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Drum Beat
A drum beat or drum pattern is a rhythmic pattern, or repeated rhythm establishing the meter and groove through the pulse and subdivision, played on drum kits and other percussion instruments. As such a "beat" consists of multiple drum strokes occurring over multiple musical beats while the term "drum beat" may also refer to a single drum stroke which may occupy more or less time than the current pulse. Many drum beats define or are characteristic of specific music genres. Many basic drum beats establish the pulse through alternating bass (on the on-beats) and snare drums (on the off-beats) strokes while establishing the subdivision on the ride cymbal (thus its name) or hi-hat: This establishes a quarter note pulse in (quad) duple time: each measure is formed from (two groups of) two quarter note pulses, each pulse divided into two eighth notes. This establishes a quarter note pulse in triple time: each measure is formed from three quarter note pulses, each divided into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canter
The canter and gallop are variations on the fastest gait that can be performed by a horse or other equine. The canter is a controlled three-beat gait, while the gallop is a faster, four-beat variation of the same gait. It is a natural gait possessed by all horses, faster than most horses' trot, or ambling gaits. The gallop is the fastest gait of the horse, averaging about . The speed of the canter varies between depending on the length of the horse's stride. A variation of the canter, seen in western riding, is called a lope, and is generally quite slow, no more than . Etymology Since the earliest dictionaries there has been a commonly agreed suggestion that the origin of the word "canter" comes from the English city of Canterbury, a place of pilgrimage in the Middle Ages, as referred to in ''The Canterbury Tales'', where the comfortable speed for a pilgrim travelling some distance on horseback was above that of a trot but below that of a gallop. However, a lack of compell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallop (heavy Metal)
A gallop is a beat or rhythm typically used in traditional heavy metal songs. It is created by playing an eighth note followed by two sixteenth notes (), usually on rhythm guitar, drums, or bass. One technique on guitar involves strumming palm muted power chords in an up-and-down motion with a pick, thereby creating an ostinato. Variations include the triplet gallop and the reverse gallop. On drums, the technique often uses a double kick pedal. A typical drum gallop is formed around this skeleton: H- x---x---x---x---, S- ----o-------o---, B- o-ooo-ooo-ooo-oo, Examples of early or "proto" gallops Several early examples are variations on the pattern that do not strictly use the "eighth note followed by two sixteenth notes", but nonetheless have been identified as gallops. *"Hard Lovin' Man"Deep Purple ('' Deep Purple in Rock'', 1970) *" Immigrant Song"Led Zeppelin ('' Led Zeppelin III'', 1970) *" Children of the Grave"Black Sabbath (''Master of Reality'', 1971) *" H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interonset Interval
In music a time point or ''timepoint'' ( point in time) is "an instant, analogous to a geometrical point in space". Because it has no duration, it literally cannot be heard, but it may be used to represent "the point of initiation of a single pitch, the repetition of a pitch, or a pitch simultaneity", therefore the beginning of a sound, rather than its duration. It may also designate the release of a note or the point within a note at which something changes (such as dynamic level). Other terms often used in music theory and analysis are '' attack point''Lejaren Hiller and Ramon Fuller, "Structure and Information in Webern's Symphonie, Op. 21", ''Journal of Music Theory'' 11, no. 1 (Spring 1967): 60–115. Citation on p. 94. and ''starting point''. Milton Babbitt calls the distance from one time point, attack, or starting point to the next a ''time-point interval'', independent of the durations of the sounding notes which may be either shorter than the time-point interval (r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk Music
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove (music), groove of a bassline played by an electric bassist and a drum part played by a drum kit, percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with Rhythm section, rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the Beat (music)#Down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Backbeat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drums
The drum is a member of the percussion instrument, percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophones, membranophone. Drums consist of at least one Acoustic membrane, membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by one player, such as bongo drums and timpani. A number of different drums together ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blast Beat
A blast beat is a type of drum beat that originated in hardcore punk and grindcore, and is often associated with certain styles of extreme metal, namely black metal, death metal and their respective subgenres,Adam MacGregor, '' PCP Torpedo'' by Agoraphobic Nosebleed review, ''Dusted'', 11 June 2006 Access date: 2 October 2008. "There is one uniformly present attribute in all examples of 'grindcore', that being the so-called 'blast-beat.'" and occasionally in metalcore. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal." Blast beats have been described by ''PopMatters'' contributor Whitney Strub as, "maniacal percussive explosions, less about rhythm per se than sheer sonic violence". According to Brad Schlueter of '' Drum!'', Napalm Death is said to have coined the term, though this style of drumming had previo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Half Time (music)
In popular music, half-time is a type of meter and tempo that alters the rhythmic feel by essentially ''doubling the tempo resolution'' or metric division/level in comparison to common-time. Thus, two measures of approximate a single measure of , while a single measure of 4/4 emulates 2/2. Half-time is not to be confused with '' alla breve'' or odd time. Though notes usually get the same value relative to the tempo, the way the beats are divided is altered. While much music typically has a backbeat on quarter note (crotchet) beats two and four, half time would increase the interval between backbeats to double, thus making it hit on beats three and seven, or the third beat of each measure (count out of an 8 beat measure (bar), common practice in half time): 1 2 3 4 1 2 3 4 1 2 3 4 5 6 7 8 1 2 3 4 Essentially, a half time 'groove' is one that expands one measure over the course of two. The ''length'' of each note is doubled whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double-time
Double-Time Records (a.k.a. Double-Time Jazz) is a jazz record company and label founded by Jamey D. Aebersold in New Albany, Indiana in 1995. Its catalogue includes albums by John Abercrombie, Bruce Barth, Jerry Bergonzi, Conrad Herwig, Andy LaVerne, Dave Liebman, Hank Marr, Steve Slagle, and Walt Weiskopf. Discography Albums See also *List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, ... References External linksDiscogs {{Authority control American jazz record labels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrase (music)
In music theory, a phrase () is a unit of Meter (music), musical meter that has a complete musical sense of its own, built from figure (music), figures, motif (music), motifs, and Cell (music), cells, and combining to form Melody, melodies, period (music), periods and larger Section (music), sections. Terms such as ''sentence'' and ''verse'' have been adopted into the vocabulary of music from linguistic syntax. Though the analogy between the musical and the phrase, linguistic phrase is often made, still the term "is one of the most ambiguous in music....there is no consistency in applying these terms nor can there be...only with melodies of a very simple type, especially those of some dances, can the terms be used with some consistency." John D. White defines a phrase as "the smallest musical unit that conveys a more or less complete musical thought. Phrases vary in length and are terminated at a point of full or partial repose, which is called a ''cadence''." Edward T. Cone, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
