Dédé (opérette)
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Dédé (opérette)
''Dédé'' is an opérette or musical comedy in three acts with music by Henri Christiné and a French libretto by Albert Willemetz. It marked an important milestone in developing the career of Maurice Chevalier. Performance history ''Dédé'' opened at the Théâtre des Bouffes Parisiens, Paris on 10 November 1921, almost exactly three years after Christiné's hit '' Phi-Phi'', and although ''Dédé'' did not manage that long a run, this was mainly due to a change of theatre (there were nearly 400 performances at the Bouffes, and 60 more at the Scala in Paris. Its London run was at the Garrick Theatre from 17 October 1922 (50 performances), with Joseph Coyne in the lead role. Revivals took place at the Théâtre Marigny in 1942, again in Paris in 1973 and in Lyon in 1993.’L'encyclopédie multimedia de la comédie musicale théâtrale en France (1918-1940)’ (http://comedie-musicale.jgana.fr/index.htm), accessed 17.08.09. In recent years it has been produced in Brussels, C ...
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Opérette
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ...
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Dédé (1935 Film)
''Dédé'' is a 1935 French musical comedy film directed by René Guissart (director), René Guissart and starring Danielle Darrieux, Albert Préjean and Mireille Perrey. It is based on the 1921 operetta ''Dédé (opérette), Dédé'' by Albert Willemetz with music by Henri Christiné, and is in the tradition of operetta films.Goble p.83 The films sets were designed by the art directors Henri Ménessier and René Renoux. Synopsis Robert is hired by his friend Dédé to manage a luxury shoe shop he has acquired, purely in order that he can have secret assignations with his mistress (lover), mistress Odette there. Robert hires Denise as a head saleswoman and recruits showgirls as shop assistants, making a surprise success of the previously struggling store. To complicate matters Denise and Dédé fall in love, while Robert becomes enraptured with Odette. Cast * Albert Préjean as Robert Dauvergne * Danielle Darrieux as Denise * Mireille Perrey as Odette Chausson * Claude Dauphin ...
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Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ...
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French-language Operas
French opera is both the art of opera in France and opera in the French language. It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV with Jean-Baptiste Lully's (1673), although there had been various experiments with the form before that, most notably by Robert Cambert. Lully and his librettist Quinault created , a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, Christoph Willibald Gluck was persuaded to produce six operas for the Paris Opera in the 1770s. They show the influence of Rameau, but simplified and with gre ...
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Compositions By Henri Christiné
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a still image or video *Musical composition, an original piece of music, or the process of creating a new piece Computer science *Compose key, a key on a computer keyboard *Compositing window manager a component of a computer's graphical user interface that draws windows and/or their borders *Function composition (computer science), an act or mechanism to combine simple functi ...
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Casino De Paris
The Casino de Paris, located at 16, rue de Clichy, in the 9th arrondissement, is one of the well known music halls of Paris, with a history dating back to the 18th century. Contrary to what the name might suggest, it is a performance venue, not a gambling house. The closest métro/RER stations are , , and . The first building at this location where shows could be mounted was erected by the Duc de Richelieu around 1730, while after the Revolution the site was renamed Jardin de Tivoli and was the venue for fireworks displays. In 1880 it became the Palace Theatre, which housed shows of different types, including wrestling. It was at the beginning of the First World War, however, that the modern Casino de Paris began to take shape, when the venue was converted into a cinema and music hall. After the bombardments of the First World War caused performances to be interrupted, the revue format was resumed, one which lasted through a good part of the twentieth century. Over the decade ...
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Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano"
''Encyclopædia Britannica''
as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ...
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Louis Baron, Son
Louis Bouchêne, known as Louis Baron, fils (24 December 1870 in Paris – 30 November 1939 in Dieppe), was an actor and singer, who took part in many operettas and comédie-musicales, and was in 30 films between 1929 et 1938. He was the son of Louis Baron often associated with the works of Offenbach.'L'encyclopédie multimedia de la comédie musicale théâtrale en France (1918–1940)’ (http://comedie-musicale.jgana.fr/index.htm), accessed 12 April 2010. Baron began studies at the Conservatoire in 1890 in the class of Got, winning a first prize for comedy in 1893, and being engaged at the Théâtre de l'Odéon, making his debut that year in '' Les Plaideurs''. In 1894 he appeared in ''Fleur de Vertu'' at the Théâtre des Bouffes-Parisiens and the following year several plays at the Théâtre des Folies-Dramatiques. His career continued over the next years at other Parisian theatres. Appearing in operettas before the First World War, including ''François les bas-bleus'' i ...
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Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ...
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Roger Nichols (musical Scholar)
Roger David Edward Nichols (born 6 April 1939) is an English musicologist, critic, translator and author. After an early career as a university lecturer he became a full-time freelance writer in 1980. He is particularly known for his works on French music, including books about Claude Debussy, Olivier Messiaen, Maurice Ravel, Francis Poulenc and the Parisian musical scene of the years after the First World War. Among his translations are the English versions of the standard biography of Gabriel Fauré by Jean-Michel Nectoux and of Harry Halbreich's study of Arthur Honegger. Life and career Nichols was born in the English city of Ely, Cambridgeshire, the son of Edward Nichols and his wife Dorothy, ''née'' West, who were respectively a lawyer and an accountant."Nichols, Roger"Gale Contemporary Authors online retrieved 14 July 2016 He was educated at Harrow, where he read classics, and Worcester College, Oxford, where he studied under Edmund Rubbra.
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Danielle Darrieux
Danielle Yvonne Marie Antoinette Darrieux (; 1 May 1917 – 17 October 2017) was a French actress of stage, television and film, as well as a singer and dancer. Beginning in 1931, she appeared in more than 110 films. She was one of France's great movie stars and her eight-decade career was among the longest in film history. Life and career Darrieux was born in Bordeaux, France, during World War I, the daughter of Marie-Louise (Witkowski) and Jean Darrieux, a medical doctor who was serving in the French Army. Her mother was born in Algeria. Her father died when she was seven years old. Raised in Paris, she studied the cello at the Conservatoire de Musique. At 14, she won a part in the musical film '' Le Bal'' (1931). Her beauty combined with her singing and dancing ability led to numerous other offers; the film ''Mayerling'' (1936) brought her to prominence. In 1935, Darrieux married director/screenwriter Henri Decoin, who encouraged her to try Hollywood. She signed a seve ...
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Albert Préjean
Albert Préjean (; 27 October 1894 – 1 November 1979) was a French actor, primarily in film. He served in World War I, and was decorated with the Croix de Guerre and the Legion of Honour. With Lysiane Rey, he was the father of Patrick Préjean, and grandfather of Laura Préjean. Biography Préjean shot his first five films with French director Henri Diamant-Berger between 1921 and 1923. The roles he played tended to embody the leading man for the people, generous and strong. His most lasting fame stems from his work in the films of René Clair that transition from the silent to the sound eras. These include most notably the farce '' Un Chapeau de Paille d'Italie'' (1928) and the musicalized melancomic '' Sous les toits de Paris'' (1930). When German director G. W. Pabst directed the film version of the huge Brecht-Weill musical hit '' Die Dreigroschenoper'' in 1931, he simultaneously shot a French-language version (''L'opéra de quat'sous'') with a French lead cas ...
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