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Duke With A Difference
''Duke with a Difference'' is an album by American jazz trumpeter Clark Terry featuring tracks recorded in 1957 for the Riverside label.Lord, T.Clark Terry Discography accessed March 9, 2015 Reception AllMusic awarded the album 4 stars, stating: Track listing ''All compositions by Duke Ellington except as indicated'' # " C Jam Blues" (Barney Bigard, Duke Ellington) – 3:06 # "In a Sentimental Mood" (Ellington, Irving Mills, Manny Kurtz) – 2:58 # " Cotton Tail" – 6:56 # " Just Squeeze Me" – 6:17 # "Mood Indigo" (Bigard, Ellington) – 6:57 # " Take the "A" Train" (Billy Strayhorn) – 3:31 # " In a Mellow Tone" – 5:09 # " Come Sunday" – 3:34 *Recorded at Reeves Sound Studios in New York City on July 29 (tracks 2 & 8) and September 6 (tracks 1 & 3–7), 1957 Musicians *Clark Terry – trumpet (all), arranger (tracks 1 & 3–7) *Quentin Jackson (tracks 2 & 8), Britt Woodman (tracks 1 & 3–7) – trombone *Johnny Hodges – alto saxophone (tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American Swing music, swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920.[ Yanow, Scott Clark Terry biography] at Allmusic. He attended Vashon High School and began his pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just Squeeze Me (But Please Don't Tease Me)
"Just Squeeze Me (But Please Don't Tease Me)" is a 1941 popular song composed by Duke Ellington, with lyrics by Lee Gaines. The song has been recorded numerous times by a number of artists in the years since, having become a jazz standard. Hit recordings have been by Paul Weston & His Orchestra (vocal by Matt Dennis) (reached No. 21 in the ''Billboard'' charts in 1947) and by The Four Aces (No. 20 in 1952). Other notable recordings *Louis Armstrong – originally recorded with Duke Ellington in 1961 for an album called ''The Great Reunion'' and later included in the compilation CD '' The Great Summit'' (2001) *Dave Brubeck *Chris Connor – ''A Jazz Date With Chris Connor'' (1958) *Miles Davis – '' Miles: The New Miles Davis Quintet'' (1955) *Ella Fitzgerald – '' Ella Fitzgerald Sings the Duke Ellington Songbook'' (1957) *Marvin Gaye and Mary Wells – ''Together'' (1964) *Dave Grusin – '' Homage to Duke'' (1993) * Joni James – ''The Mood Is Romance'' (1961). *Diana Krall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone (also called the vibraharp) is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using Percussion mallet, mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the Marimbaphone, steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tyree Glenn
Tyree Glenn, born William Tyree Glenn (November 23, 1912, Corsicana, Texas, United States, – May 18, 1974, Englewood, New Jersey), was an American trombone and vibraphone player. Biography Tyree played trombone and vibraphone with local Texas bands before moving in the early 1930s to Washington, D.C., where he performed with several prominent bands of the swing era. He played with Bob Young (1930), and then he joined Tommy Myles's band (1934–36). After he left Myles, he moved to the West Coast, playing with groups headed by Charlie Echols (1936). Further, he played with Eddie Barefield (1936), Eddie Mallory's band (1937) and Benny Carter (1937) and played with Cab Calloway from 1939 to 1946. He toured Europe with Don Redman's big band (1946). From 1947 to 1951, he played with Duke Ellington as a wah-wah trombonist in the style originating with Tricky Sam Nanton and Ellington's only vibraphonist, being well-featured on the '' Liberian Suite''. After, he played also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Gonsalves
Paul Gonsalves ( – ) was an American jazz tenor saxophonist best known for his association with Duke Ellington. At the 1956 Newport Jazz Festival, Gonsalves played a 27-chorus solo in the middle of Ellington's " Diminuendo and Crescendo in Blue," a performance credited with revitalizing Ellington's waning career in the 1950s. Biography Born in Brockton, Massachusetts, to Portuguese Cape Verdean parents, Gonsalves' first instrument was the guitar, and as a child he was regularly asked to play Cape Verdean folk songs for his family. He grew up in New Bedford, Massachusetts, and played as a member of the Sabby Lewis Orchestra. His first professional engagement in Boston was with the same group on tenor saxophone, in which he played before and after his military service during World War II. He also played with fellow Cape Verdean Americans in Phil Edmund's band in the 1940s. Before joining Duke Ellington's orchestra in 1950, he also played in big bands led by Count Basie (1947 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgians, Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E♭ (musical note), E, smaller than the B♭ (musical note), B Tenor saxophone, tenor but larger than the B Soprano saxophone, soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, List of concert works for saxophone, solo repertoire, military bands, marching bands, pep bands, carnatic music, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Hodges
Johnny Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophone, alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1940. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the Big band, big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott (musician), Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Britt Woodman
Britt Woodman (June 4, 1920 – October 13, 2000) was an American jazz trombonist. Career Woodman was a childhood friend of Charles Mingus, but first worked with Phil Moore and Les Hite. After service in World War II he played with Boyd Raeburn before joining with Lionel Hampton in 1946. During the 1950s he worked with Ellington. As a member of Ellington's band he can be heard on '' Such Sweet Thunder'' (1957), '' Ella Fitzgerald Sings the Duke Ellington Song Book'' (also 1957), '' Black, Brown, and Beige'' (1958) and '' Ellington Indigos'' (1958). In 1960 he left Ellington to work in a pit orchestra. Later he worked with Mingus and can be heard on the album '' Mingus Mingus Mingus Mingus Mingus'' (1963). In the 1970s, he led his own octet and worked with pianist Toshiko Akiyoshi. In 1989, he was in the personnel for the album ''Epitaph'' dedicated to the previously unrecorded music of Charles Mingus. He died in Hawthorne, California at the age of 80, having suffered severe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quentin Jackson
Quentin "Butter" JacksonFeather, Leonard & Gitler, Ira ''The Biographical Encyclopedia of Jazz'' Oxford University Press, US, 2007 (January 13, 1909 – October 2, 1976) was an American jazz trombonist. Career In the early stage of his career, Jackson worked with Cab Calloway for eight years. Later, he was a member of the Duke Ellington Orchestra and worked with Charles Mingus, Kenny Burrell, and others. On her album ''Dinah Sings Bessie Smith'', Dinah Washington recorded a version of Bessie Smith's "Trombone Cholly" with Jackson on the horn, under the revised title, "Trombone Butter".Discography With Louis Armstrong *''L ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come Sunday
"Come Sunday" is a sacred jazz piece by Duke Ellington that has become a jazz standard. It was written as a part of the first movement of a suite entitled ''Black, Brown and Beige''. History Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition (that whole concert was released in 1977 as '' The Carnegie Hall Concerts: January 1943''). In 1958 he revised the suite and recorded it in its entirety for that year's album titled after the suite. "Come Sunday" was originally a centerpiece for alto saxophone player Johnny Hodges; the 1958 album, which contained a vocal version of the piece with new lyrics by Ellington featuring gospel singer Mahalia Jackson, greatly increased its popularity. Notable recordings *Duke Ellington – ''Black, Brown and Beige'' (rel. 1946), recording of 1943 Carnegie Hall concert *Duke Ellington – ''Black, Brown and Beige'' (1958, with Mahalia Jackson) *Dizzy Gillespie – '' A Portrait ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In A Mellow Tone
"In a Mellow Tone", also known as "In a Mellotone", is a 1939 jazz standard composed by Duke Ellington, with lyrics written by Milt Gabler. The song was based on the 1917 standard " Rose Room" by Art Hickman and Harry Williams, which Ellington himself had recorded in 1932. Howard Stern used a recording of this song (from Ellington's ''Blues in Orbit'' album) as the opening theme to ''The Howard Stern Show'' from 1987 to 1994. Notable recordings *Red Norvo (1943) *Erroll Garner – '' Contrasts'' (1954) *Clark Terry – ''Duke with a Difference'' (1957) *Chico Hamilton with Eric Dolphy – '' The Original Ellington Suite'' (1958) *Ella Fitzgerald – '' Ella Fitzgerald Sings the Duke Ellington Songbook'' (1958) *Ben Webster (with Coleman Hawkins and Roy Eldridge) – '' Ben Webster and Associates'' (1959) *Count Basie – '' Breakfast Dance and Barbecue'' (1959) * Lambert, Hendricks, & Ross – '' The Hottest New Group in Jazz'' (1960) *Billy May – '' Cha Cha! Billy May'' (1960) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
