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Dongjing (music)
Dongjing music ( 洞 经 音乐; ''dòngjīng yīnyuè'') or donjiang is a type of Chinese ritual music traditionally performed by the Nakhi people, Han people, and Bai people of Yunnan province in southwest China. History Prior to the establishment of the People's Republic of China, most Han towns and cities in Yunnan contained Dongjing associations, exclusive religious societies oriented around worship of the Taoist deity Wenchang Wang. The term ''Dongjing'' is an abbreviation of the title of the Taoist scripture ''Dadong Xianjing'' (大洞仙經), or "Immortals' Book of the Great Grotto". The Dongjing associations also performed highly regarded music during their ceremonies. The most prominent Dongjing associations were located in Dayan, Baisha, Shuhe, and Lhasa. From 1949 to 1978, the Dongjing associations were suppressed under Communist rule. In the 1980s, when this grip was loosened, there was a major revival of dongjing music. Performance Unlike most Naxi music, dongji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naxi Musicians I , script(s) used to write the Naxi language
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Naxi may refer to: * Naxi people (), an ethnic group mainly living in southwest provinces of China * Naxi language (納西語), the Sino-Tibetan language of the Naxi people * Naxi District (), Luzhou, Sichuan * Naxi script The Naxi language of southwestern China may be written in the syllabic ''geba'' script. There is also a Naxi tradition of pictographic symbols called ''dongba''; this may sometimes be glossed with ''geba'' for clarification, since a ''dongba'' t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gongche Notation
''Gongche'' notation or ''gongchepu'' is a traditional musical notation method, once popular in ancient China. It uses Chinese characters to represent musical notes. It was named after two of the Chinese characters that were used to represent musical notes, namely "" ''gōng'' and "" ''chě''. Sheet music written in this notation is still used for traditional Chinese musical instruments and Chinese operas. However usage of the notation has declined, replaced by mostly ''jianpu'' ( numbered musical notation) and sometimes the standard western notation. The notation usually uses a movable "do" system. There are variations of the character set used for musical notes. A commonly accepted set is shown below with its relation to ''jianpu'' and solfege. : Usual variations The three notes just below the central octave are usually represented by special characters: : Sometimes "" ''shì'' is used instead of "" ''sì''. Sometimes "" ''yī'' is not used, or its role is exchanged wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Yunnan
The music of Yunnan, a province in southwestern China, includes the traditional music of many ethnic groups, including the Miao, Hani and Nakhi (Naxi), the last being the most numerous in the area. There are 24 folk music items of Yunnan that are protected through the United Nations intangible cultural heritage (ICH) list. The lusheng is a type of mouth organ used by the Miao of Guizhou for pentatonic antiphonal courtship songs. The Hani of Honghe are known for a unique kind of choral, micro-tonal rice-transplanting songs. Nakhi music The Nakhi of Lijiang play a type of song and dance suite called baisha xiyue, which was supposedly brought by Kublai Khan in AD 1253. Nakhi '' dongjing'' is an ancient type of music related to southern Chinese forms, and is popular today. Both these styles are quite old, which has led Nakhi music to be called a "living fossil" of Chinese music. In addition to donjing and baisha xiyue, a style called ''huangjing yinyue'' also has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baisha Xiyue
Baisha xiyue (, literally "Baisha fine music") is one of the two surviving forms of traditional music of the Nakhi people of Lijiang, Yunnan Province, China, known as "Nakhi ancient music". Baisha is a town located 10 kilometres north of Lijiang, and was the capital of the independent Nakhi kingdom before it was annexed in 1271 by the Yuan Empire. Baisha xiyue is a classical orchestral musical form, with 24 qupai (tunes), played on antique Chinese musical instruments, such as flute, shawm, Chinese lute, and zither. It is derived from the ritual music of Taoist and Confucian ceremonies from the 14th century. Since Lijiang is relatively remote, the music form has survived relatively unchanged since that period. The music is characterised by the "three olds" – old melodies, old instruments and old musicians. The other surviving form of Nakhi ancient music is the Han derived '' dongjing yinyue'' ("cave scripture music"), which has its roots in Taoist and Buddhist ritual mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guan Yu
Guan Yu (; ), courtesy name Yunchang, was a Chinese military general serving under the warlord Liu Bei during the late Eastern Han dynasty of China. Along with Zhang Fei, he shared a brotherly relationship with Liu Bei and accompanied him on most of his early exploits. Guan Yu played a significant role in the events leading up to the end of the Han dynasty and the establishment of Liu Bei's state of Shu Han during the Three Kingdoms period. While he is remembered for his loyalty towards Liu Bei, he is also known for repaying Cao Cao's kindness by slaying Yan Liang, a general under Cao Cao's rival Yuan Shao, at the Battle of Boma. After Liu Bei gained control of Yi Province in 214, Guan Yu remained in Jing Province to govern and defend the area for about seven years. In 219, while he was away fighting Cao Cao's forces at the Battle of Fancheng, Liu Bei's ally Sun Quan broke the Sun–Liu alliance and sent his general Lü Meng to conquer Liu Bei's territories in Jing Provinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confucius
Confucius (; pinyin: ; ; ), born Kong Qiu (), was a Chinese philosopher of the Spring and Autumn period who is traditionally considered the paragon of Chinese sages. Much of the shared cultural heritage of the Sinosphere originates in the philosophy and teachings of Confucius. His philosophical teachings, called Confucianism, emphasized personal and governmental morality, harmonious social relationships, righteousness, kindness, sincerity, and a ruler's responsibilities to lead by virtue. Confucius considered himself a transmitter for the values of Ancient China, earlier periods which he claimed had been abandoned in his time. He advocated for filial piety, endorsing strong family loyalty, Ancestor veneration in China, ancestor veneration, the respect of elders by their children and of husbands by their wives. Confucius recommended a robust family unit as the cornerstone for an ideal government. He championed the Silver Rule, or a negative form of the Golden Rule, advising, "Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinicized
Sinicization, sinofication, sinification, or sinonization (from the prefix , 'Chinese, relating to China') is the process by which non-Chinese societies or groups are acculturated or assimilated into Chinese culture, particularly the language, societal norms, cultural practices, and ethnic identity of the Han Chinese—the largest ethnic group of China. Areas of influence include diet, writing, industry, education, language/lexicon, law, architectural style, politics, philosophy, religion, science and technology, value systems, and lifestyle. The term ''sinicization'' is also often used to refer to processes or policies of acculturation or assimilation of norms from China on neighboring East Asian societies, or on minority ethnic groups within China. Evidence of this process is reflected in the histories of Korea, Japan, and Vietnam in the adoption of Chinese literary culture, adoption of the Chinese writing system, which has long been a unifying feature in the Sinospher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zither
Zither (; , from the Greek ''cithara'') is a class of stringed instruments. The modern instrument has many strings stretched across a thin, flat body. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber ( sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern usage the term "zither" usually refers to three specific instruments: the concert zither (), its variant the Alpine zither (each of which uses a fretted fingerboard), and the chord zither (more recently described as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guzheng
The zheng (), or guzheng (), is a Chinese List of Chinese musical instruments#Plucked, plucked zither. The modern guzheng commonly has 21, 25, or 26 strings, is long, and is tuned in a Major scale, major pentatonic scale. It has a large, resonant soundboard made from ''Paulownia'' wood. Other components are often made from other woods for structural or decorative reasons. Guzheng players often wear a fingerpick made from materials such as plastic, resin, tortoiseshell, or ivory on one or both hands. It can have nylon steel strings, steel strings, silk strings, etc., depending on the genre. The most common guzheng has 21 strings. The high-pitched strings of the guzheng are close to the player, and the low-pitched strings are on the opposite side. The strings' order from the inside to the outside is 1 to 21. The guzheng is ancestral to several other Asian zithers such as the Japanese Koto (musical instrument), koto, the Korean gayageum and ajaeng, Mongolian yatga, the Vietnamese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guqin
The ''guqin'' (; ) is a plucked seven-string Chinese musical instrument. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his ''qin'' or '' se'' without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The ''guqin'' is not to be confused with the '' guzheng'', another Chinese long stringed instrument also without frets, but with moveable bridges under each string. Traditionally, the instrument was simply referred to as the "''qin''" (琴) but by the twentieth century the term had come to be applied to many other musical instruments as well: the '' yangqin'' hammered dulcimer, the '' huqin'' family of bowed string instruments, and the Western piano (''gangqin'' (钢琴 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reed Pipe
A reed pipe (also referred to as a ''lingual'' pipe) is an organ pipe that is sounded by a vibrating brass strip known as a '' reed''. Air under pressure (referred to as ''wind'') is directed towards the reed, which vibrates at a specific pitch. This is in contrast to flue pipes, which contain no moving parts and produce sound solely through the vibration of air molecules. Reed pipes are common components of pipe organs. Stop Reed pipes include all stops of the "Reed" class, and some stops from the "Hybrid" class. The reed stops of an organ are collectively called the "reed-work". Construction A reed pipe comprises a metal ''tongue'' (the reed) which rests against a ''shallot'', in which is carved a tunnel. The reed and shallot are held in place by a wooden ''wedge''. This assembly protrudes from the underside of the ''block'' and hangs down into the ''boot''. A ''tuning wire'' is inserted through the boot and is bent to hold the reed against the shallot. The wire is moved u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanxian
The (, literally "three strings") is a three-stringed List of traditional Chinese musical instruments, traditional Chinese lute. It has a long fretless fingerboard, and the body is traditionally made from snake skin stretched over a rounded rectangular resonator. It is made in several sizes for different purposes and in the early 20th century a four-stringed version, the ''jiaxian sanxian'' (加弦三弦), was developed. The northern is generally larger, at about in length, while southern versions of the instrument are usually about in length. History It has been suggested that ''sanxian'', a form of spike lute, may have its origin in the Middle East, and older forms of spike lute were also found in ancient Egypt. Similar instruments may have been present in China as early as the Qin dynasty as ''qin pipa'' (''pipa'' was used as a generic term in ancient China for many other forms of plucked chordophones) or ''xiantao'' (弦鼗), which the Qinqin and Ruan (instrument), Ruan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
