|
Double Bass Concerto
A double bass concerto is a notated musical composition, usually in three parts or movements (see concerto), for a solo double bass accompanied by an orchestra. Bass concertos typically require an advanced level of technique, as they often use very high-register passages, harmonics, challenging scale and arpeggio lines and difficult bowing techniques. Music students typically play bass concerti with the orchestral part played by a pianist who reads from an orchestral reduction (the orchestra parts arranged for piano). History The Origin of the Double Bass Concerto Concerti originated in the Classical era. At first, double bass concertos were very rare due to the gut strings. These strings were difficult to move with the bow and did not resonate or project as loud. It was around 1650 that the overwound gut string was invented. This greatly increased the popularity for composers to write double bass solos. The main eras of double bass concerts are the Classical and Romantic perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Notation
Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to as reading music. Distinct methods of notation have been invented throughout history by various cultures. Much information about ancient music notation is fragmentary. Even in the same time frames, different styles of music and different cultures use different music notation methods. For example, classical music, classical performers most often use sheet music using staff (music), staves, time signatures, key signatures, and noteheads for writing and deciphering Musical composition, pieces. But even so, there are far more systems just that, for instance in professional country music, the Nashville Number System is the main method, and for string instruments such as guitar, it is quit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Rabbath
François Rabbath (born 1931) is a contemporary French double-bass virtuoso, soloist, and composer. Career Rabbath was born into a Syrian family of musicians but his only instruction came from a book written by a Parisian bassist Edouard Nanny. In 1955 he went to Paris, hoping to meet Nanny, who had died nearly ten years prior to his arrival, but he continued to study, and in 1964 recorded for the first time. In 1977 Rabbath began a collaboration with American composer Frank Proto. Proto has written five major works for double bass and orchestra especially for Rabbath who has premiered and recorded them all. Included are two of the most often-performed works in the double bass repertoire: ''A Carmen Fantasy'' and ''Nine Variants on Paganini.'' both for double bass and orchestra. Rabbath's major contribution to the field of bass pedagogy is represented in the three-volume ''Nouvelle technique de la contrebasse.'' The main differences in Rabbath's approach from that of the doubl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikos Skalkottas
Nikos Skalkottas (; 21 March 1904 – 19 September 1949) was a Greek composer of 20th-century classical music. A member of the Second Viennese School, he drew his influences from both the classical repertoire and the Greek tradition. He also produced a sizeable amount of tonal music in the last phase of his musical creativity. Biography Skalkottas was born in Chalcis on the island of Euboea. He started violin lessons with his father and uncle Kostas Skalkottas at the age of five, three years after his family moved to Athens because Kostas had lost the post of town bandmaster in 1906 due to political and legal intrigues . He continued studying violin with at the Athens Conservatory, from which he graduated in 1920 with a diploma of high distinction. The following year a scholarship from the Averoff Foundation enabled him to study abroad. From 1921 to 1933 he lived in Berlin, where he first took violin lessons at the Prussian Academy of Arts with Willy Hess . Deciding i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgi Conus
Georgi Eduardovich Conus (Russian: Георгий Эдуардович Конюс; 29 August 1933) was a Russian music theorist and composer of French descent. He is buried in Novodevichy Cemetery, Moscow. Family and Education He was the eldest of the three Conus brothers, of whom the others were Julius and Lev, and son to Eduard Konstantinovich Conus, a pianist and composer, and Klotilda (sometimes Clothilde in French) Adolfovna, née Tambroni. His father never intended originally for him to become a professional musician but seeing as this was incompatible with his son, in 1881 he successfully gained admission to the Moscow Conservatory. Originally, Conus decided to pursue a career as a professional pianist, studying with Pavel Pabst. However, after an injury he later pursued composition, studying instead with Sergei Taneyev and Anton Arensky. Give his competency, Conus, along with other students, gained the attention of Pyotr Ilyich Tchaikovsky. Moreover, at the age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mauricio Annunziata
Mauricio may refer to: *Mauricio (given name) *Maurício José da Silveira Júnior (born 1988), Brazilian footballer known by the mononym Maurício *Maurício (footballer) (Maurício dos Santos Nascimento, born 1988), Brazilian footballer *216428 Mauricio {{disambiguation, hndis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass Concerto (Koussevitzky)
The Double Bass Concerto in F-sharp minor, Op. 3, is a concerto for double bass and orchestra in three movements composed by Serge Koussevitzky in 1902. Creation The concerto was composed in 1902 by Serge Koussevitzky. The composer dedicated the concerto to Natalie Ouchkoff, his fiancé, whom he married the year of the composition's premiere. The work's production came at a time of little repertoire for the double bass, which was often considered as an instrument only for ensembles. Some bassists argue that Koussevitzky did not write the entire concerto himself, instead receiving help from his friend, Reyngol’d Glière. But others argue that the concerto is tailored too closely to the double bass to have been written by someone who does not play the instrument. Olga Koussevitzky, his widow, remains adamant that the concerto was written entirely by him. Characteristics The concerto was written as a long, single movement that is split into three sections with a tertiary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serge Koussevitsky
Serge Koussevitzky (born Sergey Aleksandrovich Kusevitsky;Koussevitzky's original Russian forename is usually transliterated into English as either "Sergei" or "Sergey"; however, he himself adopted the French spelling "Serge", using it in his signature. (SeThe Koussevitzky Music Foundations official web site Retrieved 5 November 2009.) His surname can be transliterated variously as "Koussevitzky", "Koussevitsky", "Kussevitzky", "Kusevitsky", or, into Polish, as "Kusewicki"; however, he himself chose to use "Koussevitzky". , ; 4 June 1951) was a Russian and American conductor, composer, and double-bassist, known for his long tenure as music director of the Boston Symphony Orchestra from 1924 to 1949. Biography Early career Koussevitzky was born into a Jewish family of professional musicians in Vyshny Volochyok, Tver Governorate (present-day Tver Oblast), about 250 km northwest of Moscow, Russia. His parents taught him violin, cello, and piano. He also learned trumpet.José ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Capuzzi
Giuseppe Antonio Capuzzi (also ''Capucci''; 1 August 1755 – 28 March 1818) was an Italian violinist and composer. He studied in Venice, Italy under the direction of A. Nazari (violin) and F. G. Bertoni (composition). Beginning in 1780, he was concertmaster with the orchestra at the Teatro di S. Samuele and eventually became the orchestral director at the Teatro di S. Benedetto. After his tenure at the Teatro di S. Samuele in 1805, he became orchestral director and a professor at the Bergamo Conservatory then located at the S. Maria Maggiore. Although popular in his day, most of his music is now forgotten. The most commonly performed piece today is his concerto for double bass. The concerto was found in the British Museum, and was dedicated to Kavalier Marcantonio Montenigo, who is assumed to have performed on that instrument. An arrangement of the second (andante) and third (rondo) movements of the concerto is also performed on tuba, euphonium, and trombone. In addition Philip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Anton Hoffmeister
Franz Anton Hoffmeister (12 May 1754 – 9 February 1812) was a German and Austrian composer and music publisher. Early years Franz Anton Hoffmeister was born in Rottenburg am Neckar, Further Austria, on 12 May 1754. At the age of fourteen, he went to Vienna to study law. Following his studies, however, he decided on a career in music and by the 1780s he had become one of the city’s most popular composers, with an extensive and varied catalogue of works to his credit. Hoffmeister’s reputation today rests mainly on his activities as a music publisher. By 1785 he had established one of Vienna’s first music publishing businesses, second only to Artaria & Co, which had ventured into the field five years earlier. Hoffmeister published his own works as well as those of many important composers of the time, including Haydn, Mozart, Beethoven, Clementi, Johann Georg Albrechtsberger, Carl Ditters von Dittersdorf and Johann Baptist Wanhal. These famous composers were also amo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin family, violin, or ; and it is any one of the earlier viol family of bow (music), bowed, fretted, and stringed instruments , stringed instruments with hollow wooden bodies and Tuning mechanisms for stringed instruments, pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Although treble, tenor and bass were most commonly used, viols came in different sizes, including (high treble, developed in 18th century), treble, alto, small tenor, tenor, bass and contrabass (called ). These members of the viol family are distinguished from later bowed string instruments, such as the violin family, by both appearance and orientation when played—as typically the neck is oriented upwards and the rounded bottom downwards to settle on the lap or between the knees. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
