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Donald Mahler
Donald Mahler (February 16, 1933 – January 25, 2022) was an American ballet dancer, choreographer and stage director. As a dancer and later choreographer, Mahler had a long career with the Metropolitan Opera in New York City from 1962 to 1986. In his later years, he was mainly active as a director of ballets, and is particularly known for his stagings of the works of Antony Tudor. Biography Mahler studied at the Metropolitan Opera Ballet School under Margaret Craske and Antony Tudor during the 1950s. While at the school he appeared in the 1958 film ''The Very Eye of Night'', directed by Maya Deren. This short film features inverted images of dancers (with choreography by Tudor) moving across a starry sky. Shortly after finishing this project, Mahler joined the National Ballet of Canada where he danced for five years. While there he was a featured dancer in two ballets by Tudor, ''Lilac Garden'' and ''Offenbach in the Underworld''. In 1962, Mahler joined the Metropolitan Opera, M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Forza Del Destino
' (; ''The Power of Fate'', often translated ''The Force of Destiny'') is an Italian opera by Giuseppe Verdi. The libretto was written by Francesco Maria Piave based on a Spanish drama, ' (1835), by Ángel de Saavedra, 3rd Duke of Rivas, with a scene adapted from Friedrich Schiller's '' Wallensteins Lager'' (''Wallenstein's Camp''). It was first performed in the Bolshoi Kamenny Theatre of Saint Petersburg, Russia, on 29 November 1862 O.S. (N.S. 10 November). ' is frequently performed, and there have been a number of complete recordings. In addition, the overture (to the revised version of the opera) is part of the standard repertoire for orchestras, often played as the opening piece at concerts. Performance history Revisions After its premiere in Russia, ''La forza'' underwent some revisions and made its debut abroad with performances in Rome in 1863 under the title ''Don Alvaro''. Performances followed in Madrid (with the Duke of Rivas, the play's author, in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Vespri Siciliani
''I vespri siciliani'' (; ''The Sicilian Vespers'') is a five-act Italian opera originally written in French for the Paris Opéra by the Italian romantic composer Giuseppe Verdi and translated into Italian shortly after its premiere in June 1855. Under its original title, '' Les vêpres siciliennes'', the libretto was prepared by Eugène Scribe and Charles Duveyrier from their work '' Le duc d'Albe'', which was written in 1838 and offered to Halévy and Donizetti before Verdi agreed to set it to music in 1854.Everist, p. 12 The story is loosely based on a historical event, the Sicilian Vespers of 1282, using material drawn from the medieval Sicilian tract '' Lu rebellamentu di Sichilia''. After its June 1855 Paris premiere, an Italian libretto was quickly prepared using a new title because Verdi realized that it would have been impossible to place the story in Sicily. Based on Scribe's suggestions for changing the location,Budden, pp. 238–240 it became Portugal in 1640 w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Opus number, Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play ''Salome (play), Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Edgar Speyer, Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its "Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Echoing Of Trumpets
In audio signal processing and acoustics, an echo is a reflection of sound that arrives at the listener with a delay after the direct sound. The delay is directly proportional to the distance of the reflecting surface from the source and the listener. Typical examples are the echo produced by the bottom of a well, by a building, or by the walls of an enclosed room and an empty room. A true echo is a single reflection of the sound source. The word ''echo'' derives from the Greek ἠχώ (''ēchō''), itself from ἦχος (''ēchos''), "sound". Echo in the Greek folk story is a mountain nymph whose ability to speak was cursed, leaving her able only to repeat the last words spoken to her. Some animals use echo for location sensing and navigation, such as cetaceans (dolphins and whales) and bats in a process known as echolocation. Echoes are also the basis of Sonar technology. Acoustic phenomenon Acoustic waves are reflected by walls or other hard surfaces, such as mountains a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judith Blegen
Judith Blegen (April 27, 1943, Lexington, Kentucky) is an American soprano, particularly associated with light lyric roles of the French, Italian and German repertories. Life and career Blegen was raised and attended high school in Missoula, Montana, during which time she began voice lessons with John L. Lester, head of the voice department at the University of Montana. She studied first the violin with Toshiya Eto, and later voice at the Curtis Institute of Music in Philadelphia with Eufemia Giannini-Gregory. In 1962 she attended the Music Academy of the West where she studied with Martial Singher. In Rome she studied with Luigi Ricci. She made her operatic debut in Nuremberg, Germany, as Olympia in ''The Tales of Hoffmann'', in 1965, where she subsequently sang Lucia, Susanna, and Zerbinetta. That same year, she appeared in Spoleto, Italy, as Mélisande in '' Pelléas et Mélisande''. She made her debut with the Vienna State Opera as Olympia in '' Les contes d'Hoffmann'' in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Tomowa-Sintow
Anna Tomowa-Sintow ( bg, Анна Томова-Синтова, by official transliteration ''Anna Tomova-Sintova''; born 22 September 1941, in Stara Zagora) is a Bulgarian soprano who has sung to great acclaim in all the major opera houses around the world in a repertoire that includes Mozart, Rossini, Verdi, Puccini, Wagner, and Strauss. She enjoyed a particularly close professional relationship with conductor Herbert von Karajan from 1973 until his death in 1989. Life Tomowa-Sintow began studying piano at age six. At sixteen she won a national singing competition. She later attended the National Conservatory of Sofia, where she studied voice with Professor Georgi Zlatev-Tcherkin and soprano Katia Spiridonowa and graduated with diplomas in voice and piano, making her stage debut, for her master class finals, as Tatiana in Tchaikovsky's '' Eugene Onegin''. Upon graduation, she joined the Opera Studio of the Leipzig Opera, where, in 1967, she made her professional debut as A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnes Baltsa
Agni Baltsa ( el, Aγνή Mπάλτσα; also known as Agnes Baltsa; born 19 November 1944) is a leading Greek mezzo-soprano singer. Baltsa was born in Lefkada. She began playing piano at the age of six, before moving to Athens in 1958 to concentrate on singing. She graduated from the Greek National Conservatoire in 1965 and then travelled to Munich to continue studying on a Maria Callas scholarship. Baltsa made her first appearance in an opera in 1968 as Cherubino in ''The Marriage of Figaro'' at Frankfurt Opera, before going on to appear as Octavian in ''Der Rosenkavalier'' at the Vienna State Opera in 1970. Under the guidance of Herbert von Karajan, she became a regular at the prestigious Salzburg Festival. She became ''Kammersängerin'' of the Vienna State Opera in 1980. Her best-known performance is that of Carmen by Georges Bizet, which she has sung a number of times with noted tenors such as José Carreras, Neil Shicoff, and others. She has also sung works by Mozart (no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic music, Romantic and early Modernism (music), modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmony, harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan (Strauss), Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
