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Daniel Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rue Saint-Lazare
The Rue Saint-Lazare is a street in the 8th and 9th arrondissements of Paris, France. It starts at 9 Rue Bourdaloue and 1 Rue Notre-Dame-de-Lorette, and ends at Place Gabriel-Péri and Rue de Rome. History This street already existed in 1700 under the name of rue des Porcherons or rue d'Argenteuil, and connected the villages of Roule and Ville-L’Évêque to the village of Porcherons. In 1734 it was still only lined with few buildings. The present name dates from 1770 and comes from the Maison Saint-Lazare toward which it led (via the rues Lamartine, Bleue, and Paradis) and which had been used as a leprosarium since the Middle Ages; it was converted into the Prison Saint-Lazare in 1793. It stood at the current location of no 117 rue du Faubourg-Saint-Denis, in the 10th arrondissement. A ministerial decision of 12 Fructidor V (29 August 1797) fixed the minimum width of the street at 10 meters. This width was increased to 11 meters by a royal decree of 3 August 1838. An order ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word '' libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène De Planard
Eugène de Planard (full name: François-Antoine-Eugène de Planard; ; 4 February 1783 – 13 November 1853) was a 19th-century French playwright. He collaborated with Daniel-François-Esprit Auber, Ferdinand Hérold (''Le Pré-aux-clercs'', 1832), Adolphe Adam (''Le Farfadet'', 1852), Nicolas-Charles Bochsa, Michele Enrico Carafa, Jacques-Fromental Halévy (''L’Éclair'', 1835), George Onslow et Ambroise Thomas (''Le Caïd'', 1849 ; ''Le Carnaval de Venise'', 1852). His daughter Eugénie (1818–1874) married the dramatist and librettist Adolphe de Leuven (1802–1884). Works (selection) * 1832 : ''Le Pré-aux-clercs'', opéra comique in three acts after Prosper Mérimée, music by Ferdinand Hérold, Opéra-Comique (15 December) * 1835 : ''L’Éclair'', opéra-comique in three acts with Jules-Henri Vernoy de Saint-Georges, music by Jacques-Fromental Halévy, Opéra-Comique (16 December) * 1837 : ''La Double Échelle'', opéra comique in one act, music by Ambroise Tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Cherubini
Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. His operas were heavily praised and interpreted by Rossini. Early years Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence in 1760. There is uncertainty about his exact date of birth. Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct. Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, the feast-day of the Nativity of the Virgin. His instruction in music began at the age of six with his father, Bartolomeo, '' maestro al cembalo'' ("Master of the harpsichord", in other words, ensemble leader from the harpsichord). Considered a child prodigy, Cherubini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques-Michel Hurel De Lamare
Jacques-Michel Hurel de Lamare (1 May 1772 – 27 March 1823) was a noted French cellist. Lamare was born in Paris, to a poor family. He studied music at a very young age, entering the Institute of the Pages of the Royal Music at age 7, and turning to study of the cello, with Jean-Louis Duport, at age 15. He returned home upon the outbreak of the French Revolution in 1789. In 1794, Lamare became cellist at the Théâtre Feydeau in Paris, where he developed a reputation as a soloist. He soon thereafter became a professor at the newly founded Conservatoire de Paris, while continuing to perform with the Feydeau. On the strength of his reputation as a performer, he decided to leave both positions, and embark on a tour giving performances abroad. From 1801 through 1809 he toured Germany and Russia, living mainly in Berlin, St. Petersburg, and Moscow. In Berlin, he became acquainted in particular with Prince Louis Ferdinand of Prussia. Lamare returned to France in 1809, traveling th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Napoleonic Wars
The Napoleonic Wars (1803–1815) were a series of major global conflicts pitting the French Empire and its allies, led by Napoleon I, against a fluctuating array of European states formed into various coalitions. It produced a period of French domination over most of continental Europe. The wars stemmed from the unresolved disputes associated with the French Revolution and the French Revolutionary Wars consisting of the War of the First Coalition (1792–1797) and the War of the Second Coalition (1798–1802). The Napoleonic Wars are often described as five conflicts, each termed after the coalition that fought Napoleon: the Third Coalition (1803–1806), the Fourth (1806–1807), the Fifth (1809), the Sixth (1813–1814), and the Seventh (1815) plus the Peninsular War (1807–1814) and the French invasion of Russia (1812). Napoleon, upon ascending to First Consul of France in 1799, had inherited a republic in chaos; he subsequently created a state with stable fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Letellier
Robert Ignatius Letellier (born 1953, in Durban, South Africa) is a cultural historian and academic, specialising in the history of music, Romantic literature and the Bible. He teaches at the Maryvale Institute and the Institute of Continuing Education, University of Cambridge. Biography Letellier has ten degrees in a range of subjects, including English, history, philosophy, and scripture. He has a Doctor of Philosophy (PhD) degree in English Romanticism from the University of Salzburg, and a Doctor of Sacred Theology (STD) degree in Scripture from the Pontifical Gregorian University. He teaches music, literature and cultural history at the Institute of Continuing Education, University of Cambridge. Letellier has published more than one hundred articles and books on subjects including the Bible, eighteenth and nineteenth century novels, especially the works of Sir Walter Scott, and 19th-century music. He is particularly noted for scholarship on the life and works of the compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Malherbe
Charles Théodore Malherbe (21 April 1853 – 5 October 1911) was a French violinist, musicologist, composer and music editor. Life and career Malherbe was born in Paris, son of Pierre Joseph Malherbe (1819–1890) and Zoé Caroline Mozin (1832–1921) the youngest daughter of French painter Charles Mozin (1806–1862). He studied law and was admitted to the bar, but instead decided on music as a profession. He studied music with Adolphe Danhauser, Jules Massenet and André Wormser, and served as Danhauser's secretary on a tour through Holland, Belgium and Switzerland to survey systems of music pedagogy in the public schools. He afterward settled in Paris, and became assistant to Charles Nuitter, the archivist-librarian of the Paris Opera Library in 1896, succeeding him in 1899. He edited the music periodical '' Le Ménestrel'' and also wrote for a number of other publications, including ''Le Guide musical'', ''Progrès artistique'', ''Revue internationale de musique'' and ''L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treaty Of Amiens
The Treaty of Amiens (french: la paix d'Amiens, ) temporarily ended hostilities between France and the United Kingdom at the end of the War of the Second Coalition. It marked the end of the French Revolutionary Wars; after a short peace it set the stage for the Napoleonic Wars. Britain gave up most of its recent conquests; France was to evacuate Naples and Egypt. Britain retained Ceylon (Sri Lanka) and Trinidad. It was signed in the city of Amiens on 25 March 1802 (4 Germinal X in the French Revolutionary calendar) by Joseph Bonaparte and Marquess Cornwallis as a "Definitive Treaty of Peace". The consequent peace lasted only one year (18 May 1803) and was the only period of general peace in Europe between 1793 and 1814. Under the treaty, Britain recognised the French Republic. Together with the Treaty of Lunéville (1801), the Treaty of Amiens marked the end of the Second Coalition, which had waged war against Revolutionary France since 1798. National goals Great Brit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon (gathering)
A salon is a gathering of people held by an inspiring host. During the gathering they amuse one another and increase their knowledge through conversation. These gatherings often consciously followed Horace's definition of the aims of poetry, "either to please or to educate" (Latin: ''aut delectare aut prodesse''). Salons in the tradition of the French literary and philosophical movements of the 17th and 18th centuries were carried on until as recently as the 1920s in urban settings. Historical background The salon was an Italian invention of the 16th century, which flourished in France throughout the 17th and 18th centuries. The salon continued to flourish in Italy throughout the 19th century. In 16th-century Italy, some brilliant circles formed in the smaller courts which resembled salons, often galvanized by the presence of a beautiful and educated patroness such as Berta Zuckerkandl, Isabella d'Este or Elisabetta Gonzaga. Salons were an important place for the exchange of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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