about modern society, her role as a modern woman artist, and the effects of the First World War. Her ...
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Jacques Villon
Jacques Villon (July 31, 1875 – June 9, 1963), also known as Gaston Duchamp, was a French Cubist and Abstract art, abstract painter and printmaker. Early life Born Émile Méry Frédéric Gaston Duchamp in Damville, Eure, Damville, Eure, in Normandy, France, he came from a prosperous and artistically inclined family. While he was a young man, his maternal grandfather Émile Frédéric Nicolle, a successful businessman and artist, educated Villon and his siblings. Gaston Duchamp was the elder brother of: *Raymond Duchamp-Villon (1876–1918), sculptor *Marcel Duchamp (1887–1968), painter, sculptor and author *Suzanne Duchamp, Suzanne Duchamp-Crotti (1889–1963), painter In 1894, he and his brother Raymond moved to Montmartre in Paris. There, he studied law at the University of Paris, but received his father's permission to study art on the condition that he must continue studying law. To distinguish himself from his siblings, Gaston Duchamp adopted the pseudonym of J ...
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Alexina Duchamp
Alexina "Teeny" Duchamp (née Sattler; January 6, 1906 – December 20, 1995) was the wife of Pierre Matisse, daughter-in-law of artist Henri Matisse, and second wife of artist and chess player Marcel Duchamp. Background She was born Alexina Sattler in Cincinnati, Ohio in 1906. The youngest daughter of prominent surgeon Robert Sattler, Alexina was nicknamed "Teeny" by her mother Agnes Mitchell because of her low birth weight. Paris and marriage to Pierre Matisse Sattler at first thought of becoming an artist and went to Paris in 1921, where for a time she studied sculpture with Constantin Brâncuși at the Académie de la Grande Chaumière in Paris.John Russell (December 22, 1995)Alexina Duchamp, Dada Artist's Wife And Colleague, 89''The New York Times''. She first met Marcel Duchamp in 1923 at a ball given in her honor by American sculptor Mariette Benedict Mills, the mother of a close friend. In 1929 Teeny married Pierre Matisse, an art dealer and the youngest son of F ...
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Man Ray
Man Ray (born Emmanuel Radnitzky; August 27, 1890 – November 18, 1976) was an American visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all. He was best known for his pioneering photography, and was a renowned fashion and portrait photographer. He is also noted for his work with photograms, which he called "rayographs" in reference to himself. Biography Background and early life During his career, Man Ray allowed few details of his early life or family background to be known to the public. He even refused to acknowledge that he ever had a name other than Man Ray. Baldwin, Neil. ''Man Ray: American Artist''; Da Capo Press; (1988, 2000) Man Ray's birth name was Emmanuel Radnitzky. He was born in South Philadelphia, Pennsylvania, on August 27, 1890. He was the eldest c ...
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Étant Donnés
''Étant donnés'' (''Given: 1. The Waterfall, 2. The Illuminating Gas'', French: ''Étant donnés: 1° la chute d'eau / 2° le gaz d'éclairage'') is Marcel Duchamp's last major artwork, which surprised the art world because it believed he had given up art for competitive chess which he had been playing for almost 25 years, following a prolific art career. He had been making work with the Surrealists when he made '' The Bride Stripped Bare by Her Bachelors, Even'' (also known as ''The Large Glass'')."Collections Object: Étant donnés"
Philadelphia Museum of Art, Retrieved 23 November 2014.
This work is a tableau, visible only through a pair of peepholes (one for each eye) in a wooden door, of a nude woman lying on her back with her face hidden, legs spread, holding a gas lamp in ...
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Mary Reynolds (artist)
Mary Louise Hubacheck Reynolds (née Hubacheck; 1891 – September 30, 1950) was an American artist and bookbinder. She was notable for romantic partnership and artistic collaboration with artist Marcel Duchamp, as well as her role in supporting the French Resistance during the Nazi Occupation in Paris. Early life She was born in 1891 in Minneapolis, Minnesota. She came from a well-off family, and attended public schools in Minneapolis during her childhood. In 1909, she moved to the east coast to study at Vassar College, graduating with a Bachelor of Arts in 1913. After she graduated, she returned to Minneapolis and attended post-graduate courses at the University of Minnesota. Around her time spent studying at University of Minnesota, she met Matthew Givens Reynolds. They married on July 24, 1916. During their engagement, he received a job offer in New York. They moved to New York and settled in Greenwich Village, where she was exposed to the New York bohemian arts scene at the ...
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