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Dubplate
A dubplate is an acetate disc usually of 10 inches diameter, traditionally used by Recording studio, studios to test recordings prior to Audio mastering, mastering for the subsequent pressing of a vinyl record, but pioneered by reggae Reggae sound system, sound systems as a way to play exclusive music. They would later become an important facet of the jungle music, jungle/drum and bass, UK garage, Grime (music genre), grime and dubstep music scenes. History The first use of dubplates is commonly attributed to sound engineer King Tubby and reggae reggae sound system, sound systems such as Lloyd Coxsone and Killamanjaro. Special and one-off versions would be cut to acetate disc, acetate for competing in a sound clash, utilising vocals specially recorded to namecheck the sound system. As such, these would become known as "dubplate specials" often remarking on the prowess of the sound system playing it, in a bid to win the clash. In the UK, the earliest place to cut reggae dubplate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dubplate Acetates
A dubplate is an acetate disc usually of 10 inches diameter, traditionally used by studios to test recordings prior to mastering for the subsequent pressing of a vinyl record, but pioneered by reggae sound systems as a way to play exclusive music. They would later become an important facet of the jungle/drum and bass, UK garage, grime and dubstep music scenes. History The first use of dubplates is commonly attributed to sound engineer King Tubby and reggae sound systems such as Lloyd Coxsone and Killamanjaro. Special and one-off versions would be cut to acetate for competing in a sound clash, utilising vocals specially recorded to namecheck the sound system. As such, these would become known as "dubplate specials" often remarking on the prowess of the sound system playing it, in a bid to win the clash. In the UK, the earliest place to cut reggae dubplates would also be one of the most unlikely. John Hassell and his wife ran a recording studio from their suburban house in Barne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Clash
A sound clash is a musical competition where crew members from opposing sound systems pit their skills against each other. Sound clashes take place in a variety of venues, both indoors and outdoors, and primarily feature reggae and dancehall music. The object is to beat or "kill" their competitors. In Jamaica, sound clashes, with their "violently martial ethos", date back at least to the 1950s, when systems like Tom the Great Sebastian and Duke Reid's the Trojan clashed in the old Back-O-Wall (now Tivoli Gardens) neighborhood of Kingston. Sometimes these clashes turned violent, with one system destroying the other system's equipment. The first reported clash was between Tom the Great Sebastian and Count Nick in 1952. Although sound clashes are perhaps most commonly associated with Jamaica, they also form an integral part of Black British culture in London, with early proponents such as Jah Shaka running sound systems and engaging in sound clashes as early as the 1970s. Franco Ros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acetate Disc
An acetate disc (also known as a ''lacquer'', ''test acetate'', '' dubplate'', or ''transcription disc'') is a type of phonograph record generally used from the 1930s to the late 1950s for recording and broadcast purposes and still in limited use today. Acetate discs are used for the production of records. Unlike ordinary vinyl records, which are quickly formed from lumps of plastic by a mass-production molding process, an acetate disc is created by using a recording lathe to cut an audio-signal-modulated groove into the surface of a lacquer-coated blank disc, a sequential operation requiring expensive, delicate equipment and expert skill for good results. The disc is then coated in metal, which is then peeled off to form a negative that will later be electroplated and peeled to create a mother (positive copy) which is then again electroplated and peeled to create negatives called stampers, which are then used as molds in a record press. In addition to their use in the creatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grime (music Genre)
Grime is a genre of electronic music that emerged in London in the early 2000s. It developed out of the earlier UK dance style UK garage, and draws influences from jungle, dancehall, and hip hop. The style is typified by rapid, syncopated breakbeats, generally around 140 beats per minute, and often features an aggressive or jagged electronic sound. Emceeing is a significant element of the style, and lyrics often revolve around gritty depictions of urban life. The style initially spread among pirate radio stations and underground scenes before achieving some mainstream recognition in the UK during the mid-2000s through artists such as Dizzee Rascal, Kano, Lethal Bizzle, and Wiley. In the mid-2010s, grime began to receive popular attention in Canada. The genre has been described as the "most significant musical development within the UK for decades." Grime is generally considered to be distinct from hip hop due to its roots primarily being genres such as UK garage and j ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killamanjaro
Founded in the summer of 1969, Killamanjaro is a Jamaican sound system best known for their clashes and large amount of classic reggae dubplates. It is owned by Noel "Papa Jaro" Harper and named after Mount Kilimanjaro. The name was changed to "Killamanjaro" after having established a reputation of being a good clash sound. "Jaro" is notable for being a top sound in both the live-artist era of the 1980s, where it launched the careers of top dancehall artists at the time, such as Early B, Super Cat, Jim Kelly, Burro Banton, Puddy Roots, and Ninjaman, and the 1990s dubplate era, where the sound went on a soundclash killing spree behind selector/mic man Ricky Trooper.The contemporaries , '' |
Dubbing (music)
In sound recording, dubbing is the transfer or copying of previously recorded audio material from one medium to another of the same or a different type. It may be done with a machine designed for this purpose, or by connecting two different machines: one to play back and one to record the signal. The purpose of dubbing may be simply to make multiple copies of audio programs, or it may be done to preserve programs on old media which are deteriorating and may otherwise be lost. One type of dubbing device combines two different storage media, such as an audio cassette deck that incorporates a Compact Disc recorder. Such a device enables the transfer of audio programs from an obsolete medium to a widely used medium. It may also simply be used to transfer material between two types of media which are popular in different settings, so that material originating in one type of environment can be used in another. An example of the latter would be the dubbing of a Digital BetaCam videocasse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dubstep
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass.Reynolds, S.(2012),''Energy Flash: A Journey Through Rave Music and Dance Culture,'' Perseus Books; Reprint edition (5 January 2012), pages 511–516, (). In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s. Dubstep is generally characterised by the use of syncopated rhythmic patterns, prominent basslines, and a dark tone. In 2001, this underground sound and other strains of garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), and on the pirate radio station Rinse FM, which went on to be considerably influential to the development ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dennis Bovell
Dennis Bovell (born 22 May 1953Huey, Steve"Dennis Bovell Biography" Allmusic. Retrieved 27 December 2014.) is a Barbados-born reggae guitarist, bass player and record producer, based in England. He was a member of the British reggae band Matumbi, and released dub-reggae records under his own name as well as the pseudonym Blackbeard.Thompson, Dave (2002), "Reggae & Caribbean Music", Backbeat Books, . He is most widely known for his decades-spanning collaborations with Linton Kwesi Johnson. Biography Born in Saint Peter, Barbados, in 1953, Bovell moved to South London in 1965 and became immersed in Jamaican culture, particularly dub music, setting up his own Jah Sufferer sound system.Larkin, Colin (1998), ''The Virgin Encyclopedia of Reggae'', Virgin Books, , pp. 35–36. Running the sound system brought trouble from the police and Bovell was imprisoned for six months on remand, but was later released on appeal. Bovell was friends at school with future rock musicians includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Controller
DJ controllers are devices used to help DJs mix music with DJ software using knobs, encoders, jog wheels, faders, backlit buttons, touch strips, and other components. Overview DJ controllers are microprocessor-based control surfaces used to provide easier and more precise control of the software than the computer keyboard and touchpad on a laptop, or the touchscreen on tablet computers and smartphones. They do not mix audio signals like DJ mixers; rather, they send signals to a computer to tell the DJ software running on the computer how to mix audio. Many DJ controllers also have a built in sound card with 4 output channels (2 stereo pairs), which allows the DJ to preview music in headphones before playing it on the main output. Most DJ controllers use the standard MIDI or HID protocols to communicate with the computer via USB. Modern DJ controllers emulate two turntables/ CDJs and a DJ mixer. However, DJ controllers are much cheaper than two turntables or CDJs plus a mixer. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
