Dub Version
Dub is a musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p. 2. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), the application of studio effects such as Delay (audio effect), echo and reverb effect, reverb, and the occasional dubbing (music), dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26–44, "Electronic Music in Jamaica" Wesleyan University Press. Dub was pioneered by Audio engineer, recording engineers and producers such as King Tubby, Osbourne "King Tubby" ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Reggae
Reggae () is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its Jamaican diaspora, diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word ''reggae'', effectively naming the genre and introducing it to a global audience. Reggae is rooted in traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento (a celebratory, rural folk form ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (bpm). The central rhythm is typically in common time ( ) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's Roland TR-808 and Roland TR-909 are highly prized, and software emulations of such retro instruments are popular in this style. Much of the instrumentation in techno is used to emphasize the role of rhythm over other musical aspects. Vocals and melodies are uncommon. The use of sound synthesis in developing distinctive timbres tends to feature more prominently. Typical harmonic practices found in other forms of music are often ignored in favor of repetitive sequences of notes. More generally the creatio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Reverb Effect
A reverb effect, or reverb, is an effects unit, audio effect applied to a sound signal to simulate reverberation. It may be created through physical means, such as echo chambers, or electronically through audio signal processing. The American producer Bill Putnam is credited for the first artistic use of artificial reverb in music, on the 1947 song "Peg o' My Heart" by the Harmonicats. Plate reverb uses electromechanical transducers to create vibrations in large plates of sheet metal. Spring reverb, created with a series of mounted springs, is popular in surf music and dub reggae. Shimmer reverb, which Pitch shift, alters the pitch of the reverberated sound, is often used in ambient music. Convolution reverb uses impulse responses to record the reverberation of physical spaces and recreate them digitally. Gated reverb became a staple of 1980s pop music, used by drummers including Phil Collins. Varieties Echo chambers The first reverb effects, introduced in the 1930s, were ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Delay (audio Effect)
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is electronic mixer, mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo. Delay effects range from a subtle echo effect to a pronounced blending of previous sounds with new sounds. Delay effects can be created using tape loops, an approach developed in the 1940s and 1950s and used by artists including Elvis Presley and Buddy Holly. Analog effects units were introduced in the 1970s; digital effects pedals in 1984; and audio plug-in software in the 2000s. History The first delay effects were achieved using tape loops improvised on reel-to-reel audio tape recording systems. By shortening or lengthening the loo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Riddim
In Jamaican dancehall music, a riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the ''riddim'' plus the ''voicing'' (vocal part) sung by the deejay. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances. Since the 1970s, riddims have accompanied reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part – sung by the DJ – over some riddim that has probably been widely used in many other songs. There is a unique establishment in the combination of riddims and voicing. By 1993, Jamaica finally established a copyright act, but producers still face difficulty in establishing profit. Through proper registration, many artists now work on negotiating their royalties and taking it more seriously. The unique nature of dancehall and riddims have be ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rhythm Section
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody. The core elements of the rhythm section are usually the drum kit and bass. The drums and bass provide the basic pulse and groove of a song. The section is augmented by other instruments such as keyboard instruments and guitars that are used to play the chord progression upon which the song is based. The bass instrument (either double bass, or electric bass guitar, or another low-register instrument such as the synth bass, depending on the group and its style of music) plays the low-pitched bassline. The bassline is a musical part that supports the chord progression, typically by p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Remix
A remix, also sometimes called reorchestration or rework, is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, poem, or photograph can be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing (recorded music), audio mixing in music and song recordings. Songs may be remixed for a variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereophonic sound, stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original audio mastering, master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Reggae
Reggae () is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its Jamaican diaspora, diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word ''reggae'', effectively naming the genre and introducing it to a global audience. Reggae is rooted in traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento (a celebratory, rural folk form ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Dub Artists
Dub music, Dub is a subgenre of reggae which developed in the late 1960s and early 1970s. This is a list of notable dub musicians, singers and producers. 0–9 *10 Foot Ganja Plant *340ml A *The Aggrovators *Augustus Clarke *Augustus Pablo *Audio Active *Alpha & Omega (band), Alpha & Omega *Asian Dub Foundation *African Head Charge *Aswad *Alborosie *Adrian Sherwood B *Banco de Gaia *Basque Dub Foundation *Beats Antique *Beats International *Bedouin Soundclash *Bim Sherman *The Black Seeds *Black Uhuru *Blind Idiot God *Boom One Records *Brain Damage (dub band), Brain Damage *Burning Spear *Bush Chemists *Dennis Bovell *Glen Brown C *Chuck Fenda *The Clash D *Dan-I *Darkwood Dub *De Facto (band), De Facto *Digital Mystikz *Dirty Heads *The Disciples (band), The Disciples *Doctah X *Doof (musician), Doof *The Drastics *Dreadzone *Dry & Heavy *Dub FX *Dub Incorporation *Dub Pistols *Dub Trio *Dub Syndicate *Dubioza Kolektiv *Dubtribe E *Easy Star All-Stars *The Expend ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Psydub
Psydub (not to be confused with dub) is a fusion genre of electronic music that has its roots in psychedelic trance, ambient and dub music. Incorporated dub elements are melodic basslines, deep reggae roots and producing techniques like dynamically adding extensive echo, reverb, panoramic delay, and occasional dubbing of vocal or instrumental snippets from the original version or other works. An incorporated ambient element is an emphasis on tone and atmosphere. Incorporated psytrance elements are low-bass frequencies and hypnotic melodies and the use of samples. Those samples mostly contain references to drugs, parapsychology, extraterrestrial life, existentialism, out of body experiences, dreams, science, time travel, spirituality and similar mysterious or unconventional topics. Psydub is also highly influenced by the music of India. History The pioneers of the genre were mostly interested in the combination between ambient music and dub. The Orb can be seen as one of t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dub Techno
Dub techno is a subgenre of electronic music that originated in the early 1990s, blending the repetitive, minimal structures of techno with the echo-laden, spacey production techniques of dub music. It is notable for its deep, atmospheric soundscapes, layers of elaborate basslines, slowly developing musical phrases featuring heavy delay and reverb effects. Vocals are either absent, or inspired by dub and ambient music. Origins and evolution Dub techno appeared as a combination of two distinct musical movements: dub music from 1960s-1970s Jamaica and techno from 1980s Detroit area of the USA. Dub music evolved from reggae, characterized by slow tempo, instrumental remixes featuring heavy reverb, delay, deep bass and a laid-back, organic feel. Techno, pioneered by Juan Atkins, Derrick May, and Kevin Saunderson in Detroit, used much faster-paced synthetic sounds and repetitive structures aimed at dance floors of nightclubs. By the early 1990s, these seemingly opposite genres ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dubtronica
Dubtronica is electronic music influenced by dub music.Doherty, Greg (2003)Strange Bedfellows: Brits like Groove Corporation refile dub under electronica", ''Miami New Times'', 14 August 2003, retrieved 8 November 2009 Early examples from the 1980s are the experimental English dub of On-U Sound Records and Mad Professor. It is also called simply "dub" or "techdub". Dubtronica consists of electronic beats played in a downbeat manner. It is much lower in speed than techno and generally warmer than dance-oriented electronica. Some tracks use reggae Reggae () is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its Jamaican diaspora, diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first ... toasters or singers to produce a more accessible form of the music. References Electronic music genres English styles of music Fusion music genres Electronica Dub music [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |