Don Antonio Ruffo
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Don Antonio Ruffo
Antonio Ruffo (1610 or 1611 – 16 June 1678) was an important Sicilian politician, nobleman, patron and collector from the Ruffo di Calabria family. He was probably born in Castle Bagnara or Messina and died in Messina. His collections included coins, silverware, paintings by Anthony van Dyck ('' Saint Rosalie Interceding for the Plague–Stricken of Palermo''), Paul Bril, Jacob Jordaens, Abraham Casembroot and others, several Rembrandt etchings and tapestries of ''The Life of Achilles'' to designs by Rubens. He commissioned three paintings from Rembrandt (''Aristotle with a Bust of Homer'', ''Alexander the Great'' and '' Homer Dictating his Verses'') and corresponded with Artemisia Gentileschi, Cornelis de Wael and Abraham Brueghel. He was also the owner of ''Erminia and the Shepherd'' (Guercino, 1649), ''The History of Pythagoras: Buying Fishes'' and ''The History of Pythagoras: Coming out of the Cave'' (Salvator Rosa). After the earthquake of 1783, his first-born son Giovan ...
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Ritratto Del Principe Antonio Ruffo
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better represents personality and mood, this type of presentation may be chosen. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, to most successfully engage the subject with the viewer, but portrait may be represented as a profile (from aside) and 3/4. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East ...
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Cornelis De Wael
Cornelis de Wael (Antwerp, 1592 – Rome, 1667) was a Flemish painter, engraver and merchant who was primarily active in Genoa in Italy. He is known for his genre paintings, battle scenes, history paintings and still lifes. Through his art work, support for Flemish painters working in Italy and role as an art dealer, he played an important role in the artistic exchange between Italy and Flanders in the first half of the 17th century. His work also had an influence on local painters such as Alessandro Magnasco, particularly through his scenes of despair and irony. Genoa was at the time an attractive destination for artists since the competition between artists there was less intense than in the leading cultural centres Rome, Florence and Venice, while Genoa was a thriving port city where a large number of potential customers and collectors lived.
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Italian Art Patrons
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marination * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus * ''Italien'' (magazine), pro-Fascist magazine in Germany between 1927 and 1944 See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Italia ...
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17th-century Italian Politicians
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded r ...
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