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Dorrit Black
Dorothea Foster Black (23 December 1891 – 13 September 1951) was an Australian painter and printmaker of the Modernist school, known for being a pioneer of Modernism in Australia. In 1951, at the age of sixty, Black was killed in a car crash. Early life and training Dorrit Black was born in the Adelaide suburb of Burnside, the daughter of engineer and architect Alfred Barham Black and Jessie Howard Clark, an amateur artist and daughter of John Howard Clark, editor of the South Australian Register. She attended the South Australian School of Arts and Crafts in about 1909, working in watercolors, and attended the Julian Ashton Art School in Sydney in 1915, concentrating on working in oils. In 1927, Black went by herself to London and attended the Grosvenor School of Modern Art, where she experimented with colour linocut printing while studying under Claude Flight. Black was influenced by Flight to use bold geometrical patterns and harmonious colour schemes. In 1928, she stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burnside, South Australia
Burnside is suburb in the City of Burnside council area in the eastern suburbs of Adelaide. It is primarily a residential suburb. It was named Burnside, an amalgamation of the Scottish word for creek, "burn" and "side" because of the original property's location on the side of Second Creek. Burnside is east of the Adelaide city centre by road. Description Burnside was established and named by Peter Anderson and his family who emigrated from Scotland in 1839. Anderson started a large farm on leased land near Second Creek. The farm had a large number of animals including pigs, poultry and cattle as well as barley and wheat crops. In 1848, the lease was assigned to William Randall who arranged for the town to be laid out around Second Creek. By the 1870s the area had developed into a small village. Burnside Post Office had opened on 21 July 1863. There are a number of parks but most noticeably bordering several that are shared with other suburbs. The Burnside Swimming Centr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Art Society (Australia)
The Contemporary Art Society is an Australian organisation formed in Victoria 1938 to promote non-representative forms of art. Separate, autonomous branches were formed in each state of the Commonwealth by 1966, although not all of them still exist today. Victoria The Contemporary Art Society (now Contemporary Art Society of Victoria (Inc.) was established on 13 July 1938, by George Bell. It held its first exhibition in June 1939 at the National Gallery of Victoria, displaying works of artists from all over Australia. Members were not only committed to contemporary stylistic experimentation, but also to engagement with contemporary social realities, and in December 1942 sponsored an "Antifascist Exhibition" at Melbourne's Athenaeum Gallery. However, Bell and others left the society over differences of opinion in 1940, and further differences among remaining members (who included Arthur Boyd, Sidney Nolan and John Perceval), led to suspension of the society in 1947. In 1954 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Australian Society Of Arts
The South Australian Society of Arts was a society for artists in South Australia, later with a royal warrant renamed The Royal South Australian Society of Arts in 1935. History A meeting of persons interested in the formation of a society for the promotion of the fine arts was held on Monday evening 13 October 1856 at the Adelaide School of Arts, in Pulteney Street. Owing to the inclemency of the weather very few persons were present. Mr James MacGeorge took the chair. Letters were read from Mr. Fisher, M.L.C., Mr. Tomkinson, Mr. J. Howard Clark, Mr. C. A. Wilson, expressing regret at being unable to attend, but expressing approval of the objects sought to be attained by that meeting. The following resolutions were passed unanimously:— That a Society, to be called the South Australian Society of Arts, be now formed, 'The annual payment of one guinea shall entitle the subscriber to all the benefits of membership, consisting in free admission to all lectures, meetings, and exhibit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Gallery Of South Australia
The Art Gallery of South Australia (AGSA), established as the National Gallery of South Australia in 1881, is located in Adelaide. It is the most significant visual arts museum in the Australian state of South Australia. It has a collection of almost 45,000 works of art, making it the second largest state art collection in Australia (after the National Gallery of Victoria). As part of North Terrace cultural precinct, the gallery is flanked by the South Australian Museum to the west and the University of Adelaide to the east. As well as its permanent collection, which is especially renowned for its collection of Australian art, AGSA hosts the annual Festival of Contemporary Aboriginal and Torres Strait Islander Art known as '' Tarnanthi'', displays a number of visiting exhibitions each year and also contributes travelling exhibitions to regional galleries. European (including British), Asian and North American art are also well represented in its collections. the Director o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archibald Prize
The Archibald Prize is an Australian portraiture art prize for painting, generally seen as the most prestigious portrait prize in Australia. It was first awarded in 1921 after the receipt of a bequest from J. F. Archibald, the editor of ''The Bulletin'' who died in 1919. It is administered by the trustees of the Art Gallery of New South Wales and awarded for "the best portrait, preferentially of some man or woman distinguished in Art, Letters, Science or Politics, painted by an artist resident in Australia during the twelve months preceding the date fixed by the trustees for sending in the pictures". The Archibald Prize has been awarded annually since 1921 (with two exceptions) and since July 2015 the prize has been AU$100,000. Winners * List of Archibald Prize winners Prize money *1921 – £400 *1941 – £443 / 13 / 4 *1942 – £441 / 11 / 11 *1951 – £500 *2006 – $35,000 *2008 – $50,002 *2013 - $60,000 *2012 – $75,000 *2015 – $100,000 Additional pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sydney Harbour Bridge
The Sydney Harbour Bridge is a steel through arch bridge in Sydney, spanning Sydney Harbour from the central business district (CBD) to the North Shore. The view of the bridge, the harbour, and the nearby Sydney Opera House is widely regarded as an iconic image of Sydney, and of Australia itself. Nicknamed "The Coathanger" because of its arch-based design, the bridge carries rail, vehicular, bicycle and pedestrian traffic. Under the direction of John Bradfield of the New South Wales Department of Public Works, the bridge was designed and built by British firm Dorman Long of Middlesbrough, and opened in 1932. The bridge's general design, which Bradfield tasked the NSW Department of Public Works with producing, was a rough copy of the Hell Gate Bridge in New York City. This general design document, however, did not form any part of the request for tender, which remained sufficiently broad as to allow cantilever (Bradfield's original preference) and even suspension bridge propos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rah Fizelle
Reginald Cecil Grahame (Rah) Fizelle (4 September 1891 – 25 October 1964) was an Australian artist and teacher. Biography Rah Fizelle was born in near Goulburn, New South Wales. After training at Teachers' College Sydney, Fizelle jointed the Department of Public Instruction and returned to Goulburn to teach. In January 1916 he enlisted in the Australian Imperial Force and fought with the 22nd Battalion in France raising to the rank of lance sergeant. Upon returning to Australia in 1919 with some injuries Fizelle went back the Teachers' College to specialise in art under May Marsden. In 1921 Fizelle won a scholarship to the Julian Ashton Art School. From 1922 to 1926 he taught at Darlington Public School and attended evening classes with Aston. During this time he became known for his water colours. Career Fizelle returned to Europe in 1927, studying ath the Polytechnic School of Art, Regent Street, London and the Westminster School of Art under Bernard Meninsky. From 1928 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Balson
Ralph Balson (1890–1964) was an English born Australian artist. Balson was a leading figure in the modernist movement and is credited with holding the first solo exhibition of abstract work in Australia. Balson, initially a plumber and house painter, migrated to Sydney when he was 23. He took up art in his spare time and, from 1934 to 1937, explored Cubist principles at the Crowely- Fizelle School. Introduced to works of Wassily Kandinsky, Fernand Léger, and Piet Mondrian, Balson began teaching abstract painting in 1949 and committed full-time to art in 1955. Influences from his travels in 1960 included Jackson Pollock, Alberto Burri, and Antoni Tapiès. His works are held by the National Gallery of Australia, the Art Gallery of New South Wales, and the National Gallery of Victoria. Early life Balson was born in Bothenhampton, Dorset, England. After attending the village school he became an apprentice in 1903 to become a plumber and house painter. At the age of 23, Balso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grace Cossington Smith
Grace Cossington Smith (20 April 189220 December 1984) was an Australian artist and pioneer of modernist painting in Australia and was instrumental in introducing Post-Impressionism to her home country. Examples of her work are held by every major gallery in Australia. Biography She was born Grace Smith, in Neutral Bay, Sydney, second of five children of London-born solicitor Ernest Smith and his wife Grace, née Fisher, who was the daughter of the rector of Cossington in Leicestershire. The family moved to Thornleigh, New South Wales around 1890. Grace attended Abbotsleigh School for Girls in Wahroonga 1905–09 where Albert Collins and Alfred Coffey took art classes. From 1910 to 1911 she studied drawing with Antonio Dattilo Rubbo. From 1912 to 1914 she and her sister lived in England, staying with an aunt at Winchester where she attended drawing classes as well as classes at Stettin in Germany, and was exposed to paintings by Watteau in Berlin. After returning to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grace Crowley
Grace Adela Williams Crowley (pr: as in "slowly") (28 May 1890 – 21 April 1979) was an Australian artist and modernist painter. Early life and education Grace Crowley was born in May 1890 in Barraba, New South Wales. She was the fourth child of Henry, a grazier, and Elizabeth (née Bridger). By 1900, her family had relocated to a homestead in Glen Riddle, Barraba, where she spent her time drawing people, cats, dogs, kookaburras, and even her father's prize winning bullock. At about the age of 13 Crowley's parents sent one of her pen and ink drawings to ''New Idea'' magazine and she won a prize. As a child, Crowley received an informal education from the governess of her homestead. When this arrangement finished, Crowley and her sister were sent to a boarding school in Sydney. It was at this time that her Uncle insisted she attend classes by Julian Ashton at The Sydney Art School, now the Julian Ashton Art School. Once a week she would attend a class with Ashton and practi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Wakelin
Roland Wakelin (17 April 1887 – 28 May 1971) was a New Zealand-born Australian painter and teacher. Early life Roland Shakespeare Wakelin was born on 17 April 1887 in Greytown, New Zealand. He studied at Wellington Technical School from 1902 to 1903. Shortly after, while working in the Land and Income Tax Department, he took night classes in painting under Henri Bastings. In 1908 and 1909, he visited his brother in Sydney then in 1912 joined him, then enrolled in the Royal Art Society School to study drawing and painting under Dattilo Rubbo alongside fellow students Smith, Norah Simpson and Roy de Maistre. Career In 1913, he started working at the New South Wales Land Tax Office. In 1914, he started working as a ticket writer for Mark Foy's and David Jones department stores, then from 1916 worked for the commercial art firm of Smith and Julius. In this position, Wakelin found himself working alongside “fellow artists such as Lloyd Rees and James Muir Auld.” Earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
