|
Duomo, Volterra
Volterra Cathedral (, or ''Duomo di Volterra'') is a Roman Catholic cathedral in Volterra, Italy, dedicated to the Assumption of the Virgin Mary. It is the seat of the bishop of Volterra. History The present church was rebuilt after the earthquake of 1117 that destroyed most of the town, and consecrated by Pope Calixtus II in 1120. Details of the earlier church on the site are not clear, although a church dedicated to Saint Mary is known from the 9th century. This was not the original cathedral, which was dedicated to Saint Peter and located next to the bishop's palace; it was destroyed by the Florence, Florentines during a siege in 1472, after which the bishop's seat was transferred to the present cathedral. Nicola Pisano is said to have been involved in further reconstruction in the mid 13th century. The rustic stone façade was built in Romanesque architecture, Romanesque style using spolia from the Roman theater of Volterra in the portal. The intarsia over the door is att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volterra
Volterra (; Latin: ''Volaterrae'') is a walled mountaintop town in the Tuscany region of Italy. Its history dates from before the 8th century BC and it has substantial structures from the Etruscan, Roman, and Medieval periods. History Volterra, known to the ancient Etruscans as ''Velathri'' or ''Vlathri'' and to the Romans as ''Volaterrae'', is a town and ''comune'' in the Tuscany region of Italy. The site is believed to have been continuously inhabited as a city since at least the end of the 8th century BC. The town was a Bronze Age settlement of the Proto-Villanovan culture. It became an important Etruscan centre as one of the "twelve cities" of the Etruscan League. It was allied to Rome at the end of the 3rd century BC and became a municipium. The wealthy Caecina family lived here and Gaius Caecina Largus and the eminent Aulus Caecina Severus (consul 2–1 BC) built the theatre and probably other monuments. Other important families here were the Persii and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plague (disease)
Plague is an infectious disease caused by the bacterium '' Yersinia pestis''. Symptoms include fever, weakness and headache. Usually this begins one to seven days after exposure. There are three forms of plague, each affecting a different part of the body and causing associated symptoms. Pneumonic plague infects the lungs, causing shortness of breath, coughing and chest pain; bubonic plague affects the lymph nodes, making them swell; and septicemic plague infects the blood and can cause tissues to turn black and die. The bubonic and septicemic forms are generally spread by flea bites or handling an infected animal, whereas pneumonic plague is generally spread between people through the air via infectious droplets. Diagnosis is typically by finding the bacterium in fluid from a lymph node, blood or sputum. Those at high risk may be vaccinated. Those exposed to a case of pneumonic plague may be treated with preventive medication. If infected, treatment is with antibiotics a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarcophagus
A sarcophagus (: sarcophagi or sarcophaguses) is a coffin, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek language, Greek wikt:σάρξ, σάρξ ' meaning "flesh", and wikt:φαγεῖν, φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' (wikt:λίθος, λίθος wikt:σαρκοφάγος, σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the corpse decomposition, decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Pharaoh, Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 BC. The Hagia Triada sarcoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Circignani
Niccolò Circignani (c. 1517/1524 – after 1596) was an Italian painter of the late-Renaissance or Mannerism, Mannerist period. Biography Born in Pomarance, he is one of three Italian painters called Pomarancio (other), Pomarancio. His first works are documented from the 1560s, where he painted frescos on the Old Testament stories for the Holy See, Vatican Cortile del Belvedere, Belvedere, where he may have worked alongside Santi di Tito and Giovanni de' Vecchi. He also completed altarpieces for Orvieto (1570), Umbertide (1572), Città di Castello (1573–1577) as well as Città della Pieve. He worked at Orvieto Cathedral with Hendrick van den Broeck, a brother of the sculptor Willem van den Broecke and a relative of the painter Chrispijn van den Broeck. He painted frescoes (1568) in the church of the ''Maestà delle Volte'' in Perugia, the ''Resurrection'' (1569 in Panicale) and an ''Annunciation'' (1577, now in the Pinacoteca Comunale, Città di Castello). He p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir Stalls
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The place where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ciborium (architecture)
In Church architecture, ecclesiastical architecture, a ciborium (Greek language, Greek: κιβώριον; ) is a canopy or covering supported by columns, freestanding in the sanctuary, that stands over and covers the altar in a church architecture, church. It may also be known by the more general term of baldachin, though ''ciborium'' is often considered more correct for examples in churches. A baldachin (originally an exotic type of silk from Baghdad) should have a textile covering, or, as at St. Peter’s Basilica, Saint Peter’s in Rome, imitate one. There are exceptions; St. Peter's Baldachin, Bernini's structure in Saint Peter's, Rome is always called the baldachin. Early ciboria had curtains hanging from rods between the columns, so that the altar could be concealed from the congregation at points in the liturgy. Smaller examples may cover other objects in a church. In a very large church, a ciborium is an effective way of visually highlighting the altar, and emphasizin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristodemo Costoli
Aristodemo Costoli (1803–1871) was an Italian sculptor who spent his entire career in the city of Florence. He is also known for attempting in 1843 to clean and conserve the famed Renaissance-era sculpture ''David (Michelangelo), David'' by Michelangelo; unfortunately his hydrochloric acid cleaning solution removed the stone's waxy protective coating and left the surface pitted and porous. His students included Emilio Zocchi, Girolamo Masini, Augusto Rivalta and his son Leopoldo Costoli. Biography Early life and career At the age of 12 he entered the Accademia di Belle Arti di Firenze, Accademia di Belle Arti e Liceo Artistico in Florence to study painting under Giuseppe Bezzuoli, Pietro Benvenuti and Pietro Ermini and sculpture under Stefano Ricci (sculptor), Stefano Ricci. A Self-portrait (1828; Florence, Palazzo Pitti) in oil on canvas demonstrates a Romanticism, Romantic style learnt from Bezzuoli and anticipates Costoli’s abilities to render portraiture in sculp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archbishop Of Florence
The Archdiocese of Florence () is a Latin Church metropolitan see of the Catholic Church in Italy."Archdiocese of Firenze " '' Catholic-Hierarchy.org''. David M. Cheney. Retrieved 7 October 2016."Metropolitan Archdiocese of Firenze" ''GCatholic.org''. Gabriel Chow. Retrieved 7 October 2016. It was traditionally founded in the 1st century, according to the 14th century chronicler |
Pisan
Pisa ( ; ) is a city and ''comune'' (municipality) in Tuscany, Central Italy, straddling the Arno just before it empties into the Ligurian Sea. It is the capital city of the Province of Pisa. Although Pisa is known worldwide for the Leaning Tower of Pisa, the city contains more than twenty other historic churches, several medieval palaces, and bridges across the Arno. Much of the city's architecture was financed from its history as one of the Italian maritime republics. The city is also home to the University of Pisa, which has a history going back to the 12th century, the Scuola Normale Superiore di Pisa, founded by Napoleon in 1810, and its offshoot, the Sant'Anna School of Advanced Studies.Scuola Superiore Sant'Anna di Pisa Information statistics History |
