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Doggerel
Doggerel, or doggrel, is poetry that is irregular in rhythm and in rhyme, often deliberately for burlesque or comic effect. Alternatively, it can mean verse which has a monotonous rhythm, easy rhyme, and cheap or trivial meaning. The word is derived from the Middle English ''dogerel'', probably a derivative of ''dog''. In English, it has been used as an adjective since the 14th century and a noun since at least 1630. Appearing since ancient times in the literatures of many cultures, doggerel is characteristic of nursery rhymes and children's song. Examples The Scottish poet William McGonagall (1825–1902) has become famous for his doggerel, which many remember with affection despite its seeming technical flaws, as in his poem " The Tay Bridge Disaster": Hip hop lyrics have also explored the artful possibilities of doggerel. . Chaucer's Tale of Sir Thopas is written in this format. It irritates the Host of The Tabard so much that he interrupts him and makes him tell a di ...
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Poetry
Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in place of, Denotation, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, Phonaesthetics#Euphony and cacophony, euphony and cacophony, onomatopoeia, rhythm (via metre (poetry), metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into :Poetic forms, poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use Metre (poetry), rhythmic metre (patterns of syllable stress or syllable weight, syllable (mora) weight ...
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Rhyme
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final Stress (linguistics), stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciously used for a musical or aesthetic effect in the final position of Line (poetry), lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a pars pro toto, shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from or , which might be derived from , a Germanic term meaning "series", or "sequence" attested in Old English (Old English: meaning "enumeration", series", or "numeral") and , ultimately cognate to , ( "number"). Alternatively, the Old French words may derive from , from (, rhythm). The spelling ''rhyme'' (from the original r ...
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Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque"
''Oxford English Dictionary'', , accessed 16 February 2011
The word is loaned from French and derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps with , and
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Knittelvers
Knittelvers (also ''Knüttelvers'' or ''Knittel'') is a kind of Germanic verse meter which originated in Germany during the Middle Ages. In Knittelvers, consecutive lines rhyme pairwise (AABB) and each line has four stresses. "Strict" Knittelvers has eight or nine syllables on each line, whereas "free" Knittelvers can use more or fewer. It may be considered a form of doggerel and is sometimes called "Knüttelvers" () because of its rhythm. In German, this form of poetry was popular during the 15th and 16th centuries but rejected in the 17th before being brought back into use by Johann Christoph Gottsched in the 18th century. Form The only rule for classical Knittelvers poetry was that the use of couplet rhyme scheme. In his work ''Deutscher Versgeschichte'' (1925–1929), Andreas Heusler introduced the distinction between a strict Knittelvers (which depending on the cadence of the verse uses eight or nine syllables) and a free Knittelverse (using any count of syllables). The ...
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Crambo
Crambo is a rhyming game which, according to Joseph Strutt, was played as early as the 14th century under the name of the ABC of Aristotle. It is also known as capping the rhyme. The name may also be used to describe a doggerel poem which exhausts the possible rhymes with a particular word. In the days of the Stuarts it was very popular, and is frequently mentioned in the writings of the time. Thus William Congreve's 1695 play ''Love for Love'', i. 1, contains the passage,"Get the Maids to Crambo in an Evening, and learn the knack of Rhyming." Etymology The name comes from the Latin ''crambe'' and Greek κράμβη ''krámbē'', meaning "cabbage" (as in ''crambe repetita'' (Juvenal, satire 7, 154), literally meaning "re-stewed cabbage"). Hence the players started with a rhyme and then "re-stewed" it.Crambo
at Merriam-Webster Dictionary
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Poem
Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in place of, Denotation, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, Phonaesthetics#Euphony and cacophony, euphony and cacophony, onomatopoeia, rhythm (via metre (poetry), metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into :Poetic forms, poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use Metre (poetry), rhythmic metre (patterns of syllable stress or syllable weight, syllable (mora) weight ...
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Sir Thopas
"Sir Thopas" is one of ''The Canterbury Tales'' by Geoffrey Chaucer, published in 1387. The tale is one of two—together with The Tale of Melibee—told by the fictive Geoffrey Chaucer as he travels with the pilgrims on the journey to Canterbury Cathedral. The tale concerns the adventures of the knight Sir Thopas and his quest to win the elf-queen. Frame The tale is one of two told by the fictive Chaucer, along with The Tale of Melibee, who figures as one of the pilgrims who are on a journey to the shrine of Thomas Becket in Canterbury Cathedral. The pilgrims are involved in a story-telling contest at the behest of the Host (Middle English: ''Hooste''), Harry Bailly, the winner of which will receive a free meal at The Tabard Inn on their return. ''Sir Thopas'' comes after '' The Prioress's Tale'', a poem which is exemplary of the ''miracle of the Virgin'' genre and which tells the story of a child martyr killed by Jews. Seemingly wishing to counter the sombre mood that this ta ...
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Poetaster
Poetaster (), like rhymester or versifier, is a derogatory term applied to bad or inferior poets. Specifically, ''poetaster'' has implications of unwarranted pretensions to artistic value. The word was coined in Latin by Erasmus in 1521. It was first used in English by Ben Jonson in his 1600 play '' Cynthia's Revels''; immediately afterwards Jonson chose it as the title of his 1601 play '' Poetaster.'' In that play the "poetaster" character is a satire on John Marston, one of Jonson's rivals in the Poetomachia or War of the Theatres. Usage While ''poetaster'' has always been a negative appraisal of a poet's skills, ''rhymester'' (or ''rhymer'') and ''versifier'' have held ambiguous meanings depending on the commentator's opinion of a writer's verse. ''Versifier'' is often used to refer to someone who produces work in verse with the implication that while technically able to make lines rhyme they have no real talent for poetry. Rhymer on the other hand is usually impolite. Th ...
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Nonsense Poetry
Nonsense verse is a form of nonsense literature usually employing strong prosodic elements like rhythm and rhyme. It is often whimsical and humorous in tone and employs some of the techniques of nonsense literature. Limericks are probably the best known form of nonsense verse, although they tend nowadays to be used for straightforward humour, rather than having a nonsensical effect. Among writers in English noted for nonsense verse are Edward Lear, Lewis Carroll, Mervyn Peake, Edward Gorey, Colin West, Dr. Seuss, and Spike Milligan. The Martian Poets and Ivor Cutler are considered by some to be in the nonsense tradition. Variants In some cases, the humor of nonsense verse relies on the incompatibility of phrases which make grammatical sense but semantic nonsense – at least in certain interpretations – as in the traditional: Compare . Other nonsense verse makes use of nonsense words—words without a clear meaning or any meaning at all. Lewis Carroll and Edward ...
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Accentual Verse
Accentual verse has a fixed number of stresses per line regardless of the number of syllables that are present. It is common in languages that are stress-timed, such as English, as opposed to syllabic verse which is common in syllable-timed languages, such as French. Children's poetry Accentual verse is particularly common in children's poetry; nursery rhymes and the less well-known skipping-rope rhymes are the most common form of accentual verse in the English Language. The following poem, "Baa Baa Black Sheep," has two stresses in each line but a varying number of syllables. Bold represents stressed syllables, and the number of syllables in each line is noted. Baa, baa, black sheep, (4) Have you any wool? (5) Yes sir, yes sir, (4) Three bags full; (3) One for the mas-ter, (5) And one for the dame, (5) And one for the lit-tle boy (7) Who lives down the lane. (5) Accentual verse derives its musical qualities from its flexibility with unstressed syllables and tends to fol ...
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The Tabard
The Tabard was an inn in Southwark established in 1307, which stood on the east side of Borough High Street, at the road's intersection with the A2 road (England), ancient thoroughfare to Canterbury and Dover. It was built for the Hyde Abbey, Abbot of Hyde in Winchester, who purchased the land to construct a place for himself and his ecclesiastical brethren to stay when on business in London. The Tabard was famous for accommodating people who made the pilgrimage to the Shrine of Thomas Becket in Canterbury Cathedral, and it is mentioned in the 14th-century literary work ''The Canterbury Tales'' by Geoffrey Chaucer. Early history The inn was located on the south bank of the River Thames, Thames, just north of where the two Roman roads in Britain, Roman roads of Stane Street (Chichester), Stane Street and Watling Street merged. It stood near the Liberty of the Clink, Manor of Southwark, controlled by the Bishop of Winchester, Bishops of Winchester. Also known as the Liberty of ...
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