Dropped A
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Dropped A
This article contains a list of guitar tunings that supplements the article guitar tunings. In particular, this list contains more examples of open and regular tunings, which are discussed in the article on guitar tunings. In addition, this list also notes dropped tunings. Standard tuning E-A-d-g-b-e' Throughout, this list references standard tuning, i.e. for comparison. Open Major Major open-tunings give a major chord with the open strings. Open A : E-A-C-E-A-E * Alternatively: A-E-A-E-A-C (one step down from "Open B") * "Slide" Open A: E-A-E-A-C-E (identical to "Open G" tuning but with every string raised one step or two frets) Used by Jimmy Page on " In My Time of Dying" and Jack White on "Seven Nation Army" and " Catch Hell Blues"". → Open B : B-F-B-F-B-D * Alternatively: F-B-D-F-B-D Used by Nickelback on "Should've Listened" and Big Wreck on "Albatross". Open C : C-G-C-G-C-E This open C tuning is used by William Ackerman for his "Townsend Shuffl ...
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ESP FuniChar D-616 Headstock, With Drop D Fretboard
ESP most commonly refers to: * Extrasensory perception, a paranormal ability ESP may also refer to: Arts, entertainment Music Albums * E.S.P. (Bee Gees album), ''E.S.P.'' (Bee Gees album), a 1987 album by the Bee Gees * ''E.S.P. (Extra Sexual Persuasion)'', a 1983 album by soul singer Millie Jackson * E.S.P. (Miles Davis album), ''E.S.P.'' (Miles Davis album), a 1965 album by Miles Davis * ''E.S.P. (Erick Sermon's Perception)'', a 2015 album by Erick Sermon Songs * E.S.P. (song), "E.S.P." (song), the title track of the album * "E.S.P.", a 1977 song by Masayoshi Takanaka from the album ''An Insatiable High'' * "E.S.P.", a 1978 song by Buzzcocks from the album ''Love Bites (album), Love Bites'' * "E.S.P.", a 1988 song by Cacophony from the album ''Go Off!'' * "E.S.P.", a 1990 Song by Deee-Lite from the album "World Clique" * ''ESP'', a 2000 album by The System (band), The System * "ESP", a 2017 song by N.E.R.D. from the album ''No One Ever Really Dies'' * "ESP", a 2022 song b ...
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The Great Santa Barbara Oil Slick
''The Great Santa Barbara Oil Slick'' is a live album by American fingerstyle guitarist and composer John Fahey, released posthumously in 2004. History ''The Great Santa Barbara Oil Slick'' consists of previously unreleased live recordings from two shows in 1968 and 1969. The majority comes from a February 1968 performance at The Matrix in San Francisco, California. The other location is unknown. The title track, not included on any of Fahey's '60s records, contains portions of "Requiem for Russell Blaine Cooper" and "Voice of the Turtle" that appeared on '' Requia'' and ''America'' respectively. Reception On its release in 2004, ''The Great Santa Barbara Oil Slick'' received positive reviews. Critic David Fricke, writing for ''Rolling Stone'' referred to Fahey's "sublime distention of traditional forms". Richie Unterberger Richie Unterberger (born 1962) is an American author and journalist whose focus is popular music and travel writing. Life and writing Unterberger atten ...
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Guitar Open-D Tuning
The guitar is a stringed musical instrument that is usually fretted (with some exceptions) and typically has six or twelve strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A guitar pick may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant hollow chamber on the guitar, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone, meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood, with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States, but nylon and steel strings became mainstream only following World War II. The guitar's ancestors i ...
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Open D Tuning
Open D tuning is an open tuning for the acoustic or electric guitar. The open string notes in this tuning are (from lowest to highest): D A D F A D. It uses the three notes that form the triad of a D major chord: D (the root note), F (the major third) and A (the perfect fifth). To tune a guitar from standard tuning to open D tuning, lower the 1st (high-E) string down a full step to D, 2nd (B) string down a full step to A, 3rd (G) string down a half step to F, and 6th (low-E) string down a full step to D. In this tuning, when the guitar is strummed without fretting any of the strings, a D major chord is sounded. This means that any major chord can be easily created using one finger, fretting all the strings at once (also known as barring); for example, fretting all the strings at the second fret will produce an E major chord, at the third fret an F major chord, and so on up the neck. Open D tuning is very popular with slide guitar (or 'bottleneck') players, as it al ...
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Bad Company (album)
''Bad Company'' is the debut studio album by Bad Company, a 1970s English hard rock supergroup. The album was recorded at Headley Grange with Ronnie Lane's Mobile Studio in November 1973, and it was the second album released on Led Zeppelin's Swan Song Records label. Among the songs recorded during the album sessions were two covers of tracks originally by members' previous bands — specifically, Mott the Hoople's "Ready for Love" (recorded while Mick Ralphs was with the band and released on their 1972 album '' All the Young Dudes'') and "Easy on My Soul" (recorded by Paul Rodgers and Simon Kirke with Free and released on '' Heartbreaker'' in 1973). The latter did not make the final album, but was released as the B-side to second single " Movin' On". Reception and legacy The album reached the top of the US ''Billboard'' 200. Since then, the album has been certified five times platinum by the RIAA, and became the 46th best selling album of the 1970s. The album spent 25 ...
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Can't Get Enough (Bad Company Song)
"Can't Get Enough" is the debut single by English rock supergroup Bad Company. Appearing on the band's 1974 self-titled debut album, it is their biggest hit and is considered their most popular song. It reached No. 5 on the ''Billboard'' Hot 100 singles chart and No. 1 on '' Cashbox'' magazine's Top 100 Singles chart. The song is also frequently played on classic rock radio stations. Composition The song is credited to guitarist Mick Ralphs, who tuned his guitar in the open-C tuning C-C-G-C-E-C. Ralphs stated that "It never really sounds right in standard tuning. It needs the open C to have that ring." It borrows from the riff Ralphs used for his 1972 Mott the Hoople song, "One of the Boys". Reception ''Billboard'' described "Can't Get Enough" as a "good, solid rocker" and praised Paul Rodgers' vocal performance. ''Cash Box'' called it "one of the best rockers to come out of Britain in years," describing it as "Top 40 oriented with a heavier flair." ''Record World' ...
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Mick Ralphs
Michael Geoffrey Ralphs (born 31 March 1944) is an English retired guitarist, vocalist and songwriter, who was a founding member of rock bands Mott the Hoople and Bad Company. Though not a constant member, he appeared on every studio album by both bands. Career Ralphs began his career as a teenager, playing with blues-rock band the Buddies. He released a single with that group in 1964 before joining the Mod Doc Thomas Group in 1966. After an eponymous Italian album debut, the band changed its name twice, first to Silence in 1968 and then, in 1969, to Mott the Hoople. Ralphs remained with the band until 1973, leaving just after they achieved their commercial breakthrough with the David Bowie-produced album '' All the Young Dudes'', though he appeared on select tracks of the album '' The Hoople''. Upon exiting Mott the Hoople, he founded Bad Company along with vocalist Paul Rodgers from the band Free. The band's debut album in 1974 included the Ralphs'-penned hit " Can't ...
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Harmonic Series (music)
The harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a ''fundamental frequency''. Definite pitch, Pitched musical instruments are often based on an Acoustics, acoustic resonator such as a String (music), string or a column of air, which Oscillation, oscillates at numerous Normal mode, modes simultaneously. As waves travel in both directions along the string or air column, they reinforce and cancel one another to form standing waves. Interaction with the surrounding air produces audible sound waves, which travel away from the instrument. These frequencies are generally integer multiples, or harmonics, of the Fundamental frequency, fundamental and such multiples form the Harmonic series (mathematics), harmonic series. The fundamental, which is usually perceived as the lowest #Partial, partial present, is generally perceived as the Pitch (music), pitch of a musical tone. The musical timbre of ...
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Major-thirds Tuning
Among guitar tunings#Alternative, alternative tunings for guitar, a major-thirds tuning is a regular tunings, regular tuning in which each interval (music), interval between successive open string (music), open strings is a major third ("M3" in musical abbreviation). Other names for major-thirds tuning include major-third tuning, M3 tuning, all-thirds tuning, and augmented tuning. By definition, a major-third interval separates two notes that differ by exactly four semitones (one-third of the twelve-note octave). The Classical guitar, Spanish guitar's guitar tunings#Standard, tuning mixes four perfect fourths (five semitones) and one major-third, the latter occurring between the G and B strings: :E–A–D–''G''–''B''–E. This tuning, which is used for acoustic and electric guitars, is called "''standard''" in English, a convention that is followed in this article. While standard tuning is irregular, mixing four fourths and one major third, M3 tunings are regul ...
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Repetitive Tuning
Repetitive tunings are a type of alternative tunings for the guitar. A repetitive tuning begins with a list of notes that is duplicated, either at unison or at higher octaves. Among regular tunings, there are four repetitive-tunings (besides trivially repetitive tunings such as C-C-C-C-C-C); this article discusses three minor-thirds tuning, major-thirds tuning, and augmented-fourths tuning (but not major seconds tuning, which is not repetitive on six strings). Among open tunings, there are repetitive versions of open C tuning and open G tuning, which have been associated with the English and Russian guitars, respectively. Repetition eases the learning of fretboard and chords and eases improvisation. For example, in major-thirds tuning, chords are raised an octave by shifting fingers by three strings on the same frets. Repetitive tunings are listed after their number of open pitches. For example, the repetitive open-C tuning C-E-G-C-E-G has three open-pitches, each of ...
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English Guitar
The English guitar or guittar (also citra) is a stringed instrument – a type of cittern – popular in many places in Europe from around 1750–1850. It is unknown when the identifier "English" became connected to the instrument: at the time of its introduction to Great Britain, and during its period of popularity, it was apparently simply known as ''guitar'' or ''guittar''. The instrument was also known in Norway as a ''guitarre'' and France as ''cistre'' or ''guitarre allemande'' (German guitar). There are many examples in Norwegian museums, like the Norsk Folkemuseum and in British ones, including the Victoria and Albert Museum. The English guitar has a pear-shaped body, a flat base, and a short neck. The instrument is also related to the Portuguese guitar and the German waldzither. Early examples had tuning pegs (similar to a violin or lute), but many museum examples have what are commonly referred to now as Preston tuners, an innovation that appears closely linked with ...
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David Wilcox (American Musician)
David Patrick Wilcox (born March 9, 1958) is an American folk musician and singer-songwriter guitarist. He has been active in the music business since the late 1980s. Career Wilcox was born in Mentor, Ohio, Mentor, Ohio, and attended Antioch College in Yellow Springs, Ohio, in 1976, where he began learning guitar. He later transferred to Warren Wilson College in North Carolina in 1981 and graduated in 1985. Wilcox appeared regularly at a Black Mountain, North Carolina, nightclub called McDibbs. His debut album ''The Nightshift Watchman'' was released in 1987 on Jerry Read Smith's label, Song of the Woods, and was reissued in 1996. He began touring regularly. After performing at the Bluebird Cafe in Nashville, Tennessee, Nashville, he signed with A&M Records in 1989. He made several albums with this label. His albums were described by one ''Rolling Stone'' critic as "unjustly neglected". After his contract with A&M expired in 1994, Wilcox continued to write songs, tour and re ...
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