Double Concerto (Holst)
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Double Concerto (Holst)
The ''Double Concerto'' for Two Violins and Orchestra (H. 175; Op. 49) is a work by Gustav Holst in three movements played without a break. It was written in 1929 and first performed in 1930 by its dedicatees, the sisters Adila Fachiri and Jelly d'Arányi. Though now praised by many critics, it has never been frequently performed in the concert hall. It is characterized by fugal counterpoint, folk-like melody, and bitonality without dissonance. Scoring Apart from the soloists, the ''Double Concerto'' is scored for two flutes, two oboes, two clarinets in B♭, two bassoons, two horns in F, two trumpets in C, timpani and strings. The 2nd flute, 2nd oboe, 2nd bassoon, 2nd horn, 2nd trumpet and timpani are cued in. Composition On 21 September 1927 Holst heard the Bach Concerto for Two Violins performed at the Queen's Hall, the sisters Adila Fachiri and Jelly d'Arányi being the soloists. Though he had never been much tempted to produce solo concertos, he was now moved to ...
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Gustav Holst
Gustav Theodore Holst (born Gustavus Theodore von Holst; 21 September 1874 – 25 May 1934) was an English composer, arranger and teacher. Best known for his orchestral suite ''The Planets'', he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development. The subsequent inspiration of the English folk music#Folk revivals 1890–1969, English folksong revival of the early 20th century, and the example of such rising modern composers as Maurice Ravel, led Holst to develop and refine an individual style. There were professional musicians in the previous three generations of Holst's family, and it was clear from his early years that he would follow the same calling. He hoped to become a pianist, but was prevented by neuritis in his right arm. Despite his father's reservations, he pursued a c ...
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Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means " joke" or "jest." More rarely, the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, "jesting") has been used. Sometimes the word ''scherzando'' ("joking") is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claud ...
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Concertante Works By Gustav Holst
Sinfonia concertante (; also called ''symphonie concertante'') is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra.Collins: ''Encyclopedia of Music'', William Collins Sons & Company Ltd., 1976 504. o. It emerged as a musical form during the Classical period of Western music from the Baroque concerto grosso. Sinfonia concertante encompasses the symphony and the concerto genres, a concerto in that soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a part of the total ensemble and not preeminent. Sinfonia concertante is the ancestor of the double and triple concerti of the Romantic period corresponding approximately to the 19th century. Classical era In the Baroque period, the differences between a concerto and a ''sinfonia'' (also "symphony") were initially not all that clear. The word ''sinfonia'' would, for example, be used as the name for an overture to a st ...
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1929 Compositions
Nineteen or 19 may refer to: * 19 (number) * One of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (1987 film), a 1987 science fiction film * '' 19-Nineteen'', a 2009 South Korean film * '' Diciannove'', a 2024 Italian drama film informally referred to as "Nineteen" in some sources Science * Potassium, an alkali metal * 19 Fortuna, an asteroid Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle * "Stone in Focus", officially "#19", a composition by Aphex Twin * "Nineteen", a song from the 1992 album ''Refugee'' by Bad4Good * "Nineteen", a song from the 20 ...
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Internet Archive
The Internet Archive is an American 501(c)(3) organization, non-profit organization founded in 1996 by Brewster Kahle that runs a digital library website, archive.org. It provides free access to collections of digitized media including websites, Application software, software applications, music, audiovisual, and print materials. The Archive also advocates a Information wants to be free, free and open Internet. Its mission is committing to provide "universal access to all knowledge". The Internet Archive allows the public to upload and download digital material to its data cluster, but the bulk of its data is collected automatically by its web crawlers, which work to preserve as much of the public web as possible. Its web archiving, web archive, the Wayback Machine, contains hundreds of billions of web captures. The Archive also oversees numerous Internet Archive#Book collections, book digitization projects, collectively one of the world's largest book digitization efforts. ...
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Ralph Vaughan Williams
Ralph Vaughan Williams ( ; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German classical music, German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social outlook. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Music of Germany, Teutonic inf ...
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The Daily Telegraph
''The Daily Telegraph'', known online and elsewhere as ''The Telegraph'', is a British daily broadsheet conservative newspaper published in London by Telegraph Media Group and distributed in the United Kingdom and internationally. It was founded by Arthur B. Sleigh in 1855 as ''The Daily Telegraph and Courier''. ''The Telegraph'' is considered a newspaper of record in the UK. The paper's motto, "Was, is, and will be", was included in its emblem which was used for over a century starting in 1858. In 2013, ''The Daily Telegraph'' and ''The Sunday Telegraph'', which started in 1961, were merged, although the latter retains its own editor. It is politically conservative and supports the Conservative Party (UK), Conservative Party. It was moderately Liberalism, liberal politically before the late 1870s.Dictionary of Nineteenth Century Journalismp 159 ''The Telegraph'' has had a number of news scoops, including the outbreak of World War II by rookie reporter Clare Hollingworth, desc ...
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Pizzicato
Pizzicato (, ; translated as 'pinched', and sometimes roughly as 'plucked') is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument: * On bowed string instruments it is a method of playing by plucking the strings with the fingers, rather than using the bow. This produces a very different sound from bowing, short and percussive rather than sustained. * On keyboard string instruments, such as the piano, pizzicato may be employed (although rarely seen in traditional repertoire, this technique has been normalized in contemporary music, with ample examples by George Crumb, Tōru Takemitsu, Helmut Lachenmann, and others) as one of the variety of techniques involving direct manipulation of the strings known collectively as " string piano". * On the guitar, it is a muted form of plucking, which bears an audible resemblance to pizzicato on a bowed string instrument with its relatively ...
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Terzetto For Flute, Oboe And Viola
The Terzetto for flute, oboe and viola (H158), written by Gustav Holst in 1925 and first performed the following year, comprises two movements marked ''Allegretto'' and ''Un poco vivace''. Each of the three parts is written in a different key throughout, though Holst was careful to minimise dissonance. It is the only work of chamber music written by Holst in his mature style. The Terzetto was initially not one of Holst's more popular works, but has since gained an established place in the repertoire and been highly praised by critics. Composition and first performances In 1925, the year in which Holst's opera ''At the Boar's Head'' and his ''Choral Symphony'' were premiered, he completed a much smaller-scale work, the Terzetto. An experiment in polytonality, it was not an easy work to compose, Holst being worried whether in performance the work would match his conception of it. He wrote to his friend the critic Edwin Evans that it would "probably be either chamber music o ...
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Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his First Symphony in 1926 and thereafter was regarded as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera '' Lady Macbeth of Mtsensk'' was initially a success but later condemned by the Soviet government, putting his career at risk. In 1948, his work was denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Thirteenth Symphony (1962). Nevertheless, Shostakovich was a member of the Supreme Soviet of the RSFSR (1947) and the Supreme Soviet of the Soviet Union (from 1962 until his death), as well as chairman of the RSFSR Union of Composers (1960–1968). Over ...
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Ostinato
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as John Lennon’s “Mind Games” (1973), Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), The Verve's " Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term cover ...
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The Hymn Of Jesus
''The Hymn of Jesus'', H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. One of his most popular and highly acclaimed compositions, it is divided into two sections. The Prelude presents the plainsong ''Pange lingua'' and ''Vexilla regis'' (both to texts by Venantius Fortunatus) first instrumentally and then chorally; the second section, the Hymn, is a setting of his own translation of the Hymn of Jesus from the apocryphal Acts of John. Scoring ''The Hymn of Jesus'' is scored for two mixed choirs and one women's semi-chorus, with three flutes (one doubling piccolo), two oboes, cor anglais, two clarinets, two bassoons, four horns, two trumpets, three trombones, percussion (one player – snare drum, bass drum, tambourine, cymbals), piano, celeste, organ, and strings. Holst specified that "The two choruses should be of fairly equal strength, and, if possible, s ...
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