Dorothy Hutton
Dorothy Hutton (21 November 1889 – 19 May 1984) was an English painter, scribe and printmaker. She was particularly renowned as a calligrapher and most widely known for her London Transport posters. Early life and education Hutton was born in Bolton, Lancashire, daughter of the Reverend F.R.C. Hutton. Her cousin, Captain Anthony David Hutton , would go on to organise the evacuation of refugees from Cyprus during the Turkish invasion of 1974. She was educated at Queen Margaret's School, York, and later studied architecture. She worked at the Curwen Press during the First World War. In the 1920s, she attended the Central School of Arts and Crafts, studying with F Ernest Jackson. Career Hutton first garnered attention in mainstream newspapers when she entered the ''Daily Mails 1920 Exhibition of Village Signs, placing third out of 617 entries. Her Battle of Hastings-inspired design for the village of Battle, Sussex was "greatly admired", and earned her £200 in prize mon ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Royal Victorian Order
The Royal Victorian Order (french: Ordre royal de Victoria) is a dynastic order of knighthood established in 1896 by Queen Victoria. It recognises distinguished personal service to the British monarch, Canadian monarch, Australian monarch, or New Zealand monarch, members of the monarch's family, or to any viceroy or senior representative of the monarch. The present monarch, King Charles III, is the sovereign of the order, the order's motto is ''Victoria'', and its official day is 20 June. The order's chapel is the Savoy Chapel in London. There is no limit on the number of individuals honoured at any grade, and admission remains at the sole discretion of the monarch, with each of the order's five grades and one medal with three levels representing different levels of service. While all those honoured may use the prescribed styles of the order – the top two grades grant titles of knighthood, and all grades accord distinct post-nominal letters – the Royal Victorian Order ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Battle, Sussex
Battle is a small town and civil parish in the local government district of Rother in East Sussex, England. It lies south-east of London, east of Brighton and east of Lewes. Hastings is to the south-east and Bexhill-on-Sea to the south. Battle is in the designated High Weald Area of Outstanding Natural Beauty, and is a tourist destination and commuter town for white collar workers in the City of London. The parish population was 6,048 according to the 2001 census, increasing to 6,673 with the 2011 Census. Battle is the site of the Battle of Hastings, where William, Duke of Normandy, defeated King Harold II to become William I in 1066. History In 1066, the area was known for its salt production, with today's Netherfield ward within a large wealthy ancient hundred called Hailesaltede.Nethe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bernard Leach
Bernard Howell Leach (5 January 1887 – 6 May 1979), was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery". Biography Early years (Japan) Leach was born in Hong Kong. His mother Eleanor (née Sharp) died in childbirth. He spent his first three years in Japan with his father, Andrew Leach, until he moved back to Hong Kong in 1890. Leach attended the Slade School of Fine Art and the London School of Art, where he studied etching under Frank Brangwyn. Reading books by Lafcadio Hearn, he became interested in Japan. In 1909 he returned to Japan with his young wife Muriel (née Hoyle) intending to teach etching. Satomi Ton, Kojima Kikuo, and later Ryūsei Kishida were his pupils. In Tokyo, he gave talks and attended meetings along with Mushanokōji Saneatsu, Shiga Naoya, Yanagi Sōetsu and others from the " Shirakaba-Group",Shirakaba ="The Birch" () was an influential cultural magazine at that time. who were trying to intro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Paul Cooper
John Paul Cooper (3 October 1869 – 3 May 1933) was a British architect and a leading craftsman in the Arts and Crafts Movement, specialising in metalwork and jewellery. He is particularly noted for the use of materials such as shagreen and ostrich egg in combination with precious metals and gemstones. Architecture Cooper studied architectural drawing for three years from 1888 as an apprentice to John Sedding in London and travelled in Europe in the 1890s with the architects Alfred Hoare Powell and Henry Wilson. In the 1890s he made various changes to buildings at St Margaret Works, Leicester for his father's company. He continued in architecture even after starting his own workshop, including building several cottages and an infant school. Arts and Crafts Cooper took up metalwork in 1897 on the advice of Henry Wilson, Sedding's chief assistant, who he had trained with for several years. Wilson also introduced him to gesso and plasterwork techniques. Cooper set up a w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Michael Cardew
Michael Ambrose Cardew (1901–1983), was an English studio potter who worked in West Africa for twenty years. Early life Cardew was born in Wimbledon, London, the fourth child of Arthur Cardew, a civil servant, and Alexandra Kitchin, the eldest daughter of G.W.Kitchin,Clark, Garth, ''Michael Cardew'', London: Faber and Faber, 1976 the first Chancellor of Durham University. His family had a holiday home in North Devon, where Arthur Cardew collected Devon country pottery. Cardew first saw this pottery being made in the workshop of Edwin Beer Fishley at Fremington and learned to make pottery on the wheel from Fishley's grandson, William Fishley Holland. He gained a scholarship to read Classics at Exeter College, Oxford. Already preoccupied with pottery, he graduated with a third class degree in 1923. St Ives and Wenford Bridge Cardew was the first apprentice at the Leach Pottery, St Ives, Cornwall, in 1923. He shared an interest in slipware with Bernard Leach and was i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ethel Mairet
Ethel Mary Partridge, Ethel Mary Mairet RDI, or Ethel Mary Coomaraswamy (17 February 1872 – 18 November 1952) was a British hand loom weaver, significant in the development of the craft during the first half of the twentieth century. Early life Ethel Mary Partridge was born in Barnstaple, Devon, in 1872. Her parents were David (a pharmacist) and Mary Ann (born Hunt) Partridge. She was educated locally and in 1899 she qualified to teach piano at the Royal Academy of Music. She then took up work as a governess, first in London and later in Bonn, Germany. Introduction to textiles She met the famed art historian and philosopher Ananda Coomaraswamy. The couple married on 19 June 1902 and travelled to Ceylon (now Sri Lanka), where he conducted a mineral survey. The couple recorded the arts and crafts of each village, and Mairet kept meticulous journals, photographing each craft she observed. They returned to England in 1907 and published their investigations into Ceylon crafts. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Katherine Pleydell-Bouverie
Katherine (sometimes known as Katharine) Harriot Duncombe Pleydell-Bouverie (7 June 1895 – 1985) was a pioneer in modern English studio pottery, known for her wood-ash glazes. Biography Pleydell-Bouverie was born into an aristocratic family at the Coleshill estate near Faringdon, then in Berkshire. Her parents were Duncombe Pleydell-Bouverie and his wife Maria Eleanor, the daughter of Sir Edward Hulse, 5th Baronet; her paternal grandfather was Jacob Pleydell-Bouverie, 4th Earl of Radnor. Pleydell-Bouverie was the youngest of three children growing up in a 17th-century stately home surrounded by blue-and-white and ''famille verte'' Chinese porcelain. It was during childhood holidays playing on a muddy beach at Weston-super-Mare with her siblings that she was first introduced to clay. She died at Kilmington, Wiltshire, in January 1985 at the age of 89. Career Whilst living in London in the 1920s, her interest in pottery began when she visited Roger Fry at his Omega Workshops ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Enid Marx
Enid Crystal Dorothy Marx, RDI (20 October 1902 – 18 May 1998), was an English painter and designer, best known for her industrial textile designs for the London Transport Board and the Utility furniture Scheme. Marx was the first female engraver to be designated as a Royal Designer for Industry. Early life Born in London to Annie Marie Neuberger and Robert Joseph Marx, Enid Marx was the youngest of three children. She was known familiarly throughout her life as "Marco". She was a distant cousin of Karl Marx. Her father was a paper-making engineer, and Marx would later describe his work as a major influence on her interest in mass-produced design and popular art. Her artistic inclinations were fostered from an early age, especially by her older sister Marguerite who lived in France for a period. As a young girl, she found pleasure in collecting samples of ribbon from textile shops. She travelled with her family in Europe before the First World War, witnessing the Avant-garde ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dorothy Larcher
Dorothy Larcher (1884–1952) was an English designer of textiles, known for the printing workshops she shared with Phyllis Barron in Hampstead (1923–1930) and Painswick, Gloucestershire (1930–1940). Early life and education Dorothy Larcher was born in St. Pancras, London, the daughter of William Gustavus Francis Larcher and Eliza Arkell Larcher.Barley Roscoe"Larcher, Dorothy Mary (1882–1952)"''Oxford Dictionary of National Biography'' (Oxford University Press 2004). She attended Hornsey School of Art, where she would later teach.Barley Roscoe"Phyllis Barron and Dorothy Larcher"in Margot Coatts, ed., ''Pioneers of Modern Craft: Twelve Essays Profiling Key Figures in the History of Twentieth-Century Craft'' (Manchester University Press 1997). She learned about block printing textiles while traveling in India as a paid companion and assistant to British artist Christiana Herringham. Career Larcher joined Phyllis Barron in a textile workshop in Parkhill Road, Hampstead, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Phyllis Barron
Mabel Phyllis Barron (19 March 1890 – 23 November 1964) was an English designer, known for her textile printing workshop with Dorothy Larcher. These textiles are ‘noted for the assurance and originality of the designs, their distinctive and subtle colouring, and the quality of the materials selected’ Early life and education Barron was born in Taplow House in Taplow, Buckinghamshire, the daughter of Alice (née Clark) and Walter Barron. She later described her father as 'something in the City' and considered her family to be rich. She encountered block printing in her mid teens while on a sketching holiday in Normandy, when the tutor gave her some old printing blocks to experiment with. On realising that the blocks were designed for textiles not paper, she researched further in the library of the Victoria and Albert Museum. She attended the Slade School of Fine Art, where she studied fine art under Henry Tonks, but continued her independent efforts to experiment with print ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Margaret Pilkington
Margaret Pilkington (25 November 1891 – 2 August 1974) was a British wood-engraver who was active at the beginning of the twentieth century. She was a pupil of Noel Rooke at the Central School of Art and Design and was a member of the Society of Wood EngraversJoanna Selborne, ‘The Society of Wood Engravers: the early years’ in ''Craft History 1'' (1988), published by Combined Arts. and the Red Rose Guild. She was awarded the OBE in 1956. Background Pilkington was born into a wealthy family, the Pilkingtons of the Pilkington Glassworks and Pilkington Tile Company. In 1913 she went to study at the Slade School of Fine Art, London where she was taught wood engraving by Lucien Pissarro. In 1914 she went on to the Central School of Art and Design, London to study wood engraving under Noel Rooke. Charitable activities From early in her life she promoted a number of social projects, girls' clubs, a Pioneer Club for professional girls and women, and, most notably, the Red R ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Red Rose Guild
The Red Rose Guild was a guild based in Manchester, with the aim to promote British arts and crafts. It was “regarded as the most influential national outlet for makers” in Britain during the first half of the twentieth century. The Guild was founded in 1921 by printmaker Margaret Pilkington Margaret Pilkington (25 November 1891 – 2 August 1974) was a British wood-engraver who was active at the beginning of the twentieth century. She was a pupil of Noel Rooke at the Central School of Art and Design and was a member of the Soci ..., OBE, and remained active until 1985. The Guild held annual exhibitions at Houldsworth Hall, part of what is now Hulme Hall, Manchester until World War II. Prominent members of the Guild included potter Bernard Leach, silversmith Joyce Himsworth and weaver Ethel Mairet. After the war, the Guild moved its headquarters to The Whitworth, Whitworth Hall. In 1950 the Guild joined the Craft Centre of Great Britain. History In 1920 an exhibition b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |